The word ＂tile＂ originates from Persian and means ＂China＂ or ＂Chinese work＂. In the Ottoman language, the word ＂tile＂ also means ＂Chinese work＂, or ＂belonging to China＂. The art of Turkish tiles occupies a...The word ＂tile＂ originates from Persian and means ＂China＂ or ＂Chinese work＂. In the Ottoman language, the word ＂tile＂ also means ＂Chinese work＂, or ＂belonging to China＂. The art of Turkish tiles occupies a place of prominence in the history of Islamic art. Its roots can be traced at least as far back as the Uygurs of the eighth and ninth centuries. Its subsequent development was influenced by the Karakhanids, the Ghaznavids, and （especially） Iranian Seljuk art. With the Seljuks＇ victory over the Byzantines at Malazgirt in 1071, the art followed them into Anatolia and embarked upon a new period of strong development fostered by the Anatolian Seljuk sultanate. The first major development in the art of tile-making occurred primarily in Anatolian Seljuk architecture. Various techniques have been used in the art of tiles which gave hundreds of samples for centuries. This study explores the glazed tile techniques used in the production of the S elj uk and Beylik periods.展开更多
The paper deals with the urban space of Piazza del Governo in Enna, a town located in the center of Sicily. This square was realized in 1935 by the architect Salvatore Caronia Roberti and is representative of the 1930...The paper deals with the urban space of Piazza del Governo in Enna, a town located in the center of Sicily. This square was realized in 1935 by the architect Salvatore Caronia Roberti and is representative of the 1930s＇ fascist regime. The aim of this research is the knowledge of this urban space： the historical references, the compositive choices, the planimetric layout and its geometric rigor, and the monumentality and representativeness of the buildings overlooking the square. The research used the tools of Survey and Representation to better understand the dimensional ratios both at the urban and architectural scale. We have carried out an integrated survey （direct, photogrammetric, 3D laser scanning） in order to acquire a whole set of information essential to describe, document, and appreciate all the features of this urban space. Our investigation started by analyzing the historical documents preserved at the Historic Archive of the city of Enna （project drawings, letters, and historical images） to better understand why some decisions have been taken. The final result represents the historical memory up-to-date of the whole urban space, and it allows any academics to investigate more about the project： the initial decisions, the conservation state, and the possible and more coherent interventions of maintenance and preservation.展开更多
文摘The word ＂tile＂ originates from Persian and means ＂China＂ or ＂Chinese work＂. In the Ottoman language, the word ＂tile＂ also means ＂Chinese work＂, or ＂belonging to China＂. The art of Turkish tiles occupies a place of prominence in the history of Islamic art. Its roots can be traced at least as far back as the Uygurs of the eighth and ninth centuries. Its subsequent development was influenced by the Karakhanids, the Ghaznavids, and （especially） Iranian Seljuk art. With the Seljuks＇ victory over the Byzantines at Malazgirt in 1071, the art followed them into Anatolia and embarked upon a new period of strong development fostered by the Anatolian Seljuk sultanate. The first major development in the art of tile-making occurred primarily in Anatolian Seljuk architecture. Various techniques have been used in the art of tiles which gave hundreds of samples for centuries. This study explores the glazed tile techniques used in the production of the S elj uk and Beylik periods.
文摘The paper deals with the urban space of Piazza del Governo in Enna, a town located in the center of Sicily. This square was realized in 1935 by the architect Salvatore Caronia Roberti and is representative of the 1930s＇ fascist regime. The aim of this research is the knowledge of this urban space： the historical references, the compositive choices, the planimetric layout and its geometric rigor, and the monumentality and representativeness of the buildings overlooking the square. The research used the tools of Survey and Representation to better understand the dimensional ratios both at the urban and architectural scale. We have carried out an integrated survey （direct, photogrammetric, 3D laser scanning） in order to acquire a whole set of information essential to describe, document, and appreciate all the features of this urban space. Our investigation started by analyzing the historical documents preserved at the Historic Archive of the city of Enna （project drawings, letters, and historical images） to better understand why some decisions have been taken. The final result represents the historical memory up-to-date of the whole urban space, and it allows any academics to investigate more about the project： the initial decisions, the conservation state, and the possible and more coherent interventions of maintenance and preservation.
