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约翰·济慈《秋颂》独特的美学艺术风格释论 被引量:2
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作者 杨巧南 吴永强 《广东外语外贸大学学报》 2022年第2期133-144,160,共13页
诗歌《秋颂》作为英国诗人约翰·济慈典型的颂诗代表作之一,不仅将秋景刻画得栩栩如生,而且有极强的美学价值。颂诗不仅展现了秋天丰硕多姿的优美画面以及人与自然和谐共生之态,同时也富含极强的美感和想象力,达到了自然动人的美学... 诗歌《秋颂》作为英国诗人约翰·济慈典型的颂诗代表作之一,不仅将秋景刻画得栩栩如生,而且有极强的美学价值。颂诗不仅展现了秋天丰硕多姿的优美画面以及人与自然和谐共生之态,同时也富含极强的美感和想象力,达到了自然动人的美学境界。它为英国浪漫主义诗歌的创作和发展奠定了基础,充分体现出其独特的美学艺术风格,即生态美、自然美、和谐美、意象美、修辞美、结构美、韵律美。本文通过对《秋颂》独特的艺术创作风格进行分析和解读,旨在借助济慈本人"美即是真,真即是美"的美学思想,探究《秋颂》的美学价值,并阐释其蕴含的当代现实意义,对现代文学和美学的鉴赏及发展具有一定的意义。 展开更多
关键词 约翰·济慈 《秋颂》 美学艺术风格
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诗意与现实——电视剧《静静的艾敏河》文化诗学评析 被引量:2
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作者 王昕 《当代电影》 CSSCI 北大核心 2003年第4期53-56,共4页
由报告文学改编而来的电视剧《静静的艾敏河》,在“真人真事”基础上,“以神写形”,是对生活原型的一种“表现”。这部电视剧关注的是大历史中的小人物,小人物的大灵魂,是一部具有精英化艺术追求的“诗意电视剧”;它所具有的诗意现实主... 由报告文学改编而来的电视剧《静静的艾敏河》,在“真人真事”基础上,“以神写形”,是对生活原型的一种“表现”。这部电视剧关注的是大历史中的小人物,小人物的大灵魂,是一部具有精英化艺术追求的“诗意电视剧”;它所具有的诗意现实主义风格的美学追求,以及人道主义精神,对当前处于多元文化语境中的电视剧艺术生产具有某种范式意义。 展开更多
关键词 电视剧 《静静的艾敏河》 评析 诗意现实主义 艺术风格美学 人道主义精神 人物形象 审美文化
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Analysis on the Style and aesthetic effects of decorative arts in environment space
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作者 Zeming LV 《International Journal of Technology Management》 2014年第7期86-88,共3页
Art decorative can make landscape more beautiful in urban public space. Art decorative design reflects the characteristics of the environment, history and culture of a city and a state of the spirit of the times. Mode... Art decorative can make landscape more beautiful in urban public space. Art decorative design reflects the characteristics of the environment, history and culture of a city and a state of the spirit of the times. Modem art deco design should not only have its own style, but also be more perfectly reflect the cultural connotation of specific urban environment, and to create a pleasant living environment for human being. Aesthetic concepts of decorating space environment are inseparable from the people's view of decoration. Analyzing from the sensory effects and psychological effects of decorative environment, the paper points out the way for environmental decoration development, and provide ideas for future creative decoration. 展开更多
关键词 Art Deco design sensory effects psychological effects AESTHETIC
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Appreciation and Analysis of Traditional Chinese Painting's Freehand Brushwork Aesthetic Characteristics
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作者 Jingnan CHEN 《International Journal of Technology Management》 2014年第2期119-121,共3页
Traditional Chinese painting possesses its own unique artistic style in the world' s art circle. Compared with the western painting, the freehand brushwork characteristics are very significant in traditional Chinese ... Traditional Chinese painting possesses its own unique artistic style in the world' s art circle. Compared with the western painting, the freehand brushwork characteristics are very significant in traditional Chinese painting. In traditional Chinese painting, top priority is given to the expression of the creator's subjective interests, but not to the external colors and similar appearances. The masters in the world of traditional Chinese painting have always attached high importance to expressing the spirits with forms or appearance since the ancient times. In traditional Chinese painting, "similarity in form or appearance" and "similarity in spirit" are always dialectically unified with consciousness and unconsciousness, so that the art form with the "freehand brushwork" aesthetic characteristics is produced and significantly features Chinese spirit and oriental style. Also, the realm of art to express spirit with appearance is always pursued in traditional Chinese painting, and this is totally different from the "express appearance with appearance" in the western paintings. Moreover, expression is always stressed in traditional Chinese painting so as to express the feeling world of human using the "freehand brnshwork" aesthetics as the creation method. The "freehand brushwork" aesthetic characteristics of traditional Chinese painting are branded with a profound Zhuangzi philosophy. 展开更多
关键词 Traditional Chinese Painting Freehand Brushwork AESTHETICS
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