This paper deals with scholarly writing and a testing and experimental review of its related conventions. The author applies to her review of the subject a theoretical stimulus that returns to the starting point of H6...This paper deals with scholarly writing and a testing and experimental review of its related conventions. The author applies to her review of the subject a theoretical stimulus that returns to the starting point of H616ne Cixous＇ （2008） post-structuralism and Maurice Merleau-Ponty＇s （2012） phenomenology of the body. The author becomes open to meditation on the topic as a bodily soothsayer redeeming permission for creative scholarly writing using the intuitively associative method and style of writing which she has developed. The author suggests that a theoretical starting point located in post-structuralism and the phenomenology of the body offers the possibility to equate creative scholarly writing with painting. The aim of this paper is to start from post-structuralism and the phenomenology of the body and to conceive a new method of understanding and adapting creative scholarly writing, while the author allows herself to perceive and write in her intuitively associative style.展开更多
In this paper, we conduct research on the landscape painting in Ming and Qing dynasties of the art of Wu School. The Wu School of art is full of creativity, they worship nature, between large vigorous refined landscap...In this paper, we conduct research on the landscape painting in Ming and Qing dynasties of the art of Wu School. The Wu School of art is full of creativity, they worship nature, between large vigorous refined landscape painting in the real world with fast red green courtyard, this spirit of the innovation to future generations of artists with great inspiration, Wu school opened up the artistic development for future generations, direct and profound infi uence after the landscape painting and flower and bird painting. Today, we are in the pursuit of the traditional Chinese painting of change, innovation, modernization, “Wu door school” this group of literati painter to do a historical retrospect that is a positive significance. Based on this historical time, we analyze the corresponding theories to provide the systematic research that will be meaningful.展开更多
The Western Abstract Painting has a dynamic, constantly-changing, and non-entity beauty. It focuses on the visual process, artistic feelings, and beauty of form as its creative core. The Chinese Cursive Calligraphy ...The Western Abstract Painting has a dynamic, constantly-changing, and non-entity beauty. It focuses on the visual process, artistic feelings, and beauty of form as its creative core. The Chinese Cursive Calligraphy （草书）, on the other hand, aims to create a vibrant beauty resulting from sweeping wrap-around and continuous changes. It also pays attention to the personality stretch, the lyrical and expressive, and the abstract beauty within images. In both arts, there is a rhythmic beauty running through the works, allowing the charm of lines to fully express the artist＇s creative thoughts and feelings, making them stand out impressively.展开更多
In the late Ming Dynasty, the society was turbulent, and it was also the important turning stage in the history of the development of China＇s literature. Xu Wei was a painter with a spirit of the reform and innovatio...In the late Ming Dynasty, the society was turbulent, and it was also the important turning stage in the history of the development of China＇s literature. Xu Wei was a painter with a spirit of the reform and innovation in the late Ming Dynasty, and his painting style pioneered the precedent of the Chinese freehand bmshwork. In his creation of the paintings and the painting theories, he gave the innovative development to the theories of the traditional Chinese paintings and the freehand brushwork in this period in our country, and also promoted the further formation of the freehand flower and bird painting styles. Xu Wei＇s t^eehand flowers and birds combined the strengths of each school, and in the painting style, he was bold and unconstrained, and the pen and ink was coherent, and the form and the spirit were assistant and bleeding. The pen and ink all embodied the wonderful skill of the Chinese traditional paintings, and boldly integrated the wild cursive of the calligraphy in the paintings. This approach was the innovation of the techniques of the Chinese traditional paintings and the promotion of the thinking. The author of this article will begin the research on the relevant contents of the artistic achievements and the influences of the freehand flower and bird paintings by Xu Wei.展开更多
By understanding Yunnan animation market, analyzing Yunnan resources superiority and using Yunnan Colored Painting manifestations, the thesis discusses the meaning and value of Yunnan Colored Painting to Yunnan origin...By understanding Yunnan animation market, analyzing Yunnan resources superiority and using Yunnan Colored Painting manifestations, the thesis discusses the meaning and value of Yunnan Colored Painting to Yunnan original animation through combining several important problems of animation innovation as a starting point.展开更多
Qichang Dong was a famous calligraphy and painting artist in ancient China. The theory of southern and northern schools proposed by him was a conclusion to traditional Chinese landscape painting art, and played an inc...Qichang Dong was a famous calligraphy and painting artist in ancient China. The theory of southern and northern schools proposed by him was a conclusion to traditional Chinese landscape painting art, and played an incomparable function in the traditional Chinese painting history in comparison with other painting theories. In the painting history, there were the theory of ＂pre-Dong＂ and the theory of ＂post-Dong＂ . In this paper, by starting from Qichang Dong＇ s ＂theory of southern and northern schoots＂ , the homogeneities between traditional Chinese music and painting arts are analyzed from the principle of spirit and the principle of technology, so that the homogeneities between traditional Chinese music and painting arts are explored in aesthetic concept and actual art creation.展开更多
Menzel was one of the famous German artists of the 19th century. His sketches were more contemporary and could show the true state of people’s life. Menzel sketches rich subject matter, in the process of creation can...Menzel was one of the famous German artists of the 19th century. His sketches were more contemporary and could show the true state of people’s life. Menzel sketches rich subject matter, in the process of creation can grasp the image is in place, and can work into the spirit of humanism, so that his works with realistic style, artistic value is relatively high, for later artistic creation and teaching has a greater signifi cance. This paper mainly analyzes the art, sketch and pasted application signifi cance and measures in the fine arts teaching in colleges and universities.展开更多
Haiguo Tuzhi （Illustrated Treatise on the Maritime Kingdoms） is one of the earliest gazetteers in early modern China. In order to change the Chinese view of the outside world, scholax-official Wei Yuma （1794-1857）...Haiguo Tuzhi （Illustrated Treatise on the Maritime Kingdoms） is one of the earliest gazetteers in early modern China. In order to change the Chinese view of the outside world, scholax-official Wei Yuma （1794-1857） mad his contemporaries compiled this gazetteer in the middle of the 19th century. Haiguo Tuzhi contains numerous geographical, historical, mad political details covering both the western and eastern hemispheres, which derived from the known information on Western researches and Chinese macient texts from the Tang Dynasty （618-907） to Ming Dynasty （1368-1644）. Haiguo Tuzhi is a significmat work in China, which affected the modernization movement around East Asia, such as Meiji Restoration in Japma. There axe two juan, or scrolls concerning Turkey （the Ottoman Empire）, called southern Duluji （Turkey） mad northern Tuluji （Turkey）, in Haiguo Tuzhi＇s ＂Southwest Ocean＂ part and ＂Great West Ocema＂ part covering the origin of Turkish state, the geographical location and circumstance of Turkey, the distribution of ethnic groups throughout this country, the relationship between Turkey and European countries, the religious situation, mad the policies carried out by Turkish monarchs. Although Haguo Tuzhi is a pmaoramic opus which focuses on the whole outline of countries, it also documents plenty details about Turkish clothing, dietary habits, and characters of people. Haguo Tuzhi provides a chmace to learn the Chinese impressions on Turkish state and people in 19th century展开更多
This paper expresses REN Ping＇s views on calligraphic arts and classical Chinese literature. Calligraphy and literature could not only express ideas, sentiments, and aesthetic charm, but also create harmony in relati...This paper expresses REN Ping＇s views on calligraphic arts and classical Chinese literature. Calligraphy and literature could not only express ideas, sentiments, and aesthetic charm, but also create harmony in relationships. The study focuses on his calligraphic styles such as Cursive Calligraphy （草书）, Regular Script （楷书）, Seal Script （篆书）, running style （行书） and so on. His calligraphic art creation lends a unique classical style to the Chinese movie, and shows a board and wide beauty of nature for pavilion ofZONG XIU in Hangzhou, which draws essence from ancient to nourishing the new. It is widely accepted that REN Ping＇s accomplishment results from, his accumulation of Chinese traditional culture, his rich knowledge in occidental philosophy and art, his outstanding artistic talents, and from his generosity, forthrightness, and sincerity, and his all-embracing humanistic feelings.展开更多
We explore the idea of current university teaching reform of Chinese art, the contemporary Chinese painting cannot help with the status quo and reform. Because after all, the fundamental purpose of teaching Chinese pa...We explore the idea of current university teaching reform of Chinese art, the contemporary Chinese painting cannot help with the status quo and reform. Because after all, the fundamental purpose of teaching Chinese painting is to train a large number of innovative awareness and skills of professionals in order to promote the prosperity and development of Chinese painting. So, therefore, to reform the teaching of Chinese painting not only should be synchronized with the innovation of Chinese painting, Chinese painting should be involved in the development and reform of a series of important topics discussed making forward-looking thinking. Starting from the basic characteristics of painting, we are to explore ways to image modeling and imagery observation method according to melting into the hold of the art teaching among Chinese oaintin~ is one of a fundamental issue.展开更多
文摘This paper deals with scholarly writing and a testing and experimental review of its related conventions. The author applies to her review of the subject a theoretical stimulus that returns to the starting point of H616ne Cixous＇ （2008） post-structuralism and Maurice Merleau-Ponty＇s （2012） phenomenology of the body. The author becomes open to meditation on the topic as a bodily soothsayer redeeming permission for creative scholarly writing using the intuitively associative method and style of writing which she has developed. The author suggests that a theoretical starting point located in post-structuralism and the phenomenology of the body offers the possibility to equate creative scholarly writing with painting. The aim of this paper is to start from post-structuralism and the phenomenology of the body and to conceive a new method of understanding and adapting creative scholarly writing, while the author allows herself to perceive and write in her intuitively associative style.
文摘In this paper, we conduct research on the landscape painting in Ming and Qing dynasties of the art of Wu School. The Wu School of art is full of creativity, they worship nature, between large vigorous refined landscape painting in the real world with fast red green courtyard, this spirit of the innovation to future generations of artists with great inspiration, Wu school opened up the artistic development for future generations, direct and profound infi uence after the landscape painting and flower and bird painting. Today, we are in the pursuit of the traditional Chinese painting of change, innovation, modernization, “Wu door school” this group of literati painter to do a historical retrospect that is a positive significance. Based on this historical time, we analyze the corresponding theories to provide the systematic research that will be meaningful.
文摘The Western Abstract Painting has a dynamic, constantly-changing, and non-entity beauty. It focuses on the visual process, artistic feelings, and beauty of form as its creative core. The Chinese Cursive Calligraphy （草书）, on the other hand, aims to create a vibrant beauty resulting from sweeping wrap-around and continuous changes. It also pays attention to the personality stretch, the lyrical and expressive, and the abstract beauty within images. In both arts, there is a rhythmic beauty running through the works, allowing the charm of lines to fully express the artist＇s creative thoughts and feelings, making them stand out impressively.
文摘In the late Ming Dynasty, the society was turbulent, and it was also the important turning stage in the history of the development of China＇s literature. Xu Wei was a painter with a spirit of the reform and innovation in the late Ming Dynasty, and his painting style pioneered the precedent of the Chinese freehand bmshwork. In his creation of the paintings and the painting theories, he gave the innovative development to the theories of the traditional Chinese paintings and the freehand brushwork in this period in our country, and also promoted the further formation of the freehand flower and bird painting styles. Xu Wei＇s t^eehand flowers and birds combined the strengths of each school, and in the painting style, he was bold and unconstrained, and the pen and ink was coherent, and the form and the spirit were assistant and bleeding. The pen and ink all embodied the wonderful skill of the Chinese traditional paintings, and boldly integrated the wild cursive of the calligraphy in the paintings. This approach was the innovation of the techniques of the Chinese traditional paintings and the promotion of the thinking. The author of this article will begin the research on the relevant contents of the artistic achievements and the influences of the freehand flower and bird paintings by Xu Wei.
文摘By understanding Yunnan animation market, analyzing Yunnan resources superiority and using Yunnan Colored Painting manifestations, the thesis discusses the meaning and value of Yunnan Colored Painting to Yunnan original animation through combining several important problems of animation innovation as a starting point.
文摘Qichang Dong was a famous calligraphy and painting artist in ancient China. The theory of southern and northern schools proposed by him was a conclusion to traditional Chinese landscape painting art, and played an incomparable function in the traditional Chinese painting history in comparison with other painting theories. In the painting history, there were the theory of ＂pre-Dong＂ and the theory of ＂post-Dong＂ . In this paper, by starting from Qichang Dong＇ s ＂theory of southern and northern schoots＂ , the homogeneities between traditional Chinese music and painting arts are analyzed from the principle of spirit and the principle of technology, so that the homogeneities between traditional Chinese music and painting arts are explored in aesthetic concept and actual art creation.
文摘Menzel was one of the famous German artists of the 19th century. His sketches were more contemporary and could show the true state of people’s life. Menzel sketches rich subject matter, in the process of creation can grasp the image is in place, and can work into the spirit of humanism, so that his works with realistic style, artistic value is relatively high, for later artistic creation and teaching has a greater signifi cance. This paper mainly analyzes the art, sketch and pasted application signifi cance and measures in the fine arts teaching in colleges and universities.
文摘Haiguo Tuzhi （Illustrated Treatise on the Maritime Kingdoms） is one of the earliest gazetteers in early modern China. In order to change the Chinese view of the outside world, scholax-official Wei Yuma （1794-1857） mad his contemporaries compiled this gazetteer in the middle of the 19th century. Haiguo Tuzhi contains numerous geographical, historical, mad political details covering both the western and eastern hemispheres, which derived from the known information on Western researches and Chinese macient texts from the Tang Dynasty （618-907） to Ming Dynasty （1368-1644）. Haiguo Tuzhi is a significmat work in China, which affected the modernization movement around East Asia, such as Meiji Restoration in Japma. There axe two juan, or scrolls concerning Turkey （the Ottoman Empire）, called southern Duluji （Turkey） mad northern Tuluji （Turkey）, in Haiguo Tuzhi＇s ＂Southwest Ocean＂ part and ＂Great West Ocema＂ part covering the origin of Turkish state, the geographical location and circumstance of Turkey, the distribution of ethnic groups throughout this country, the relationship between Turkey and European countries, the religious situation, mad the policies carried out by Turkish monarchs. Although Haguo Tuzhi is a pmaoramic opus which focuses on the whole outline of countries, it also documents plenty details about Turkish clothing, dietary habits, and characters of people. Haguo Tuzhi provides a chmace to learn the Chinese impressions on Turkish state and people in 19th century
文摘This paper expresses REN Ping＇s views on calligraphic arts and classical Chinese literature. Calligraphy and literature could not only express ideas, sentiments, and aesthetic charm, but also create harmony in relationships. The study focuses on his calligraphic styles such as Cursive Calligraphy （草书）, Regular Script （楷书）, Seal Script （篆书）, running style （行书） and so on. His calligraphic art creation lends a unique classical style to the Chinese movie, and shows a board and wide beauty of nature for pavilion ofZONG XIU in Hangzhou, which draws essence from ancient to nourishing the new. It is widely accepted that REN Ping＇s accomplishment results from, his accumulation of Chinese traditional culture, his rich knowledge in occidental philosophy and art, his outstanding artistic talents, and from his generosity, forthrightness, and sincerity, and his all-embracing humanistic feelings.
文摘We explore the idea of current university teaching reform of Chinese art, the contemporary Chinese painting cannot help with the status quo and reform. Because after all, the fundamental purpose of teaching Chinese painting is to train a large number of innovative awareness and skills of professionals in order to promote the prosperity and development of Chinese painting. So, therefore, to reform the teaching of Chinese painting not only should be synchronized with the innovation of Chinese painting, Chinese painting should be involved in the development and reform of a series of important topics discussed making forward-looking thinking. Starting from the basic characteristics of painting, we are to explore ways to image modeling and imagery observation method according to melting into the hold of the art teaching among Chinese oaintin~ is one of a fundamental issue.
