This paper mainly discusses the formation of graphic aesthetics consciousness and graphic beauty of the Zhang,Miao,Yao,Dong nationality and other ethnic minorities who represent the majority of Guangxi population,hopi...This paper mainly discusses the formation of graphic aesthetics consciousness and graphic beauty of the Zhang,Miao,Yao,Dong nationality and other ethnic minorities who represent the majority of Guangxi population,hoping that the graphic beauty of Guangxi ethnic minorities can reflect the cultural implication of Guangxi ethnic minorities,in order to find Guangxi ethnic minority spirit and aesthetic characteristics embodied by national consciousness,national spirit and national culture. The study has a wide range of practical significance for the inheriting,spreading,designing and applying visual elements of Guangxi ethnic minorities ---graphics.展开更多
Pragmatic rationality and scientific and technological developments in modem society have jointly put an end to classical myth and consigned it to the historical museum of the spiritual culture. However, mythical thin...Pragmatic rationality and scientific and technological developments in modem society have jointly put an end to classical myth and consigned it to the historical museum of the spiritual culture. However, mythical thinking and consciousness are synchronically hidden in our psychological structures and still exert an important influence on civilizations and cultures. In the modem and postmodem historical and cultural context, myth hides in our spiritual and cultural activities in various altered forms. Having evolved into a mythic form in the contemporary sense, it continues to play a powerful psychological role and to act as a midwife of conscious activities and forms. Contemporary myth typically comprises science myth, consumption myth and hero myth. It has inherited the symbols and structures of traditional myth, but with some developments and variations; in particular, by means of science and technology, it has acquired broader and richer social ingredients and swift and intensive modes of transmission, producing a widespread and far-reaching influence on various aspects of society.展开更多
文摘This paper mainly discusses the formation of graphic aesthetics consciousness and graphic beauty of the Zhang,Miao,Yao,Dong nationality and other ethnic minorities who represent the majority of Guangxi population,hoping that the graphic beauty of Guangxi ethnic minorities can reflect the cultural implication of Guangxi ethnic minorities,in order to find Guangxi ethnic minority spirit and aesthetic characteristics embodied by national consciousness,national spirit and national culture. The study has a wide range of practical significance for the inheriting,spreading,designing and applying visual elements of Guangxi ethnic minorities ---graphics.
文摘Pragmatic rationality and scientific and technological developments in modem society have jointly put an end to classical myth and consigned it to the historical museum of the spiritual culture. However, mythical thinking and consciousness are synchronically hidden in our psychological structures and still exert an important influence on civilizations and cultures. In the modem and postmodem historical and cultural context, myth hides in our spiritual and cultural activities in various altered forms. Having evolved into a mythic form in the contemporary sense, it continues to play a powerful psychological role and to act as a midwife of conscious activities and forms. Contemporary myth typically comprises science myth, consumption myth and hero myth. It has inherited the symbols and structures of traditional myth, but with some developments and variations; in particular, by means of science and technology, it has acquired broader and richer social ingredients and swift and intensive modes of transmission, producing a widespread and far-reaching influence on various aspects of society.
