This article treats the chunk‘lian…dou’an a complex conjunction on the ground that the sentence that follows the sentence in which the chunk ‘lian…dou’occurs is often incomplete.The interpretation of the incomp...This article treats the chunk‘lian…dou’an a complex conjunction on the ground that the sentence that follows the sentence in which the chunk ‘lian…dou’occurs is often incomplete.The interpretation of the incomplete sentence,or the sentence fragment,calls for the restoration of the elided constituents by reconstruction.Moreover,the proposition expressed by the sentence fragment is entailed by the proposition expressed by the sentence in which the chunk‘lian…dou’occurs.Following Montague’s rule-to-rule hypothesis,we can take the entailment inherent in the whole construction as the syntactic reflex in its semantics.Since the entailment is obviously induced by the chunk‘lian…dou’,we treat it as a complex conjunction.Section 1 demonstrates that the sentence that follows the sentence in which the chunk‘lian…dou’occurs is not independent and in many ways is similar to the ‘ruguo…(name)’construction.Section 2 develops a scalar model based on Fillmore et al (1988)for the semantic interpretation of the construction,and gives an account of a variety of ‘lian…dou’sentences.Section 3 addresses the pragmatic aspect of the construction.It also argues that the first proposition conjoined by ‘lian…dou’itself has the function of simultaneously meeting the Gricean Maxims of Relevance,Quality and Quantity,thus making the verbalization of the second proposition unnecessary.展开更多
本文译自亚基会赠书《Language,Culture and Communication》(美国斯坦福大学1971出版)。该书为著名人类学家约瑟夫·H·格林堡教授的论文集。该文尽管发表较早,但仍对当今民族学、语言学及文化人类学的研究具有重要意义,特译...本文译自亚基会赠书《Language,Culture and Communication》(美国斯坦福大学1971出版)。该书为著名人类学家约瑟夫·H·格林堡教授的论文集。该文尽管发表较早,但仍对当今民族学、语言学及文化人类学的研究具有重要意义,特译出以飨读者。展开更多
一、什么叫语用学最近十几年来国外兴起了一门新的语言科学,叫做语用学,或称语言实用学。语用学涉及的一些问题早已引起学者们的注意,并可追溯至古希腊、罗马时期。但语用学真正的、急速的发展始于一九七○年举行自然语言实用学国际讨...一、什么叫语用学最近十几年来国外兴起了一门新的语言科学,叫做语用学,或称语言实用学。语用学涉及的一些问题早已引起学者们的注意,并可追溯至古希腊、罗马时期。但语用学真正的、急速的发展始于一九七○年举行自然语言实用学国际讨论会的前后。语用学这一术语是四十多年前莫里斯(C. W. Morris)提出的。他用了符号关系学。展开更多
卡拉瓦乔(Michelangelo da Caravaggio,1573—1610)的绘画方法长期以来一直是人们研究的课题。17世纪为卡拉瓦乔作传的传记作家们也许从未涉足过他的画室。所以我们无从得知有关其画法的第一手材料。按照传记作家曼奇尼(Mancini)的说法...卡拉瓦乔(Michelangelo da Caravaggio,1573—1610)的绘画方法长期以来一直是人们研究的课题。17世纪为卡拉瓦乔作传的传记作家们也许从未涉足过他的画室。所以我们无从得知有关其画法的第一手材料。按照传记作家曼奇尼(Mancini)的说法,卡拉瓦乔没有模特儿决不在画布上落笔。据另一位传记作家贝洛瑞(Bellori)的记载。展开更多
文摘This article treats the chunk‘lian…dou’an a complex conjunction on the ground that the sentence that follows the sentence in which the chunk ‘lian…dou’occurs is often incomplete.The interpretation of the incomplete sentence,or the sentence fragment,calls for the restoration of the elided constituents by reconstruction.Moreover,the proposition expressed by the sentence fragment is entailed by the proposition expressed by the sentence in which the chunk‘lian…dou’occurs.Following Montague’s rule-to-rule hypothesis,we can take the entailment inherent in the whole construction as the syntactic reflex in its semantics.Since the entailment is obviously induced by the chunk‘lian…dou’,we treat it as a complex conjunction.Section 1 demonstrates that the sentence that follows the sentence in which the chunk‘lian…dou’occurs is not independent and in many ways is similar to the ‘ruguo…(name)’construction.Section 2 develops a scalar model based on Fillmore et al (1988)for the semantic interpretation of the construction,and gives an account of a variety of ‘lian…dou’sentences.Section 3 addresses the pragmatic aspect of the construction.It also argues that the first proposition conjoined by ‘lian…dou’itself has the function of simultaneously meeting the Gricean Maxims of Relevance,Quality and Quantity,thus making the verbalization of the second proposition unnecessary.
文摘一、什么叫语用学最近十几年来国外兴起了一门新的语言科学,叫做语用学,或称语言实用学。语用学涉及的一些问题早已引起学者们的注意,并可追溯至古希腊、罗马时期。但语用学真正的、急速的发展始于一九七○年举行自然语言实用学国际讨论会的前后。语用学这一术语是四十多年前莫里斯(C. W. Morris)提出的。他用了符号关系学。
文摘卡拉瓦乔(Michelangelo da Caravaggio,1573—1610)的绘画方法长期以来一直是人们研究的课题。17世纪为卡拉瓦乔作传的传记作家们也许从未涉足过他的画室。所以我们无从得知有关其画法的第一手材料。按照传记作家曼奇尼(Mancini)的说法,卡拉瓦乔没有模特儿决不在画布上落笔。据另一位传记作家贝洛瑞(Bellori)的记载。
