探究闽南传统建筑美术资源的人文性与技艺性

闽南传统建筑古朴、俏丽,在空间营造、建筑装饰上透露出浓厚的儒家思想,潜移默化的影响着居住在这里的人们。闽南传统建筑装饰精美繁复,其即将流逝的画、雕、剪粘、堆砌等传统建筑装饰技艺,为我们美术课程资源的开发提供了丰富的内容。闽南传统建筑美术课程将美术融入到闽南地域文化生活探究之中,用美术的方式传播闽南传统建筑艺术,在探究过程中感受闽南传统建筑中的人文精神,达到利用美术教育传承闽南文化,发展传统文化。

初中美术教学的直觉、直感训练研究

美术是一种技艺的直觉和直感,技艺的训练和教学,与学生年龄、直觉的变化、直感的选择,促成了美术教学出现一种视觉和技巧的结合。本文从直觉环境和直感盛宴,探究初中美术教学的技艺价值。

传统工艺美术保护与发展路径研究——以北京市为例

传统工艺美术技艺与产品是我国劳动人民智慧的结晶,是我国悠久文化历史的见证,也是连通现代审美与技术与传统工艺文化的桥梁,每一件作品中都蕴含着中华民族的历史特色与文化精神。本文在深度调研和问卷调查的基础上,提出传统工艺美术保护需要加强人才培育;加快传统工艺美术技术改造,促进产业升级;减免部分工艺美术企业的税收缴纳,减轻相关主体负担;大力培育新型区域品牌产品,重视有机结合企业和区域品牌,以北京市传统工艺美术保护为例,介绍了一种大数据版权保护及衍生功能多样的新模式。

A Brief of the Technological Beauty Effect on Modem Interior Design

As a practical art, interior design is related to the technological beauty closely. Technological beauty is the combination of technology and art, there will be important meaning by researching materials,function, and forms of beauty in interior design and green interior design.

Analysis on Sichuan Folk Furniture Technical Characteristics： From Craft Aesthetics Perspective

The technical characteristics of Sichuan folk furniture were studied from craft aesthetic perspective. The features of Sichuan folk furniture material, technology and structure were analyzed through literature review, field investigation and expert interview methods, the technical characteristics of Sichuan folk furniture were re-analyzed from craft aesthetic perspective rather than the traditional material and technique research perspectives. The study shows that Sichuan folk furniture technical features contain not only cultural spirit and aesthetic consciousness, but distinctive aesthetic personality as well. Sichuan folk furniture technical characteristics convey Chinese traditional design philosophy, such as theory is based on objects, and it is highly concentrated and concise of aesthetic sentiment in Sichuan folk aesthetic temperament and interest.

The study on the beauty of Yulin Tea-picking

Yulin was belong to ＂Hundred Yue＂ in ancient time, the Zhuang and Yao nationality was the indigenous people here. After the Qin and Han Dynasties, the central plains people constantly migrating to the south not only brought the advanced agricultural technology, but also a lot of Hafts customs and folk music, including the ＂picking flower lanterns＂, ＂tea-picking drama＂ and other folk music cultures which combined with the local pristine ＂tea plucking＂ folk songs, and then the ＂tea plucking＂ music culture began to have its own unique artistic features. These characteristics contributed to highlight the beauty of Yulin tea plucking opera. This article mainly discusses Yulin tea-picking Drama＇s rich aesthetic connotation through elaborating its music, lyrics, the theme, dancing, and clothing etc.

Analysis on the Charm and Application of Modem Craflwork Art Design

Modern craflwork art, based on traditional craflwork art, with the constant development of the social production level, gradually forms; and they have a very close relationship. But, today＇ s modern craftwork art is not completed by hands and simple tools and doesn＇ t depend on the limited natural materials to cope with today＇ s human life needs, but it must be equipped with the beauty wisdom, industrial science and technology, economic ideas and production and manufacturing technology, so that it can produce the modern craftworks full of the era significance. This paper first analyzes the charm of modern craftwork art design, and then explains how to use the modern craftwork art design, which has a certain practical value and reference significance.

大美雕漆

雕漆是把天然漆料在胎体表面一遍遍的髹涂,再用刻刀在堆起的漆层上雕刻花纹的技法。北京地区一般一天只能光漆一层,厚度1毫米的漆层,需要光漆20层左右。北京雕漆是一项古老的传统手工技艺。始于唐,兴于宋、元,盛于明、清。明代隆庆年间（1567~1572年）黄大成所著的《髹饰录》是我国古代漆器的经典著作。

手工印染技术在蜡染及扎染艺术风格表现中的应用

手工印染是具有悠久历史沉淀的传统的工艺美术技艺。其中包括了蜡染和扎染两种技艺,但是两者都是改变装饰图形图案的艺术手段,都是具有传统的艺术美感,给人一种美的欣赏。本文主要讨论了手工印染技术在蜡染及扎染艺术风格表现中的应用,在其中论述了蜡染和扎染各自的艺术风格以及他们对于印染技术的应用,希望能给相关工作者一定的启示作用。