Jingdezhen, known as the ＂porcelain capital,＂ it is said that the Millennium kiln fire is constant here, its porcelain, with ＂ white as jade, bright as a mirror, as thin as paper, such as chime sound ＂ style, reno...Jingdezhen, known as the ＂porcelain capital,＂ it is said that the Millennium kiln fire is constant here, its porcelain, with ＂ white as jade, bright as a mirror, as thin as paper, such as chime sound ＂ style, renowned at home and abroad. Area of Jingdezhen handmade porcelain craft is mainly Jingdezhen urban and rural areas. ＂State the number of Chinese porcelain, Porcelain peak is this all.＂ Over more than a thousand year, Jingdezhen system culminates best collection of industry of ancient Ming Yao, forming a unique handmade porcelain craft production system, creating the most brilliant piece of Chinese ceramic history. Their high achievements, impact, the craft, the varieties, which any other kilns at any time are difficult to match.展开更多
Jingdezhen is a bright star to make ceramic products among all cities of the world. The actual inheritance of the famille rose decoration and color enamel craftsmanship as China＇s ＂intangible cultural heritage＂ is ...Jingdezhen is a bright star to make ceramic products among all cities of the world. The actual inheritance of the famille rose decoration and color enamel craftsmanship as China＇s ＂intangible cultural heritage＂ is restricted not only by historical change and geographical conditions and also by how to inherit the craftsmanship. In this paper, through the literature studies, sociology investigation, market research, and comparative analysis of the traditional pastel industry in Jingdezhen, the making flows of famille rose decoration and color enamel are introduced plus the author＇s understanding of famille rose decoration and color enamel, and also the understanding and inheritance of Jingdezhen traditional famille rose decoration and color enamel craftsmanship as ＂intangible cultural heritage＂ are discussed. Therefore, theoretical basis and practice guidance are provided for famille rose decoration and color enamel craftsmanship to develop toward the cultural industry, and also a reference in theory and practice is available for the inheritance and development of the handmade ceramic products as ＂intangible cultural heritage＂.展开更多
文摘Jingdezhen, known as the ＂porcelain capital,＂ it is said that the Millennium kiln fire is constant here, its porcelain, with ＂ white as jade, bright as a mirror, as thin as paper, such as chime sound ＂ style, renowned at home and abroad. Area of Jingdezhen handmade porcelain craft is mainly Jingdezhen urban and rural areas. ＂State the number of Chinese porcelain, Porcelain peak is this all.＂ Over more than a thousand year, Jingdezhen system culminates best collection of industry of ancient Ming Yao, forming a unique handmade porcelain craft production system, creating the most brilliant piece of Chinese ceramic history. Their high achievements, impact, the craft, the varieties, which any other kilns at any time are difficult to match.
文摘Jingdezhen is a bright star to make ceramic products among all cities of the world. The actual inheritance of the famille rose decoration and color enamel craftsmanship as China＇s ＂intangible cultural heritage＂ is restricted not only by historical change and geographical conditions and also by how to inherit the craftsmanship. In this paper, through the literature studies, sociology investigation, market research, and comparative analysis of the traditional pastel industry in Jingdezhen, the making flows of famille rose decoration and color enamel are introduced plus the author＇s understanding of famille rose decoration and color enamel, and also the understanding and inheritance of Jingdezhen traditional famille rose decoration and color enamel craftsmanship as ＂intangible cultural heritage＂ are discussed. Therefore, theoretical basis and practice guidance are provided for famille rose decoration and color enamel craftsmanship to develop toward the cultural industry, and also a reference in theory and practice is available for the inheritance and development of the handmade ceramic products as ＂intangible cultural heritage＂.
