Some of the characteristics of post-modernism, such as opposition centers, denial of holism, identity, differences and uncertainties, have had a great impact on the view of education. Because the purpose of education ...Some of the characteristics of post-modernism, such as opposition centers, denial of holism, identity, differences and uncertainties, have had a great impact on the view of education. Because the purpose of education is the starting point and end-result of education, which is related to the general orientation of education development, we have to re-examine the concept of modem educational purpose in the post-modernism thought. The author holds that compared with the modem education view, the educational purpose view of the post-modem period shows the following characteristics： Maintaining the diversification and difference of individuahty, paying attention to cultivating social consciousness and critical ability, learning to understand and respect ecological harmony.展开更多
African artists demonstrate social commitment and sensibility in various ways as they create works that both sensitise and conscientise people in their milieu. Although ecocriticism itself is a relatively new theory, ...African artists demonstrate social commitment and sensibility in various ways as they create works that both sensitise and conscientise people in their milieu. Although ecocriticism itself is a relatively new theory, African artists have been preoccupied with issues bothering around environment in order to protect and preserve it. ljala genre has been studied by different scholars such as Babalola S. A. （1966）, Olukoju E. O. （1978） and Alagbe ＇Sayo （2007） from diverse perspectives; however, its ecocritical relevance has not been investigated. It is in view of the foregoing that this paper carries out an ecocritical reading of ljala chant： an example of Ogundare Foyanmu＇s selected ljala chant. The paper aims at establishing environmental consciousness in the work of this oral artist. It is observed that though ecocritical theory itself is new in African literature, African artists have shown commitment towards environmental protection in their works from time immemorial. Foyanmu conscientises the people to desist from sneeringly underrating the effect of water hazard. The paper, therefore, has no doubt, established that the subject ofljala genre is not in any way limited to hunting or hunters＇ life. It is also used to address other relevant socio-political and economic issues展开更多
文摘Some of the characteristics of post-modernism, such as opposition centers, denial of holism, identity, differences and uncertainties, have had a great impact on the view of education. Because the purpose of education is the starting point and end-result of education, which is related to the general orientation of education development, we have to re-examine the concept of modem educational purpose in the post-modernism thought. The author holds that compared with the modem education view, the educational purpose view of the post-modem period shows the following characteristics： Maintaining the diversification and difference of individuahty, paying attention to cultivating social consciousness and critical ability, learning to understand and respect ecological harmony.
文摘African artists demonstrate social commitment and sensibility in various ways as they create works that both sensitise and conscientise people in their milieu. Although ecocriticism itself is a relatively new theory, African artists have been preoccupied with issues bothering around environment in order to protect and preserve it. ljala genre has been studied by different scholars such as Babalola S. A. （1966）, Olukoju E. O. （1978） and Alagbe ＇Sayo （2007） from diverse perspectives; however, its ecocritical relevance has not been investigated. It is in view of the foregoing that this paper carries out an ecocritical reading of ljala chant： an example of Ogundare Foyanmu＇s selected ljala chant. The paper aims at establishing environmental consciousness in the work of this oral artist. It is observed that though ecocritical theory itself is new in African literature, African artists have shown commitment towards environmental protection in their works from time immemorial. Foyanmu conscientises the people to desist from sneeringly underrating the effect of water hazard. The paper, therefore, has no doubt, established that the subject ofljala genre is not in any way limited to hunting or hunters＇ life. It is also used to address other relevant socio-political and economic issues
