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万宝龙写“笔文化”
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作者 林平 《环球财经》 2003年第1期60-61,共2页
关键词 笔文化 德国 万宝龙国际有限公司 经典书写工具 全球文化
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恒久的笔尖文化
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作者 李宁 《现代商业银行》 2007年第11期62-64,共3页
一支好笔就像球道周围的植被,越有历史,越具韵味;更像一瓶上好的红酒,越是陈年,味道才越深沉。
关键词 笔文化 书写工具 万宝龙 限量发行系列 都彭 使用
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Extended Cognition as a Case of Bottomless Theory Building
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作者 Gerhard Chr. Bukow 《Journal of Philosophy Study》 2013年第12期1071-1087,共17页
Extended cognition is the thesis that vehicles realizing cognitive systems can possibly extend beyond traditional boundaries of brain, skin, or skull. It is a popular thesis because of its counterintuitive consequence... Extended cognition is the thesis that vehicles realizing cognitive systems can possibly extend beyond traditional boundaries of brain, skin, or skull. It is a popular thesis because of its counterintuitive consequence that coupled systems of vehicles of very different entities could form a realizer of one cognitive systems. Popular examples consist of human-handy-systems or human-notebook-systems, and it is a thesis that could non-dogmatically decide what individuates the realizers of cognitive systems. But the thesis is in need for individuation-criteria: How could we individuate a coupled system of different systems of vehicles? We inspect some of the usually handled candidates for individuation-criteria and argue that in principal there will be no successful candidate due to methodological problems. We aim to show this by using a cookbook theory of extended cognition and add different types of candidates. No candidate is non-arbitrary or non-intrinsic, which leads the proponent to the forced selection between arbitrary or intrinsic candidates. We argue that without criteria, the talk about extended cognition is a bottomless pit that should only serve as an example for bottomless theory-building. 展开更多
关键词 extended cognition cognitive system coupled system individuation-criteria
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吃古人──书界六吃之二
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作者 陈四益 《编辑学刊》 CSSCI 北大核心 1999年第2期78-78,共1页
关键词 抢救遗产 古人 不文不武 文化积累 图书馆 阅读需要 整理古籍 笔文化 手工作业 冤大头
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Proust Between Print Culture and Visual Art: Eve Kosofsky Sedgwick's "Works in Fiber, Paper and Proust"
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作者 Adam Watt 《Fudan Journal of the Humanities and Social Sciences》 2015年第2期179-191,共13页
Marcel Proust is an author of global significance and renown. Trans- lations into Chinese and Korean of A la recherche du temps perdu are ongoing. The Gallica online library of France's Bibliothbque nationale makes t... Marcel Proust is an author of global significance and renown. Trans- lations into Chinese and Korean of A la recherche du temps perdu are ongoing. The Gallica online library of France's Bibliothbque nationale makes the notebooks from which Proust's novel emerged between 1908 and 1922 digitally accessible any- where in the world. It is well known that Proust has been adapted to graphic novel format, individual volumes of his novel have been adapted for cinema, inspired ballet and musical theatre and his characters' lives have fuelled works of fiction by contemporary creative writers. This paper considers a very recent instance of Proust's reception and adaptation: "Works in Fiber, Paper and Proust" created by the critic and theorist Eve Kosofsky Sedgwick (1950-2009) and first exhibited at Harvard University in 2005. These remarkable objects--including what Sedgwick calls an "accordion-book" and a "loom-book"--give a woven, layered physicality to Proust's words and remobilise them in ways that force us to reconfigure our understanding of the text-reader relation. Sedgwick's visual, textile artworks are the products of creative, adaptive practices undertaken as a sort of therapy that was instrumental in her coming to terms with the terminal cancer diagnosis she received in 1996. My paper explores Sedgwick's adaptive practice and interrogates the in- sights their challenging hybridity offers us into the ongoing transmission of Proust's work. 展开更多
关键词 PROUST Eve Sedgwick A la recherche du temps perdu "Works inFiber Paper and Proust" ADAPTATION
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