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纪录片《海豚湾》中的美式文化思维
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作者 江晗 《电影文学》 北大核心 2010年第19期105-107,共3页
第82届奥斯卡最佳纪录长片《海豚湾》是宣传保护动物的纪录片,在叙述手法上有别于一般的简单记录事实的影片.该片设计了不断冲突的剧情来吸引观众,在素材的拍摄和后期材料的组织剪辑上凸显了明显的美式好莱坞片的拍摄思维模式,体现出美... 第82届奥斯卡最佳纪录长片《海豚湾》是宣传保护动物的纪录片,在叙述手法上有别于一般的简单记录事实的影片.该片设计了不断冲突的剧情来吸引观众,在素材的拍摄和后期材料的组织剪辑上凸显了明显的美式好莱坞片的拍摄思维模式,体现出美国文化的典型特征和美式文化的渗透,特别是在意识形态上主观片面地宣扬了美国文化中的个人英雄主义,在价值观上体现了美式文化的双重道德标准,并在话语权力中彰显了美国文化的单向式霸权输出. 展开更多
关键词 美式文化思维 冲突剧情 英雄主义 文化霸权
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Research of mathematic culture and quality of mathematics education
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作者 LiqinTian 《International Journal of Technology Management》 2014年第6期38-40,共3页
In the basic concepts of mathematic culture, mathematics was given a broad meaning. Mathematics is not only a scientific language, a system of knowledge, but also a way of thinking, a kind of art has aesthetic feature... In the basic concepts of mathematic culture, mathematics was given a broad meaning. Mathematics is not only a scientific language, a system of knowledge, but also a way of thinking, a kind of art has aesthetic features. On this basis, the meaning of mathematical quality should have a new exposition, the essence of mathematical quality is integration of mathematic cultural values, knowledge, abilities, psychological, while the key to the quality of mathematics education is to fully embody the essence of mathematics culture, let the concepts of mathematic cultm'e integrated to the whole process of mathematics education. 展开更多
关键词 mathematic CULTURE quality education
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No Dream, No Future: A Study on Aesthetic Dimensions of"Chinese Dream" and the Task of Literary Critics
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作者 WANG Jie 《Journal of Literature and Art Studies》 2015年第12期1107-1114,共8页
This article believes that "Chinese Dream" has three dimensions: First, "Chinese Dream" is the inevitable demands of Chinese reconstruction and it is the deepest desire of Chinese nation since the Chinese modern ... This article believes that "Chinese Dream" has three dimensions: First, "Chinese Dream" is the inevitable demands of Chinese reconstruction and it is the deepest desire of Chinese nation since the Chinese modern history. Second, the modernism of socialism with Chinese feature is the process of Chinese modernism. Third, the third theoretical dimension, 1 believe, is the ideal of socialism. I would like to take the film "Lost" and "Peking Monk" as examples and analyze the specific form of expression. This article is going to indicate in the end that "the revolution of aesthetics" and the assignments of critics, which can be recognized as the intuitive ability, could merge the historical affair and the human nature, which literature comprise, together and deliver deeper analyses and appraise The mission of critics is not only to distinctly emerge the aesthetic form of the literal works, but also analyze and seize the "aesthetic form" of them, that is to say, their mission is to find the aesthetic meanings of aesthetic expression from commonage in order to achieve the goal of leading and stimulating people ensuing the consciousness and liberation of culture. That is the most important mission and responsibility of Marxist literal criticism and literal critics. This is a rather tough task and refers to the new understanding and attitude to the relative questions of literature and culture. In the eyes of some self-complacent intellectuals, the responsibility for literature and critics is the "aesthetic entertainment" and "spiritual redemption". The significance of Marxist Aesthetics lies in that it upgrades the general "literal principle" and "aesthetic principle" in to a level of social development and national deliverance, and also it regards whether the literature having the function of cultural libration as the more pivotal content. The assignment for the critics and litterateurs is to engage and promote the production and promulgate for this significance, the cultural consciousness and liberation. 展开更多
关键词 Chinese dream aesthetic dimensions the revolution of aesthetics cultural libration
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