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Flexural and eigen-buckling analysis of steel-concrete partially composite plates using weak form quadrature element method
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作者 XIA Jun SHEN Zhi-qiang +1 位作者 LIU Kun SUN Cheng-ming 《Journal of Central South University》 SCIE EI CAS CSCD 2019年第11期3087-3102,共16页
Flexural and eigen-buckling analyses for rectangular steel-concrete partially composite plates(PCPs)with interlayer slip under simply supported and clamped boundary conditions are conducted using the weak form quadrat... Flexural and eigen-buckling analyses for rectangular steel-concrete partially composite plates(PCPs)with interlayer slip under simply supported and clamped boundary conditions are conducted using the weak form quadrature element method(QEM).Both of the derivatives and integrals in the variational description of a problem to be solved are directly evaluated by the aid of identical numerical interpolation points in the weak form QEM.The effectiveness of the presented numerical model is validated by comparing numerical results of the weak form QEM with those from FEM or analytic solution.It can be observed that only one quadrature element is fully competent for flexural and eigen-buckling analysis of a rectangular partially composite plate with shear connection stiffness commonly used.The numerical integration order of quadrature element can be adjusted neatly to meet the convergence requirement.The quadrature element model presented here is an effective and promising tool for further analysis of steel-concrete PCPs under more general circumstances.Parametric studies on the shear connection stiffness and length-width ratio of the plate are also presented.It is shown that the flexural deflections and the critical buckling loads of PCPs are significantly affected by the shear connection stiffness when its value is within a certain range. 展开更多
关键词 weak form quadrature element method partially composite plates interlayer slip flexural analysis eigen-buckling analysis
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An Analysis of Anton Von Webem's Concerto for Nine Instruments
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作者 Esra Karaol 《Journal of Literature and Art Studies》 2014年第9期729-739,共11页
Anton Webem's (1883-1945) largest project of the early the 1930s, the Concerto for Nine (solo) Instrument's Op. 24, is for flute, oboe, clarinet, horn, trumpet, trombone, violin, viola, and piano. This serial w... Anton Webem's (1883-1945) largest project of the early the 1930s, the Concerto for Nine (solo) Instrument's Op. 24, is for flute, oboe, clarinet, horn, trumpet, trombone, violin, viola, and piano. This serial work's analysis became almost as famous as the concerto itself. Highly economical, short, concentrated and free relationship between the intervals take over from tonality as the main organizational principle "pontillistic" style. The clear and transparent frame "Klangfarbenmelodie", is a row, that was distributed among different instruments. So that, several notes can be heard in the same timbre. Like most of Webern works, there are quiet special effects like a whisper, string harmonics, pizzicato, muting, and athematic intevalic cells as the basic structural element. Concerto for Nine Instruments has succeeding series of twelve-tone works. Webern worked for a long time on the Concerto's raw, trying to arrive at an equivalent to the Latin word-square palindrome which reads the same left to right from the top, right to left from the bottom, downwards from the top left, or upwards from the bottom right.SATOR AREPO TENET OPERA ROTAS 展开更多
关键词 Webem twelve-tone serialism
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浅谈巴赫大提琴无伴奏组曲演奏
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作者 张宇婧 《音乐大观》 2013年第8期131-131,共1页
好的音乐是平和的,是能够使人内心平静而感受到音乐内在美的一种更享受。巴赫的演奏曲中最难得的便是这种必要的平衡,听者能够用心感受到演奏者想要传达的那种情感与演绎外观之间的平衡。这需要演奏家不为外界所干扰,有十分强大的内心空... 好的音乐是平和的,是能够使人内心平静而感受到音乐内在美的一种更享受。巴赫的演奏曲中最难得的便是这种必要的平衡,听者能够用心感受到演奏者想要传达的那种情感与演绎外观之间的平衡。这需要演奏家不为外界所干扰,有十分强大的内心空间,容得下一切,装得下世界。巴赫不像普通的世人情感那样浅薄波动,也不像达官显贵那样矫揉造作,所有的一切都源于心底里最深处的感受,不亚于伯牙和钟子期的那份理解。品巴赫的大提琴无伴奏组曲,可以带领我们走进这位伟大演奏者的世界,感受他那份祥和的伟大。本文将带大家走进巴赫,看看他的大提琴无伴奏组曲所带给我们的喜悦。 展开更多
关键词 巴赫 大提琴演奏 无伴奏演奏曲 组曲分析 内容鉴赏 情感表达
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