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高畑勋《辉夜姬物语》图像对绘卷物的参照与创新
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作者 张天宇 苟爱萍(指导) 《西部皮革》 2021年第16期128-129,共2页
动画是人类认识世界的一个窗口,当世界主流动画向沉浸式体验不断靠拢时候,高畑勋却反其道而行之,通过《辉夜姬物语》向世界展现出蕴含东方美学与疏离感动画作品,带来了与传统动画不同的视觉体验。通过阅读文献以及图像对比发现,《辉夜... 动画是人类认识世界的一个窗口,当世界主流动画向沉浸式体验不断靠拢时候,高畑勋却反其道而行之,通过《辉夜姬物语》向世界展现出蕴含东方美学与疏离感动画作品,带来了与传统动画不同的视觉体验。通过阅读文献以及图像对比发现,《辉夜姬物语》的图像与日本绘卷物图像有关联,也与中国画中留白的审美观念相通,但《辉夜姬物语》在对绘卷物参照的同时亦有所创新,为了分析这些问题,分为两个部分,第一个部分阐释《辉夜姬物语》与绘卷物的关联;第二个部分叙述高畑勋在《辉夜姬物语》中对图像所作出的符合影视语言的创新。 展开更多
关键词 《辉夜姬语》 高畑勋 绘卷物 留白 图像
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南宋时期宁波与日本的经济、文化交流
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作者 成中平 《大观(论坛)》 2018年第5期96-97,共2页
一、南宋浙江宁波罗汉画家聚集及兴盛原因上海博物院的展览让我们了解到宁波画派~①,周季常、金处士都是南宋宁波地区画坊里专画道释人物的民间画师,他们的道释画在当时就被日本商人或僧侣购去,故流传在日本较多,后来有的流散到了美国,... 一、南宋浙江宁波罗汉画家聚集及兴盛原因上海博物院的展览让我们了解到宁波画派~①,周季常、金处士都是南宋宁波地区画坊里专画道释人物的民间画师,他们的道释画在当时就被日本商人或僧侣购去,故流传在日本较多,后来有的流散到了美国,而在中国本土反而无存,造成美术史研究中的缺失。这次周季常《五百罗汉图》的展出,可以和上次'千年丹青'展中的南宋陆信忠《十王图》、金大受《十六罗汉图》 展开更多
关键词 南宋时期 画样式 禅宗寺院 宁波佛画 水墨画 绘卷物 日本禅宗 道释画
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New Perspectives in the Comparative Study of East Asian Culture
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作者 Liu Xiaofeng Komine Kazuaki Li Cunna 《Social Sciences in China》 2021年第1期171-181,共11页
Historically,Chinese characters were used throughout the East Asian region,giving rise to a common cultural sphere.Since early modern times,the written languages of East Asia have developed in a diversity of ways,shap... Historically,Chinese characters were used throughout the East Asian region,giving rise to a common cultural sphere.Since early modern times,the written languages of East Asia have developed in a diversity of ways,shaped by nation,geography and culture,among other factors.Strengthening research on the long-term history of East Asian cultural development is thus very necessary.Komine Kazuaki has long been engaged in the study of medieval Japanese literature.Over the past two decades,he has projected a holistic academic approach to the study of culture in East Asia,conducting comparative research on the classical East Asian cultures.This paper takes a methodological approach to the discussion of the subjects,methods,techniques and goals of such research.In the study of East Asian cultural exchange,comparison enables us to undertake holistic investigations;it is not simply a tactic for unilateral studies.The study of texts and of images can be mutually enhancing;for example,the Japanese emaki is a medium that mixes literature and painting.Methods of researching environmental literature provide new insights for re-interpreting classical and modern literary works.Lastly,we need to examine the value of classical East Asian literature from the standpoint of East Asia as a whole;this is an urgently needed direction in contemporary research in this field. 展开更多
关键词 East Asian studies comparative cultural research emaki environmental literature Konjaku Monogatarishū
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