At the end of the 20th century and beginning of the 21st century, Vietnamese literature witnessed unprecedented innovations in the aesthetic thinking of writers and the narrative structure of their works. One of the m...At the end of the 20th century and beginning of the 21st century, Vietnamese literature witnessed unprecedented innovations in the aesthetic thinking of writers and the narrative structure of their works. One of the most interesting manifestations of this new movement was not merely the introduction of new aesthetic materials and factors, but the adoption and positive ＂reprocessing＂ of traditional factors---especially historical factors and folk narrative factors. Based on intertextual theory, we would like to address the strong penetration, reproduction, and transformation of some folk storytelling models and historical materials in Vietnamese literature since 1986. Two corresponding phenomena we examine are ＂historical rewriting＂ and ＂alternative fairy tales＂--as part of the whole process of incredulity towards grand narratives and postmodernism in the contemporary Vietnamese prose.展开更多
Art composed of categories of the scale of beauty transmutes the aesthetic into eroticism, such that as an element of life it may be displayed as a love relationship between beauty and eros, the knowledge of which is ...Art composed of categories of the scale of beauty transmutes the aesthetic into eroticism, such that as an element of life it may be displayed as a love relationship between beauty and eros, the knowledge of which is referenced as early as Plato＇s philosophical contemplations. Plato characterizes eros in the Symposium and the Phaedrus as an invincible psychic force, capable, taking into account the fallibility of man, of compelling him toward the acquisition of that which will entail his completion. Eros, considered thusly, contributes to human ontogeny. Plotinus, who experiences beauty as eros and terror accompanied by pleasure, to the same degree will characterize it as the outcome and consequence of an intellectually and morally superior human soul. By this definition, the greatness of art lies in the fact that it compels the souls of men to eros for its spiritual content, the true nature of a work of art being the idea. As such, as long as it is not easy to know if this beauty exists as an ontologically, gnoseologically, and aesthetically idealized entity, so much the more we consider that we cannot entirely prove Freud＇s erotic theory of primordial and desirable phantasms, which seems to differ only slightly from the Platonic theory, or from Jung＇s theory of archetypes, as it seems not to recognize to an appropriate degree individual human experience. On the contrary and in agreement with the Lacanian theory on eros, in the environment of which eros is directed towards the other, so like it, it emerges in the life of the other, rupturing and reformulating it, we consider that each of us, in reality, in the erotic phenomenon, meets the other, and, behind him, our own self, which, enchanted by all that we sense that the other represents, rates all his characteristics as charmingly beautiful, because they have the privilege of coinciding, or at least of converging towards the aesthetic, entirely unique foundation of our self.展开更多
Let di（1≤ i≤n）, 51,52, 53 be nonzero derivations of a prime ring R with char R ≠ 2. Suppose that U is a Lie ideal such that u2 ∈ U for all u ∈ U. In this paper, we prove that U [U→] Z（R） when one of the foll...Let di（1≤ i≤n）, 51,52, 53 be nonzero derivations of a prime ring R with char R ≠ 2. Suppose that U is a Lie ideal such that u2 ∈ U for all u ∈ U. In this paper, we prove that U [U→] Z（R） when one of the following holds： （1） d1（x1）d2（x2）,… ,dn（xn）∈Z（R） （2） δ3（y）δ1（x） = δ2（x）δ3（y）. Further, if g is a Lie ideal and a subring then （3） δ1（x）δ2（y） ＋δ2（x）δ1（y） ∈ Z（R） for all xi,x,y ∈ U.展开更多
Samuel Beckett＇ s dramaticles are permeated with musical aesthetic thought, which is one of his unique writing styles. Exploration of such style is beneficial and conducive to deepen our understanding of the abstract...Samuel Beckett＇ s dramaticles are permeated with musical aesthetic thought, which is one of his unique writing styles. Exploration of such style is beneficial and conducive to deepen our understanding of the abstract and fragmented dramatic discourse. This thesis makes attempt to investigate musical aesthetic thought from the angle of the Event Structure Metaphor.展开更多
Ralph Ellison published many articles and speeches on various topics before and after his masterpiece Invisible Man was published. They have been collected in Shadow andAct, Going to the Territory, and The Collected E...Ralph Ellison published many articles and speeches on various topics before and after his masterpiece Invisible Man was published. They have been collected in Shadow andAct, Going to the Territory, and The Collected Essays of Ralph Ellison （posthumously）, and Shadow and Act has been selected as one of the most influential books in non-fiction with his Invisible Man in fiction which evokes more academic interests. This paper attempts to take a closer look at Ellison＇s literary criticism, focusing mainly on his response to the debate of ＂protest novel＂, his reconsideration of the Negro American writings, and his analysis of how the mainstream American writers, such as Mark Twain, William Faulkner, and Ernest Hemingway, deal with the racial subjects and represent them in their creation. Owing to the strong belief in the ideals of American democracy, Ellison highlights the individuality rather than the stereotyped characteristics of the Negro people, and transcends the fixed category of black and white, for all good literature tells the same story： to be true and honest.展开更多
This study is concerned with the literary and aesthetic influences that led to Charles Sheeler＇s formation of a paragone in his early 20th century work. This painter, photographer, printmaker, and experimental filmma...This study is concerned with the literary and aesthetic influences that led to Charles Sheeler＇s formation of a paragone in his early 20th century work. This painter, photographer, printmaker, and experimental filmmaker had very specific ideas concerning the hierarchy of the visual arts. While he is known for embracing a wide range of media and materials, by 1919 his aesthetic thought reveals a desire to elevate the painting over all other media. This formation of a visual paragone was initially influenced by his involvement in the interdisciplinary circles which surrounded both Alfred Stieglitz and Walter and Louise Arensberg in New York City. In particular, his lifelong friendship with the poet and writer William Carlos Williams would shape his aesthetic thought leading to his elevation of painting over all other media. Sheeler＇s paragone would begin to form during his stays at the rural Doylestown House in Bucks County, Pennsylvania. This rural home, which he first rented with fellow painter Morton Schamberg in 1916, would become an artistic refuge for both artists. While commercial photography was beginning to take up more if his time in Philadelphia, it was the retreats to the Doylestown house that enabled Sheeler to continue experiments in painting and begin to think of the photograph as something other than a document of architectural work. At this early stage in his artistic career, Sheeler was beginning to form his own hierarchy and contribute to the continuing argument of painting versus photography.展开更多
The theory of scientific management exerts a far-reaching influence in the history of management. This paper challenges some one-sided comments on Taylorism and emphasizes more on its cultural implication. By analyzin...The theory of scientific management exerts a far-reaching influence in the history of management. This paper challenges some one-sided comments on Taylorism and emphasizes more on its cultural implication. By analyzing the key features and background of scientific management, we prove why it appeals to European avant-garde modernists. In the end I expose a forgotten cultural implication of this organizational theory by explaining scientific management＇ s ＂lost＂ aesthetic and make a conclusion.展开更多
Mr. Huang Dufeng is the master to paint landscapes, flowers, birds and people. In artistic practice, he clearly saw that in addition to using the ink to express the appearance, there exists its independence of aesthet...Mr. Huang Dufeng is the master to paint landscapes, flowers, birds and people. In artistic practice, he clearly saw that in addition to using the ink to express the appearance, there exists its independence of aesthetic nature. In addition, Mr. Huang Dufeng is aware of vital importance of the spirit manifesting in the traditional painting. He has foresight in the face of treating the mutual development of Chinese and Western painting. In the meantime to advocate learning western painting, he all along emphasize that we should flourish the specific beauty of Chinese painting. He has showed a wide range of subjects, breaking the bondage of ＂four gentlemen＂ and pioneered the art image of angelfish. By discussion on Mr. Huang Dufeng through the painting features and process of thinking, he insisted on aesthetics concept of ＂Ancient and modern, compatibility of Chinese and Western＂.展开更多
This study analyzes the public relations curricula of 44 American colleges that have a Public Relations （PR） Student Society of America （PRSSA） chapter. Through content analysis, this study examines general requir...This study analyzes the public relations curricula of 44 American colleges that have a Public Relations （PR） Student Society of America （PRSSA） chapter. Through content analysis, this study examines general requirements, core public relations courses, requirements of public relations programs and strategic communication programs, and optional public relations courses offered by the colleges. The findings of this study reveal that very few public relations programs offer courses involving new media, crisis communication, and PR ethics. In order to keep in touch with the fast-changing public relations landscape, more PR programs should require and integrate new media, crisis communication and ethics courses.展开更多
The Western Abstract Painting has a dynamic, constantly-changing, and non-entity beauty. It focuses on the visual process, artistic feelings, and beauty of form as its creative core. The Chinese Cursive Calligraphy ...The Western Abstract Painting has a dynamic, constantly-changing, and non-entity beauty. It focuses on the visual process, artistic feelings, and beauty of form as its creative core. The Chinese Cursive Calligraphy （草书）, on the other hand, aims to create a vibrant beauty resulting from sweeping wrap-around and continuous changes. It also pays attention to the personality stretch, the lyrical and expressive, and the abstract beauty within images. In both arts, there is a rhythmic beauty running through the works, allowing the charm of lines to fully express the artist＇s creative thoughts and feelings, making them stand out impressively.展开更多
The term hybrid warfare was first coined by US military scholars and later widely adopted in the West to refer to Russian military operations in the Ukrainian and Syrian crises. In Russia, it is called"Gerasimovi...The term hybrid warfare was first coined by US military scholars and later widely adopted in the West to refer to Russian military operations in the Ukrainian and Syrian crises. In Russia, it is called"Gerasimovism". Russia adapted the idea of hybrid warfare for its military operations in Ukraine and Syria into a Russian-style hybrid warfare that has seen successful results so far. This model is likely to impact future military developments.展开更多
This paper is born from the intimate belief that solutions for the future are to be found in the past. No transformation is irreversible enough to destroy the experiences of the past, unified as a core in tradition. T...This paper is born from the intimate belief that solutions for the future are to be found in the past. No transformation is irreversible enough to destroy the experiences of the past, unified as a core in tradition. Those come into light whenever the proper conditions are created. From the point of view of architecture, representation is the basis for the transmission of knowledge, ideas, feelings, etc. The method of the paper is to put in antithesis two concepts which define the present world of representation： real （associated to transcendent revelation） and virtual （understood as result of human imagination）. An itinerary through the philosophy of Plato and Plotin, ancient Greek, Byzantine, Gothic architecture, etc., is proposed, until encountering the moment of the death of revelation and the birth of the arbitrary, which is connected to the supremacy of the image. This journey through aesthetic conceptions brought major changes in art and society during the centuries. Recuperation of the involvement of all human senses into perception of space and understanding of the built environment of life as revelation, and not as a simple interface of images, may lead now to a revolution of urban spirit, based on a relationship with the city inspired from the values promoted by Socrates and later developed into Christianity, that proved their permanence across the millenniums.展开更多
文摘At the end of the 20th century and beginning of the 21st century, Vietnamese literature witnessed unprecedented innovations in the aesthetic thinking of writers and the narrative structure of their works. One of the most interesting manifestations of this new movement was not merely the introduction of new aesthetic materials and factors, but the adoption and positive ＂reprocessing＂ of traditional factors---especially historical factors and folk narrative factors. Based on intertextual theory, we would like to address the strong penetration, reproduction, and transformation of some folk storytelling models and historical materials in Vietnamese literature since 1986. Two corresponding phenomena we examine are ＂historical rewriting＂ and ＂alternative fairy tales＂--as part of the whole process of incredulity towards grand narratives and postmodernism in the contemporary Vietnamese prose.
文摘Art composed of categories of the scale of beauty transmutes the aesthetic into eroticism, such that as an element of life it may be displayed as a love relationship between beauty and eros, the knowledge of which is referenced as early as Plato＇s philosophical contemplations. Plato characterizes eros in the Symposium and the Phaedrus as an invincible psychic force, capable, taking into account the fallibility of man, of compelling him toward the acquisition of that which will entail his completion. Eros, considered thusly, contributes to human ontogeny. Plotinus, who experiences beauty as eros and terror accompanied by pleasure, to the same degree will characterize it as the outcome and consequence of an intellectually and morally superior human soul. By this definition, the greatness of art lies in the fact that it compels the souls of men to eros for its spiritual content, the true nature of a work of art being the idea. As such, as long as it is not easy to know if this beauty exists as an ontologically, gnoseologically, and aesthetically idealized entity, so much the more we consider that we cannot entirely prove Freud＇s erotic theory of primordial and desirable phantasms, which seems to differ only slightly from the Platonic theory, or from Jung＇s theory of archetypes, as it seems not to recognize to an appropriate degree individual human experience. On the contrary and in agreement with the Lacanian theory on eros, in the environment of which eros is directed towards the other, so like it, it emerges in the life of the other, rupturing and reformulating it, we consider that each of us, in reality, in the erotic phenomenon, meets the other, and, behind him, our own self, which, enchanted by all that we sense that the other represents, rates all his characteristics as charmingly beautiful, because they have the privilege of coinciding, or at least of converging towards the aesthetic, entirely unique foundation of our self.
基金Supported by the Natural Science Research Item of Anhui Province College(KJ2008B013)
文摘Let di（1≤ i≤n）, 51,52, 53 be nonzero derivations of a prime ring R with char R ≠ 2. Suppose that U is a Lie ideal such that u2 ∈ U for all u ∈ U. In this paper, we prove that U [U→] Z（R） when one of the following holds： （1） d1（x1）d2（x2）,… ,dn（xn）∈Z（R） （2） δ3（y）δ1（x） = δ2（x）δ3（y）. Further, if g is a Lie ideal and a subring then （3） δ1（x）δ2（y） ＋δ2（x）δ1（y） ∈ Z（R） for all xi,x,y ∈ U.
文摘Samuel Beckett＇ s dramaticles are permeated with musical aesthetic thought, which is one of his unique writing styles. Exploration of such style is beneficial and conducive to deepen our understanding of the abstract and fragmented dramatic discourse. This thesis makes attempt to investigate musical aesthetic thought from the angle of the Event Structure Metaphor.
文摘Ralph Ellison published many articles and speeches on various topics before and after his masterpiece Invisible Man was published. They have been collected in Shadow andAct, Going to the Territory, and The Collected Essays of Ralph Ellison （posthumously）, and Shadow and Act has been selected as one of the most influential books in non-fiction with his Invisible Man in fiction which evokes more academic interests. This paper attempts to take a closer look at Ellison＇s literary criticism, focusing mainly on his response to the debate of ＂protest novel＂, his reconsideration of the Negro American writings, and his analysis of how the mainstream American writers, such as Mark Twain, William Faulkner, and Ernest Hemingway, deal with the racial subjects and represent them in their creation. Owing to the strong belief in the ideals of American democracy, Ellison highlights the individuality rather than the stereotyped characteristics of the Negro people, and transcends the fixed category of black and white, for all good literature tells the same story： to be true and honest.
文摘This study is concerned with the literary and aesthetic influences that led to Charles Sheeler＇s formation of a paragone in his early 20th century work. This painter, photographer, printmaker, and experimental filmmaker had very specific ideas concerning the hierarchy of the visual arts. While he is known for embracing a wide range of media and materials, by 1919 his aesthetic thought reveals a desire to elevate the painting over all other media. This formation of a visual paragone was initially influenced by his involvement in the interdisciplinary circles which surrounded both Alfred Stieglitz and Walter and Louise Arensberg in New York City. In particular, his lifelong friendship with the poet and writer William Carlos Williams would shape his aesthetic thought leading to his elevation of painting over all other media. Sheeler＇s paragone would begin to form during his stays at the rural Doylestown House in Bucks County, Pennsylvania. This rural home, which he first rented with fellow painter Morton Schamberg in 1916, would become an artistic refuge for both artists. While commercial photography was beginning to take up more if his time in Philadelphia, it was the retreats to the Doylestown house that enabled Sheeler to continue experiments in painting and begin to think of the photograph as something other than a document of architectural work. At this early stage in his artistic career, Sheeler was beginning to form his own hierarchy and contribute to the continuing argument of painting versus photography.
文摘The theory of scientific management exerts a far-reaching influence in the history of management. This paper challenges some one-sided comments on Taylorism and emphasizes more on its cultural implication. By analyzing the key features and background of scientific management, we prove why it appeals to European avant-garde modernists. In the end I expose a forgotten cultural implication of this organizational theory by explaining scientific management＇ s ＂lost＂ aesthetic and make a conclusion.
文摘Mr. Huang Dufeng is the master to paint landscapes, flowers, birds and people. In artistic practice, he clearly saw that in addition to using the ink to express the appearance, there exists its independence of aesthetic nature. In addition, Mr. Huang Dufeng is aware of vital importance of the spirit manifesting in the traditional painting. He has foresight in the face of treating the mutual development of Chinese and Western painting. In the meantime to advocate learning western painting, he all along emphasize that we should flourish the specific beauty of Chinese painting. He has showed a wide range of subjects, breaking the bondage of ＂four gentlemen＂ and pioneered the art image of angelfish. By discussion on Mr. Huang Dufeng through the painting features and process of thinking, he insisted on aesthetics concept of ＂Ancient and modern, compatibility of Chinese and Western＂.
文摘This study analyzes the public relations curricula of 44 American colleges that have a Public Relations （PR） Student Society of America （PRSSA） chapter. Through content analysis, this study examines general requirements, core public relations courses, requirements of public relations programs and strategic communication programs, and optional public relations courses offered by the colleges. The findings of this study reveal that very few public relations programs offer courses involving new media, crisis communication, and PR ethics. In order to keep in touch with the fast-changing public relations landscape, more PR programs should require and integrate new media, crisis communication and ethics courses.
文摘The Western Abstract Painting has a dynamic, constantly-changing, and non-entity beauty. It focuses on the visual process, artistic feelings, and beauty of form as its creative core. The Chinese Cursive Calligraphy （草书）, on the other hand, aims to create a vibrant beauty resulting from sweeping wrap-around and continuous changes. It also pays attention to the personality stretch, the lyrical and expressive, and the abstract beauty within images. In both arts, there is a rhythmic beauty running through the works, allowing the charm of lines to fully express the artist＇s creative thoughts and feelings, making them stand out impressively.
文摘The term hybrid warfare was first coined by US military scholars and later widely adopted in the West to refer to Russian military operations in the Ukrainian and Syrian crises. In Russia, it is called"Gerasimovism". Russia adapted the idea of hybrid warfare for its military operations in Ukraine and Syria into a Russian-style hybrid warfare that has seen successful results so far. This model is likely to impact future military developments.
文摘This paper is born from the intimate belief that solutions for the future are to be found in the past. No transformation is irreversible enough to destroy the experiences of the past, unified as a core in tradition. Those come into light whenever the proper conditions are created. From the point of view of architecture, representation is the basis for the transmission of knowledge, ideas, feelings, etc. The method of the paper is to put in antithesis two concepts which define the present world of representation： real （associated to transcendent revelation） and virtual （understood as result of human imagination）. An itinerary through the philosophy of Plato and Plotin, ancient Greek, Byzantine, Gothic architecture, etc., is proposed, until encountering the moment of the death of revelation and the birth of the arbitrary, which is connected to the supremacy of the image. This journey through aesthetic conceptions brought major changes in art and society during the centuries. Recuperation of the involvement of all human senses into perception of space and understanding of the built environment of life as revelation, and not as a simple interface of images, may lead now to a revolution of urban spirit, based on a relationship with the city inspired from the values promoted by Socrates and later developed into Christianity, that proved their permanence across the millenniums.
