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"A Walk in Between"--On Hart Crane's Imagination of Representational Space and Representations of Space in The Bridge
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作者 Billy Bin Feng Huang 《Journal of Literature and Art Studies》 2016年第7期722-735,共14页
In this paper, Henri Lefebvre's theorizations about representational space and representations of space will be employed to examine Hart Crane's imagination of them in The Bridge. First, according to Lefebvre, repre... In this paper, Henri Lefebvre's theorizations about representational space and representations of space will be employed to examine Hart Crane's imagination of them in The Bridge. First, according to Lefebvre, representations of space are created with violence for the purpose of accumulating capital. On the other hand, representational space is directly lived or affectively felt, opened up by inhabitants' imagination. In addition, Lefebvre points out that in abstract space, representational space will be invaded by representations of space. In The Bridge, Crane's affective experience with the Brooklyn Bridge or the subway indicates that he treats New York as a representational space. Besides, Crane expresses his concern for how capitalism has encroached on it. It would seem that Crane has followed Lefebvre's line of thinking in The Bridge. However, it is actually a specious analysis because both the Brooklyn Bridge and the subway are representations of space. And in this long poem, Crane feels the urban space through history, which plays a key role in creating representations of space. Thus, we can conclude that Crane is actually taking "a walk in between" in The Bridge. With his imagination, Crane has combined representations of space and representational space into his own poetic vision. 展开更多
关键词 (Henri) Lefebvre representations of space representational space (Hart) Crane The Bridge
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浅谈城市广场中环境设施小品的设计——水门绿园广场环境设施小品设计有感 被引量:1
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作者 陈亦子 《设计》 2014年第5期173-174,共2页
城市广场是一个城市的品质表现。慈溪拥有三大传统的区域特色文化:青瓷文化、围垦文化、移民文化。本设计旨在将这种慈溪特有的文化背景与中国古典园林文化、西方现代主义的设计手法相叠加融合,让文化和设计方法相辅相成,再在强调生态... 城市广场是一个城市的品质表现。慈溪拥有三大传统的区域特色文化:青瓷文化、围垦文化、移民文化。本设计旨在将这种慈溪特有的文化背景与中国古典园林文化、西方现代主义的设计手法相叠加融合,让文化和设计方法相辅相成,再在强调生态环境的基础上完成整个设计。慈溪身后的文化底蕴与中国古典传统文化、自然的山水与现代的交相辉印,都将传达着一种时代脉搏的强烈信息。这便是"重规叠矩,乐享生态"的内在含义。 展开更多
关键词 重规叠矩 乐享生态 叠重复累积累加中国古典园林风格现代主义建筑风格
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开拓视野 探讨学术——广州“世界科学哲学研讨会”述评
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作者 沈铭贤 《毛泽东邓小平理论研究》 1986年第5期15-19,共5页
今年六月中旬,香港中文大学、广州中山大学和广东省科学哲学研究会在广州联合举办了'世界科学哲学研讨会'。来自全国各高等院校和研究机构一百名专业工作者参加了会议。大陆和香港许多学者分别作了学术报告,与会者还交流了近三... 今年六月中旬,香港中文大学、广州中山大学和广东省科学哲学研究会在广州联合举办了'世界科学哲学研讨会'。来自全国各高等院校和研究机构一百名专业工作者参加了会议。大陆和香港许多学者分别作了学术报告,与会者还交流了近三十篇论文,并就科学哲学的若干问题进行了讨论。这次研讨会内容比较广泛,思想相当活跃。对当前欧美和苏联科学哲学研究的状况、科学认识论、科学家哲学思想的评价、意识结构等问题均有专题报告,提出了一些有价值的见解。下面,仅就若干报告作一介绍,并略陈管见。 展开更多
关键词 自然科学家 专业工作者 逻辑实证主义 累积主义 研究机构 意识结构 证伪主义 科学观 凯德洛夫 波普尔
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Injustice in Primitive Accumulation and Its Linearity: China's Alternative Path
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作者 Lin Xi 《Fudan Journal of the Humanities and Social Sciences》 2011年第4期93-116,共24页
Primitive accumulation refers to during industrialization. This article argues that the early phase of development this Marxist concept implicates a deeper notion of injustice, which contains logic of linearity that c... Primitive accumulation refers to during industrialization. This article argues that the early phase of development this Marxist concept implicates a deeper notion of injustice, which contains logic of linearity that can be further dissected into a trichotomous part worthy of our discussion, namely, temporal ordering, harsh treatment, and inhumane consequences. This "linearity" as assumed in this concept, nevertheless, was not unchallenged in history. As a matter of fact, in Mao's era, China deliberately sought an alternative path to the capitalist mode by attending to social welfare, physical well-being and rights protection for workers. This part of history is well worth re-investigation and re-interpretation. 展开更多
关键词 INJUSTICE primitive accumulation distributive injustice linear historicity alternative path
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