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元代女散曲家述论 被引量:1
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作者 王正威 《天水行政学院学报(哲学社会科学版)》 2003年第4期55-58,共4页
在元代散曲作家中 ,女散曲家是一个比较特殊的群体。她们聪慧机敏 ,富有才华 ,向往、追求幸福美好的生活 ,以其优伶歌伎的卑微身份 ,与官僚文人、书会才人交游并受到对方的称赏与尊敬。她们为数不多的曲作 ,表现了她们的真思想、真性情 ... 在元代散曲作家中 ,女散曲家是一个比较特殊的群体。她们聪慧机敏 ,富有才华 ,向往、追求幸福美好的生活 ,以其优伶歌伎的卑微身份 ,与官僚文人、书会才人交游并受到对方的称赏与尊敬。她们为数不多的曲作 ,表现了她们的真思想、真性情 ,写出了她们的生活史、心灵史 。 展开更多
关键词 女散曲家 元代 自言体 思想 性情
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元代散曲抒情写意的艺术特征 被引量:3
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作者 许金榜 《山东师范大学学报(人文社会科学版)》 1995年第3期80-84,共5页
元代散曲抒情写意的艺术特征许金榜王骤德《曲律》说:“词之异于诗也,曲之异于词也,道迎不作也,诗人而以诗为曲也,词人而以词为曲也,必不可言曲也。”与诗词相比,曲在思想内容和艺术特征上都有着自己鲜明的特色。因此,我们既不... 元代散曲抒情写意的艺术特征许金榜王骤德《曲律》说:“词之异于诗也,曲之异于词也,道迎不作也,诗人而以诗为曲也,词人而以词为曲也,必不可言曲也。”与诗词相比,曲在思想内容和艺术特征上都有着自己鲜明的特色。因此,我们既不能用写诗词的方法写曲,也不能完全按... 展开更多
关键词 元代散曲 抒情写意 言体 自言体 女主人公 艺术特征 意象描写 关汉卿 动作行为 抒情主人公
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South Africa's Media Freedom Landscape and the Closures in Democracy
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作者 Glenda Daniels 《Journalism and Mass Communication》 2015年第1期9-19,共11页
This research uses a theoretical conceptual method based on Chantal Mouffe's Radical Democracy which blended with Derrida's deconstruction thesis about "democracy to come" to reach findings on the state of South A... This research uses a theoretical conceptual method based on Chantal Mouffe's Radical Democracy which blended with Derrida's deconstruction thesis about "democracy to come" to reach findings on the state of South Africa's media freedom landscape. The method is contained in the conceptual framework. The article provides the constitutional legal landscape--or the overarching laws of the land--and the co-regulatory framework within which journalists work. There are four research explications: the Protection of State Information Bill (dubbed the Secrecy Bill), a painting of the president and Freedom of Expression, an arson attack on a community radio station and finally, the death of a photojournalist at the hands of police. The argument here is that the death, the arson attack, the Secrecy Bill, and the shut-down of dissent during the exhibition of the painting of the president all undermine democracy and signify significant closures for the media in the now 20-year-old post-apartheid South Africa. The analysis and reflections will be framed within theories of radical democracy, which argue for more fights and contestations and more voices from the margins in order to deepen democracy, rather than rational consensus which closes the spaces for greater plurality. 展开更多
关键词 radical democracy MEDIA freedom of expression SECRECY CLOSURES aporias
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The Trinity Triangle and the Homonymy of the Word "Is" in Natural Language
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作者 Vladimir Lobovikov 《Journal of Philosophy Study》 2015年第7期327-341,共15页
There are philosophers and logicians who do think that the Trinity-triangle makes up an evident formal-logic inconsistency demonstrating convincingly that Christian faith is illogical and hence irrational one. The pre... There are philosophers and logicians who do think that the Trinity-triangle makes up an evident formal-logic inconsistency demonstrating convincingly that Christian faith is illogical and hence irrational one. The present paper submits a systematic counter-argumentation against such thinking. According to the submitted counter-arguments, there is no formal-logic inconsistency in the Holy-Trinity-triangle: There is only a logic-linguistic illusion of such inconsistency which illusion is naturally produced by the ambiguity of the word "is" in natural language. The author has invented an effective remedy for that illusion, namely, a precise formulation of the generalized and thus modernized Guillotine of Hume by means of an artificial language of two-valued algebraic system of formal ethics of moral rigor. Systematical using the mathematized formulation of the generalized Hume's Guillotine cuts down the mentioned linguistic illusion of logical inconsistency. Thus, the paper essentially interconnects discrete mathematical representations of formal iogic of thinking and formal ethics of acting. In relation to contemporary symbolic logic, the author submits not a technical result solving some important particular problem concerning some specific system of symbolic logic but a significantly new result of conceptual work concerning logic in general and its interconnection with mathematical ethics. The old idea of logic as a moral science is transformed into a novel idea of symbolic logic as a brunch of mathematical ethics. In particular, two-valued algebra of classical formal logic is considered as a particular case of two-valued algebra of formal ethics of moral rigor. The submitted conception of logic is instantiated by applying it to the knotty logic-problem of Holy-Trinity-triangle. 展开更多
关键词 symbolic-logic mathematical-ethics mathematical-theology the-Holy-Trinity algebra-of-formal-ethics moral-evaluation-function formal-ethical-equivalence formal-ethical-entailment
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Freedom of Speech and Newspaper Excesses
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作者 Amira Massaabi 《Sociology Study》 2014年第8期681-690,共10页
Press has been found to have an impact on the outcome of electoral political campaigns. Press can distort the electorate's perception of an objective reality to fulfill the political orientation of its editorial line... Press has been found to have an impact on the outcome of electoral political campaigns. Press can distort the electorate's perception of an objective reality to fulfill the political orientation of its editorial line. This can be achieved in propaganda and in the rhetoric of excess. Within the framework of Critical Discourse Analysis (CDA), this paper has conducted a thematic content analysis to study the rhetoric of excess in the construction of political identity and relations in 100 articles pertaining to two different ideologically oriented Tunisian newspapers, namely Le Maghreb and El Dhamir. The study covered the period from December 26, 2011 to December 26, 2012. Results have shown a low level of impartiality violating Gricean maxims of quality and quantity. This tendency could culminate in violence and undermine the public's confidence in the media. Proactive measures of media management are recommended. 展开更多
关键词 Critical Discourse Analysis (CDA) media freedom and ethics the rhetoric of excess political identity IDEOLOGY
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