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在城邦之神与哲学之神之间:苏格拉底之死的信仰反思
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作者 乔新娥 《学理论》 2023年第5期45-49,共5页
苏格拉底之死是西方思想史中的重大事件,围绕城邦的政治、哲学、宗教关系,引发西方文化观念的内部纷争。雅典城邦是苏格拉底生活其中的公共权威,城邦之神是团结民众的公共信仰;苏格拉底坚守哲学之神的个人信仰,被民主派指责威胁城邦之神... 苏格拉底之死是西方思想史中的重大事件,围绕城邦的政治、哲学、宗教关系,引发西方文化观念的内部纷争。雅典城邦是苏格拉底生活其中的公共权威,城邦之神是团结民众的公共信仰;苏格拉底坚守哲学之神的个人信仰,被民主派指责威胁城邦之神,两种神的对立体现为哲学与政治之间不可调和的矛盾。苏格拉底作为公民有责任维护城邦的公共权威,服从城邦的法律审判,支持城邦的公共信仰;作为哲学家苏格拉底坚守心中哲学之神,捍卫个人的独立理性也是其内在追求。面对雅典城邦民主派的攻击,苏格拉底接受死刑判罚,完成对于城邦忠诚与哲学信仰的双重殉道。 展开更多
关键词 苏格拉底之死 哲学之 信仰
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The Spirit of Zhuangzi and Chinese Utopian Imagination
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作者 LIU Jianmei 《Journal of Literature and Art Studies》 2015年第11期970-984,共15页
Through examining Zhou Zuoren's ideal of new village and Lin Yutang's novel Unexpected lsland, this article analyzes modem Chinese utopian imaginations inspired by Zhuangzi's spirit, which complements what has been... Through examining Zhou Zuoren's ideal of new village and Lin Yutang's novel Unexpected lsland, this article analyzes modem Chinese utopian imaginations inspired by Zhuangzi's spirit, which complements what has been lacking in the modem utopian dream--individual spiritual liberation that resists any despotism of humanity and a more tolerant and multifaceted cultural mentality that fights against the unification of thought. 展开更多
关键词 Utopian ZHUANGZI Lin Yutang Zhou Zuoren Yan Lianke Ge Fei
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Utopian Theatre and Subjectivity Reconstruction Rethinking on the Artistic Spirit of Minjian Theatre
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作者 YANG Zi 《Journal of Literature and Art Studies》 2017年第11期1391-1400,共10页
Minjian has become an important concept in recent scholarly research. It is widely used by scholars to indicate specific social and cultural spaces existing beyond the control of state power, therefore, minjian social... Minjian has become an important concept in recent scholarly research. It is widely used by scholars to indicate specific social and cultural spaces existing beyond the control of state power, therefore, minjian social-cultural spaces are more often than not marginal and peripheral. In the field of performing arts, minjian theatre refers to performances produced by private theatre companies as opposed to state-run groups. These private companies or grass-root groups, without the interference of the government, produce artistic expressions that reflect current social reality to a certain extent. For a long time, the study of minjian theatre has been framed as forms of resistance against the ideology propagated by state-run theatres. Based on this paradigm, this paper, through the case analysis of Shanghai minjian theatre companies, attempts to illuminate the production mechanism and developmental process of minjian theatres. In so dong, this paper will explore the aesthetic and social-political values of minjian theatres. 展开更多
关键词 Minjian Theatre Theatrical Practice Utopian Theatre
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The Spiritual Utopia Reflected in Out of Africa
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作者 LIU Xi WU Yi 《Journal of Literature and Art Studies》 2015年第9期687-691,共5页
The publication of Out of Africa in 1937 won Baroness K. Blixen-Finecke worldwide fame because the novel caused wide public concern among both critics and readers. The story unfolds a poetic picture which reveals the ... The publication of Out of Africa in 1937 won Baroness K. Blixen-Finecke worldwide fame because the novel caused wide public concern among both critics and readers. The story unfolds a poetic picture which reveals the natural peace and harmony in Africa through the narrative angle of the heroine--Karen Blixen. In Out of Africa, the author, from multipoint viepoints, knits the legendary plot to display a picture of a community with the features of spiritual utopia, which is an ideal place for men to escape from the outside disturbance. The present paper, first, gives a brief introduction to the plot of the story. Then, it discusses the characteristics of spiritual utopian community on the African land from the following three perspectives: Karen Blixen is a pursuer to go after self-integrity so as to protect the harmony of spiritual utopian land in Africa; Africans are the paragons of self-integrity to pursue freedom on their homeland; and the western settlers are the dominators who have lost self-integrity in the spiritual utopian community because they have almost destroyed the ecological and social banlance on African land. 展开更多
关键词 spiritual utopia EQUALITY FREEDOM pursuer
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Federated unscented particle filtering algorithm for SINS/CNS/GPS system 被引量:7
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作者 胡海东 黄显林 +1 位作者 李明明 宋卓越 《Journal of Central South University》 SCIE EI CAS 2010年第4期778-785,共8页
To solve the problem of information fusion in the strapdown inertial navigation system(SINS)/celestial navigation system(CNS)/global positioning system(GPS) integrated navigation system described by the nonlinear/non-... To solve the problem of information fusion in the strapdown inertial navigation system(SINS)/celestial navigation system(CNS)/global positioning system(GPS) integrated navigation system described by the nonlinear/non-Gaussian error models,a new algorithm called the federated unscented particle filtering(FUPF) algorithm was introduced.In this algorithm,the unscented particle filter(UPF) served as the local filter,the federated filter was used to fuse outputs of all local filters,and the global filter result was obtained.Because the algorithm was not confined to the assumption of Gaussian noise,it was of great significance to integrated navigation systems described by the non-Gaussian noise.The proposed algorithm was tested in a vehicle's maneuvering trajectory,which included six flight phases:climbing,level flight,left turning,level flight,right turning and level flight.Simulation results are presented to demonstrate the improved performance of the FUPF over conventional federated unscented Kalman filter(FUKF).For instance,the mean of position-error decreases from(0.640×10-6 rad,0.667×10-6 rad,4.25 m) of FUKF to(0.403×10-6 rad,0.251×10-6 rad,1.36 m) of FUPF.In comparison of the FUKF,the FUPF performs more accurate in the SINS/CNS/GPS system described by the nonlinear/non-Gaussian error models. 展开更多
关键词 navigation system integrated navigation unscented Kalman filter unscented particle filter
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Some Remarks on the Role of Tamil Literary Tradition in Siva Satakam of Narayana Guru
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作者 Hanna Urbanska 《Sociology Study》 2016年第10期619-628,共10页
The paper presents an analysis of the selected stanzas of Siva Satakam (One Hundred Verses on Siva)--the most important hymn devoted to Siva composed in Malayalam by Narayana Guru. The analysis shows that there is a... The paper presents an analysis of the selected stanzas of Siva Satakam (One Hundred Verses on Siva)--the most important hymn devoted to Siva composed in Malayalam by Narayana Guru. The analysis shows that there is a tendency in the hymn to emphasise the equal status of Sanskrit and Dravidian literary tradition. Several stanzas are constructed on the basis of Sanskrit stories or myths; however, this "classical" scheme is filled with Tamil or Malayalam concepts, ideas, and key words. What is more, Narayana Guru employs so called twilight language used by authors of Tamil philosophical works in order to provide a receiver of the poem with the opportunity to interpret some stanzas in accordance with Sanskrit as well as Dravidian tradition. The introduction of a person belonging to lower caste of South India as the one who is able to attain liberation, as well as presentation of the welt-known philosophical concepts as equal or even subordinated to the Dravidian ideas could become a significant contribution to the social activity of Guru comprising among others the concern for spiritual and social uplift of the lower caste people of Kerala. 展开更多
关键词 Siva Satakam Narayana Guru Tirumantiram Kundalini Tamil literary tradition
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论长江中游地区早期文明演进的五个阶段 被引量:1
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作者 刘俊男 《广西民族大学学报(哲学社会科学版)》 CSSCI 北大核心 2021年第6期108-119,共12页
酋邦概念与国家概念有交叉,可以单独研究酋邦,但不可将酋邦与国家概念并列来阐述文明演进序列。神邦可用来指称国家产生之前那个已经出现宗教治理但无强制性公共权力的等级社会。在王震中先生所提的邦国与王国之间增加一个霸国阶段,以... 酋邦概念与国家概念有交叉,可以单独研究酋邦,但不可将酋邦与国家概念并列来阐述文明演进序列。神邦可用来指称国家产生之前那个已经出现宗教治理但无强制性公共权力的等级社会。在王震中先生所提的邦国与王国之间增加一个霸国阶段,以精确描述长江中游地区文明演进的序列。认为长江中游地区文明进程经历了原始社会末期的神邦,进入国家社会后的城邦、霸国、王国、帝国等几个阶段。这个演进的序列具有典型意义。 展开更多
关键词 神邦 霸国 王国 帝国
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多维度研究中国六大文化区早期文明演进的新作——评《生业与文明:中国南、北及西亚上古社会组织演进比较》
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作者 王震中 《长江文明》 2022年第3期92-96,共5页
刘俊男教授《生业与文明:中国南、北及西亚上古社会组织演进比较》是多维度研究中国六大文化区早期文明演进,并进行南、北及其与西亚对比的一部新作,内容涉及新石器时代各考古文化区的生业状况,社会基层组织尤其是家族(家庭)组织和国家... 刘俊男教授《生业与文明:中国南、北及西亚上古社会组织演进比较》是多维度研究中国六大文化区早期文明演进,并进行南、北及其与西亚对比的一部新作,内容涉及新石器时代各考古文化区的生业状况,社会基层组织尤其是家族(家庭)组织和国家组织的演进,以及上层建筑中的宗教信仰思想等诸多问题。提出了“神邦”“城邦”“霸国”“王国”“帝国”等几个演进阶段的理论观点;首次摈弃“酋邦”概念而使用“神邦”概念,在早期文明演进三大阶段理论基础上,提出应加上长达千年的“霸国”过渡阶段;认为中国南北早期文明各有特色及成就,而南方在早期文明中扮演的角色更早、更重要,约4000年前才形成多元一体中原民族文化中心;认为石器加稻作最先敲开了中国文明的大门,中国的世俗国家即文明社会比西亚等地更早等系列新观点。其材料扎实,用功颇勤,推陈出新,难能可贵。 展开更多
关键词 刘俊男 《生业与文明:中国南、北及西亚上古社会组织演进比较》 神邦 霸国
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