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主持人语:华文地方书写与中华文化散布
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作者 刘俊 《中国现代文学论丛》 2016年第2期79-79,共1页
华文文学作为一种世界性的语种文学,目前已遍布世界各地。在不同的社会土壤中,华文文学的题材关注和呈现方式,会带有不同的地域特点和地方风貌。收在本专栏中的三篇文章,分别论述武汉作家陈应松、马华旅台作家黄锦树以及六位香港作家(... 华文文学作为一种世界性的语种文学,目前已遍布世界各地。在不同的社会土壤中,华文文学的题材关注和呈现方式,会带有不同的地域特点和地方风貌。收在本专栏中的三篇文章,分别论述武汉作家陈应松、马华旅台作家黄锦树以及六位香港作家(海辛、施叔青、西西、黄碧云、董启章、韩丽珠),通过对他们作品的研析,展示'华文地方书写与中华文化散布'的丰富形态。肖画的论文《从瞎眼里看见地狱在绝壁上寻找生路——论陈应松作品中的罪与赎》。 展开更多
关键词 作家 绝壁 文学 世界性 书写 地方 肖画
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A New Fragile Watermark for Image
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作者 陆唯杰 陈克非 《Journal of Shanghai Jiaotong university(Science)》 EI 2003年第2期146-149,共4页
Fragile watermarking is a method to verify the integrity and authenticity of multimedia data. A new fragile watermark for image was proposed, which can be used in image verification applications. The paper first descr... Fragile watermarking is a method to verify the integrity and authenticity of multimedia data. A new fragile watermark for image was proposed, which can be used in image verification applications. The paper first described the above two techniques, some of which will be used in the method. Then it described the embedding and authentication process and also analyzed the method to show how it can survive some attacks. The experimental results show that the proposed method doesn’t need the watermark or original image on authentication side. It provides more security against attack, and can localize where the tempering has occurred. 展开更多
关键词 WATERMARK image autentication tampering detection
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Jacopo Tintoretto's Female Concert: The Realm of Venus
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作者 Liana De Girolami Cheney 《Journal of Literature and Art Studies》 2016年第5期478-499,共22页
This study aims to visualize Giorgio Vasari's statement in discussing Jacopo Tintoretto's Female Concert of 1576-86, now at the Gemaldegalerie Alte Meister in Dresden (see Figure 1). Two conceits (concetti) are ... This study aims to visualize Giorgio Vasari's statement in discussing Jacopo Tintoretto's Female Concert of 1576-86, now at the Gemaldegalerie Alte Meister in Dresden (see Figure 1). Two conceits (concetti) are considered in analyzing Tintoretto's female imagery: (1) a fanciful invention of musica extravaganza; and (2) a Venetian allegory of bellezza. The first part of the essay discusses the provenance of the painting and the second part presents an iconographical interpretation of the imagery. This essay also focuses on the iconography of the painting based on viewing the subject and does not postulate on its iconography based on disappeared paintings or on a speculative decorative cycle on the theme of Hercules. Relying on well-documented research on music in Venice, on Mannerist practices, and on art theories during Tintoretto's life, some intriguing observations are made about the painting. 展开更多
关键词 beauty music ICONOGRAPHY ALCHEMY interpretation MYTHOLOGY muses NEOPLATONISM VENUS
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