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艺人小说、书贾小说与文人小说——中国古代通俗小说的不同类型及其编创特征
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作者 纪德君 《社会科学》 CSSCI 北大核心 2013年第6期179-184,共6页
中国古代的通俗小说,若从其作者与编创方式着眼,大致可分为艺人小说、书贾小说与文人小说等不同类型。不同类型的小说在编创旨趣与方式上有较大的差异,但又存在不同程度的交叉、互渗关系。明乎此,解读小说时才不至于出现认识上的错位,... 中国古代的通俗小说,若从其作者与编创方式着眼,大致可分为艺人小说、书贾小说与文人小说等不同类型。不同类型的小说在编创旨趣与方式上有较大的差异,但又存在不同程度的交叉、互渗关系。明乎此,解读小说时才不至于出现认识上的错位,避免只用一种小说标准来衡量不同类型的小说或介于不同类型小说之间的过渡型作品。 展开更多
关键词 艺人小说 书贾小说 文人小说 编创特征
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On the Three Forms of Fruitless Love in Sons and Lovers
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作者 WANG Xiao-yan 《Journal of Literature and Art Studies》 2014年第3期197-200,共4页
David Herbert Lawrence is one of the greatest English novelists of the 20th century. He is not only a turn-of-the-century social reformer, but also an artist deeply concerned with human relationships. His famouse work... David Herbert Lawrence is one of the greatest English novelists of the 20th century. He is not only a turn-of-the-century social reformer, but also an artist deeply concerned with human relationships. His famouse work--Sons and Lovers (1994), describes the process of young Paul's growth with young Lawrence's personal life as the model. The present paper, first of all, gives a brief introduction of the novel. Then the three forms of unreal love in the story are what the present paper mainly explored. Firstly, the love between Paul and his mother is a distorted love between a mother and a son. Secondly, the love between Paul and Miriam is an immature love of young people. Thirdly, the love between Paul and Clara is physical and short-lived. The three forms of love are unreal and doomed to be fruitless 展开更多
关键词 Sons and Lovers LOVE Paul Morel Gertrude Morel Miriam Leivers Clara Dawes
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Creative Nonfiction: A Three-Quarter Profile
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作者 Shen Li 《Fudan Journal of the Humanities and Social Sciences》 2012年第4期80-97,共18页
Creative nonfiction is coming of age, not simply as opposed to ficdon, but as respectable as good ficdon true to its name. Due attention should be drawn to this super-genre absorbing varied subject matter. This paper ... Creative nonfiction is coming of age, not simply as opposed to ficdon, but as respectable as good ficdon true to its name. Due attention should be drawn to this super-genre absorbing varied subject matter. This paper looks into creative nonfiction as a form of art with a let-its-hair-down attitude generally in line with the genre. Creative nonfiction is held to be a paradoxically generic term covering subcategories such as memoir, biography, autobiography, history, and journalism. Instead of being walled off from one another, these subcategories mix and match to build up a work of truth, or rather elusive truth, which might sound stranger than fiction. In addition to the imaginative mix and match to open up new possibilities for writing, felicity of style is another add-on to doing it well. Hence creative nonfiction is conceived as an adventure to wrap up a somewhat strange story in a serendipitous form as well as a felicitous language. Hopefully, this three- quarter profile of the genre will be able to offer a thin slice of the picture to the audience. 展开更多
关键词 creative nonfiction elusive truth mix and match
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