Nowadays, the landscape paintings dominated by Taoism＇ s thoughts are highly controversial among people in the aspects of theory and practice along with the constantly intensified collision and blending of the easter...Nowadays, the landscape paintings dominated by Taoism＇ s thoughts are highly controversial among people in the aspects of theory and practice along with the constantly intensified collision and blending of the eastern culture and the western culture, and the interaction of arts. In the process of development from the tradition to the modem times, the original source of contemporary landscape paintings＇ artistic spirit should be traced, and the corresponding historical stages should be objectively and rationally analyzed, so that contemporary landscape paintings can better adapt to the present conditions, and then their real existence and creative development can be really realized.展开更多
Cultural capital is usually regarded as a mechanism of influence on personality. Coleman contributed to this study largely, although Bourdieu introduced the concept of a theoretical understanding of capital varieties....Cultural capital is usually regarded as a mechanism of influence on personality. Coleman contributed to this study largely, although Bourdieu introduced the concept of a theoretical understanding of capital varieties. He was interested in the convergence of social, cultural, and economic capital. The authors propose to focus on the cultural capital of both the qualitative characteristics of the state of society. The problem is that in the presence of cultural capital as a funded system of values in the form of works of art and science, society degrades morally. Any cultural capital based on traditional religious values. This does not mean the broadcasting of religious themes in works of art, although it excludes, but rather a philosophical position of artists and researchers, through which the public receives the interpretation of events, their assessment of a certain value-regulatory system of coordinates. This element is the spiritual capital of the company and is a fundamental element of cultural capital. Qualitative state of society, its morality depends on the amount of spiritual capital, which he occupies in the field of cultural capital. A striking example of how the degradation and spiritual revival of capital in society can serve as the processes that took place during the last century.展开更多
With the continuous development of our society, culture with various elements have enriched our lives. Traditional houses decoration is a form of Chinese culture. In China, residential decorative art has a long histor...With the continuous development of our society, culture with various elements have enriched our lives. Traditional houses decoration is a form of Chinese culture. In China, residential decorative art has a long history in the course of its development, which reflects the cultural spirit of Chinese ancient civilization. It ＇ s unique and rich artistic expression contains deep, traditional, and ethnic culture. It is an essential application element in our modem environment art design. Traditional houses decorated in a modem environment art design has a great significance in the inheritance, development and study of Chinese culture. In today＇ s world with a variety of cultural elements, more traditional Chinese art elements are to meet the requirements of our people, and are easily integrated with China in today＇ s art and culture. In recent years, more and more innovative art forms have been widely developed. This article will analyze and discuss traditional houses decorated in modem environmental art design.展开更多
Minjian has become an important concept in recent scholarly research. It is widely used by scholars to indicate specific social and cultural spaces existing beyond the control of state power, therefore, minjian social...Minjian has become an important concept in recent scholarly research. It is widely used by scholars to indicate specific social and cultural spaces existing beyond the control of state power, therefore, minjian social-cultural spaces are more often than not marginal and peripheral. In the field of performing arts, minjian theatre refers to performances produced by private theatre companies as opposed to state-run groups. These private companies or grass-root groups, without the interference of the government, produce artistic expressions that reflect current social reality to a certain extent. For a long time, the study of minjian theatre has been framed as forms of resistance against the ideology propagated by state-run theatres. Based on this paradigm, this paper, through the case analysis of Shanghai minjian theatre companies, attempts to illuminate the production mechanism and developmental process of minjian theatres. In so dong, this paper will explore the aesthetic and social-political values of minjian theatres.展开更多
文摘Nowadays, the landscape paintings dominated by Taoism＇ s thoughts are highly controversial among people in the aspects of theory and practice along with the constantly intensified collision and blending of the eastern culture and the western culture, and the interaction of arts. In the process of development from the tradition to the modem times, the original source of contemporary landscape paintings＇ artistic spirit should be traced, and the corresponding historical stages should be objectively and rationally analyzed, so that contemporary landscape paintings can better adapt to the present conditions, and then their real existence and creative development can be really realized.
文摘Cultural capital is usually regarded as a mechanism of influence on personality. Coleman contributed to this study largely, although Bourdieu introduced the concept of a theoretical understanding of capital varieties. He was interested in the convergence of social, cultural, and economic capital. The authors propose to focus on the cultural capital of both the qualitative characteristics of the state of society. The problem is that in the presence of cultural capital as a funded system of values in the form of works of art and science, society degrades morally. Any cultural capital based on traditional religious values. This does not mean the broadcasting of religious themes in works of art, although it excludes, but rather a philosophical position of artists and researchers, through which the public receives the interpretation of events, their assessment of a certain value-regulatory system of coordinates. This element is the spiritual capital of the company and is a fundamental element of cultural capital. Qualitative state of society, its morality depends on the amount of spiritual capital, which he occupies in the field of cultural capital. A striking example of how the degradation and spiritual revival of capital in society can serve as the processes that took place during the last century.
文摘With the continuous development of our society, culture with various elements have enriched our lives. Traditional houses decoration is a form of Chinese culture. In China, residential decorative art has a long history in the course of its development, which reflects the cultural spirit of Chinese ancient civilization. It ＇ s unique and rich artistic expression contains deep, traditional, and ethnic culture. It is an essential application element in our modem environment art design. Traditional houses decorated in a modem environment art design has a great significance in the inheritance, development and study of Chinese culture. In today＇ s world with a variety of cultural elements, more traditional Chinese art elements are to meet the requirements of our people, and are easily integrated with China in today＇ s art and culture. In recent years, more and more innovative art forms have been widely developed. This article will analyze and discuss traditional houses decorated in modem environmental art design.
文摘Minjian has become an important concept in recent scholarly research. It is widely used by scholars to indicate specific social and cultural spaces existing beyond the control of state power, therefore, minjian social-cultural spaces are more often than not marginal and peripheral. In the field of performing arts, minjian theatre refers to performances produced by private theatre companies as opposed to state-run groups. These private companies or grass-root groups, without the interference of the government, produce artistic expressions that reflect current social reality to a certain extent. For a long time, the study of minjian theatre has been framed as forms of resistance against the ideology propagated by state-run theatres. Based on this paradigm, this paper, through the case analysis of Shanghai minjian theatre companies, attempts to illuminate the production mechanism and developmental process of minjian theatres. In so dong, this paper will explore the aesthetic and social-political values of minjian theatres.
