Saving Fish from Drowning是谭恩美2005年的作品,与以往中译本不同,该作以"译写"的方式在中国大陆发行。运用生态翻译学说,从多维度转换程度、读者反馈以及译者素质三方面对译品进行评判。通过市场调查和分析得出,虽然译写...Saving Fish from Drowning是谭恩美2005年的作品,与以往中译本不同,该作以"译写"的方式在中国大陆发行。运用生态翻译学说,从多维度转换程度、读者反馈以及译者素质三方面对译品进行评判。通过市场调查和分析得出,虽然译写的做法由来已久,但是新时代下以这种方式翻译外国原著,目前无法获得包括译评家、读者和很多出版社的认可。展开更多
HAO Jing-fang, a Chinese writer with her novel Folding Beoing, was awarded the 2016 Hugo Award, the top award in global science fiction community, the second for Chinese science fiction writers after LIU Ci-xin for hi...HAO Jing-fang, a Chinese writer with her novel Folding Beoing, was awarded the 2016 Hugo Award, the top award in global science fiction community, the second for Chinese science fiction writers after LIU Ci-xin for his The Three-Body Problem, which stroke a strong shockwave to the science fiction community around the world. It cannot be denied that Ken LIU＇s translation has played an irreplaceable role in the success of Folding Beijing Unfortunately, there are a few studies on LIU＇s translation of Folding Beoing, let alone with Skopos theory. This paper refers to massive studies on it by scholars at home and abroad and is based on a careful reading of Folding Beifing, its translation counterpart and concludes that the translator adopts Skopos theory in translating figurative rhetoric by linking the three basic roles with the LIU＇s ideas on translation. This paper studies the translation on the figurative rhetoric in Folding Beijing and extracts so many typical sentences as to certify the flexible strategies and methods adopted by the author under Skopos theory, which conforms to the reading habit and taste of the target audience and provides a paradigm for the future translation of Chinese science fictions展开更多
A fertile ground is needed for a work to be translated and accepted successfully in the target culture, which includes enough understanding of the ideology and poetics of the source text. Sometimes, a work could be tr...A fertile ground is needed for a work to be translated and accepted successfully in the target culture, which includes enough understanding of the ideology and poetics of the source text. Sometimes, a work could be translated and introduced into a culture too early before the readers there can understand the foreign idea and poetics. The innovative language and narrative experiment in Finnegans Wake are far ahead of the literary tradition in contemporary China, which makes it hard to be understood and accepted wholeheartedly by most Chinese readers. However, such experimental works should not be translated in a domesti- cating way to make them easier. If the experimental poetics in Finnegans Wake were kept in the translation as much as possible, it could advance the acceptance of new ideas and poetics in modem Chinese literature, especially when some efforts are given to make the translated work popular.展开更多
文摘Saving Fish from Drowning是谭恩美2005年的作品,与以往中译本不同,该作以"译写"的方式在中国大陆发行。运用生态翻译学说,从多维度转换程度、读者反馈以及译者素质三方面对译品进行评判。通过市场调查和分析得出,虽然译写的做法由来已久,但是新时代下以这种方式翻译外国原著,目前无法获得包括译评家、读者和很多出版社的认可。
文摘HAO Jing-fang, a Chinese writer with her novel Folding Beoing, was awarded the 2016 Hugo Award, the top award in global science fiction community, the second for Chinese science fiction writers after LIU Ci-xin for his The Three-Body Problem, which stroke a strong shockwave to the science fiction community around the world. It cannot be denied that Ken LIU＇s translation has played an irreplaceable role in the success of Folding Beijing Unfortunately, there are a few studies on LIU＇s translation of Folding Beoing, let alone with Skopos theory. This paper refers to massive studies on it by scholars at home and abroad and is based on a careful reading of Folding Beifing, its translation counterpart and concludes that the translator adopts Skopos theory in translating figurative rhetoric by linking the three basic roles with the LIU＇s ideas on translation. This paper studies the translation on the figurative rhetoric in Folding Beijing and extracts so many typical sentences as to certify the flexible strategies and methods adopted by the author under Skopos theory, which conforms to the reading habit and taste of the target audience and provides a paradigm for the future translation of Chinese science fictions
文摘A fertile ground is needed for a work to be translated and accepted successfully in the target culture, which includes enough understanding of the ideology and poetics of the source text. Sometimes, a work could be translated and introduced into a culture too early before the readers there can understand the foreign idea and poetics. The innovative language and narrative experiment in Finnegans Wake are far ahead of the literary tradition in contemporary China, which makes it hard to be understood and accepted wholeheartedly by most Chinese readers. However, such experimental works should not be translated in a domesti- cating way to make them easier. If the experimental poetics in Finnegans Wake were kept in the translation as much as possible, it could advance the acceptance of new ideas and poetics in modem Chinese literature, especially when some efforts are given to make the translated work popular.
