浅析高中语文中作文艺术的培养教学

作文作为语文中的一环,不论是在应试比重中还是在生活实践中都占有重要的地位。写作是一种很好的表达方式,能够通过文笔来表述出笔者的思想,沉淀自身心性,直抒胸臆,逐渐增加文学素养,弘扬中国文化。中国自古的科举制就是通过学子的文章进行评选的,文章可以彰显学生的内心世界与想法,还能体现文笔功底。中国文化渊源流传,有无数珍贵优秀的文章,承载了文人墨客的思想与精神,还有词语美句的使用,这都是值得传承与发扬。作为一名高中语文教师,不能仅仅针对高考的教学内容来对学生进行教学,而是应该从实际出发,针对学生的发展来进行能力的训练与培养。中国需要有内涵、有思想、有文采的青少年来通过文笔发扬中华文化。

让儿童的作文成为“儿童作文”

儿童的作文应主张自由表达,绝不是没有情感参与的瞎编胡扯,教师要引导学生叙真事、说真话、抒真情、掏真心。作文只有表达了一个＂真＂字,才能成为真正的乐事,才能领略到抒发情怀的快乐和惬意。

Exploration of＂the seven-eighths under the water＂： On Hemingway＇s short story Cat in the Rain

Ernest Hemingway is famous for his ＂mastery of the art of modern narration＂. This paper adopts his writing theory-＂iceberg principle＂ and techniques of writing, especially brief repetitions and vague symbols to analyze his short story Cat in the Rain for the purpose of revealing the theme behind the plot.

The Processualities of Literature

The objective of this paper is to demonstrate that the processual aspect of literary works of art deserves much more attention than it normally receives by readers, critics, and theorists. The most important reason for this is seen in the fact that texts since the advent of print culture have been disseminated and passed on in written form and that in the medium of writing the processual character of language is only insufficiently taken care of by a cultural convention of arranging and approaching the presented signs in an particular sequence. Whereas in an oral culture the dynamic processuality of a speech or recitation was directly experienced by the listeners, the spatial arrangement of signs in writing enables and even entices readers and critics to read this or that part of a written text in a sequence of their own making. What remains out of focus is that in doing so they miss the particular semantic profile and aesthetic character of the work as created by the author--a procedure particularly hurtful in the case of literary works of art. There is hope, however, that this will somewhat change by our moving towards a performance culture

National Identity in Conflict： The Reconstruction of King Ly Thai To on Vietnamese Screen

Born as Ly Cong Uan, Ly Thai To is the first king of the Ly Dynasty. The most important contribution of Ly Thai To in Vietnamese history is to move the capital from Hoa Lu to Dai La, and rename it as Thang Long （Ascending Dragon） in 1010. Nowadays, it is known as Hanoi. Ly Thai To promoted Buddhism, and reduced the centuries-old influence of Confucianism in the kingdom. The growth and prevalence of Buddhism brought about a long period of peace, where Buddhist literature consequently flourished with seminal achievements. Due to King Ly Thai To＇s enormous contributions, the Vietnamese have created several legends and anecdotes to mystify his life. Thus, although a historical figure, his life remains a mystery and controversy. In 2010, Hanoi celebrated the 1000th anniversary of Thang Long. On this occasion, Vietnamese historical films about Ly Cong Uan were produced. This created intriguing variations within historical facts, legends, and on-screen stories. This paper will explore the reconstruction of Ly Cong Uan＇s life from an adaptation studies perspective through four historical films： Legend of the Capital Relocation （Huyen su thien do）, Thang Long Aspiration （Khat vong Thang Long）, Ly Cong Uan The Road to Thang Long Citadel （Ly Cong Uan： Dtrong toi thanh Thang Long）, Child of the Dragon （Ngtroi con cua Rong）. This research also wants to clarify the issues of national identity, nationalism, and cultural interaction reflected through the representations of Ly Thai To in those cinematic products

Influence of Air Pollution on the Deterioration of Monuments and Museum Collections

The time has come to recognize the extreme importance of the archaeological sites in Jordan. They provide a wealth evidence and precise information regarding ancient civilizations and cultures. The safeguarding of this cultural heritage is one of the most urgent priorities, that involve the proper conservation and preservation methods of all artifacts and buildings that have an important artistic and historic value. Conservation is a whole field in regarding the care and treatment of valuable artifacts, both movable and immovable. It has two aspects： （1） the control of the environment--to minimize the decay of artifacts and materials and （2） the treatment of these--in order to stop or slow down any deterioration and to stabilize them where possible against further dilapidation. The museum environment is a limited space dedicated not only to exhibition but also to the appropriate conservation of works of art. This article presents an overview of the types of damage and deterioration that air pollution causes to indoor cultural heritage materials and monuments. It identifies the main damaging air pollutants from outdoor sources to be sulphur dioxide, nitrogen dioxide, ozone and sulphide gases.

The Concept of Peace in the Pentateuch

Peace is a key concept in Jewish tradition with an extensive history. It is also an extremely broad concept. As former deputy to the president of Israel＇s Supreme Court, Chief Justice Prof. M. Elon, stated at a lecture he delivered at a 2004 conference at Haifa University, that peace is equivalent to liberty, justice, and purpose of this chapter is to discuss various attitudes and ideals concerning peace that are reflected in a sources from the Hebrew Bible and are complemented by other Jewish sources equity. The selection of

Civilization and Art： Lifeworld in the Variety of Visual Experience

The paper examines the assignment of the visual experience in the context of interrelation between civilization and art. Civilization is defined as ＂the survival of the weak＂. It is stressed that this definition can be applied to man, animal and every living being. Lie as ＂someone else＇s truth＂ and art as ＂the process of the creation of ＇copies of the copies of nature＇＂ are considered to be the weak man＇s tools for survival. The author argues that purpose of erotic scenes and scenes of hunting （death and violence） both in the past and in the present is the excitation at the woman of desire to reproduction.

Communities and the Poetic Imaginary：A Folklore Essay on the Poetry of the Wild Project

Poetry of the Wild is an ongoing artistic and literary project that according to originator Ana Flores＇ conception, invites the public ＂out for a walk＂ to freshly experience their world through word, sound, and image. Inspired by birdhouse design, these unique configurations of ＂poetry boxes＂, combining art and poetry are located in various communal open spaces. Each new project solicits a public response from us all to become catalysts for exploring our environs and questioning how a sense of place informs our consciousness. A folkloristic perspective shapes this discussion about the many variations of this collaborative and public project of poetry boxes, installed on trails, in parks, along rivers, and in library stacks over the past ten years. The primary concerns of folklore interpretation such as tradition, identity, cultural creativity, performance, and narrative analysis, are just a few of the dynamics that can be teased out from investigating a project with such interesting cultural parameters. In this context, cultural sustainability and poetic sensibility deepen our understanding of sense of place, environmental aesthetics, shrine markers, and the scope of individual and communal creative action.

Charles Sheeler＇s Paragone： Literary Influence and the Shaping of a Hierarchy

This study is concerned with the literary and aesthetic influences that led to Charles Sheeler＇s formation of a paragone in his early 20th century work. This painter, photographer, printmaker, and experimental filmmaker had very specific ideas concerning the hierarchy of the visual arts. While he is known for embracing a wide range of media and materials, by 1919 his aesthetic thought reveals a desire to elevate the painting over all other media. This formation of a visual paragone was initially influenced by his involvement in the interdisciplinary circles which surrounded both Alfred Stieglitz and Walter and Louise Arensberg in New York City. In particular, his lifelong friendship with the poet and writer William Carlos Williams would shape his aesthetic thought leading to his elevation of painting over all other media. Sheeler＇s paragone would begin to form during his stays at the rural Doylestown House in Bucks County, Pennsylvania. This rural home, which he first rented with fellow painter Morton Schamberg in 1916, would become an artistic refuge for both artists. While commercial photography was beginning to take up more if his time in Philadelphia, it was the retreats to the Doylestown house that enabled Sheeler to continue experiments in painting and begin to think of the photograph as something other than a document of architectural work. At this early stage in his artistic career, Sheeler was beginning to form his own hierarchy and contribute to the continuing argument of painting versus photography.

Borges＇ Poetics of Visible Unrealities

Close reading and inter-textual analysis of Borges＇ essays, fiction, and poetry suggest a poetics of visible unrealities, a fiction that calls attention to its own artifice. Borges＇s poetics of reading and dreaming require another poetics of the work as a text that calls attention to its own artifice. In reading Borges＇ fiction, the separate roles and identities of reader, writer, and work of fiction merge and exchange roles, powers, and identities and are transformed into a single act of dreaming, which assumes cosmogonic and apocalyptic risks. In the dominant role given to the reader, the work of fiction as an object or work of art does not exist unless it is read. There is no determinate text, only a version of our own we re-write and invent every time we read the text. The author＇s reading is not a spontaneous evocation of vision, but an artifice, as artificial as the writing of the fiction. As writers and readers we are composed of texts and schemata, alphabets and artifacts, not merely mental perceptions and ideas. The reader requires a prior text to copy, translate, and recreate, and that text only exists as a fictional microcosm in so far as it is being read by a Reader who is able to actualize the revelation only imminent within it.

Structure, Passion and Dynamic Characteristics Study on Sergei Eisenstein＇s Thought of＂Film Structure＂

Sergei Eisenstein was labelled as a theory master of ＂montage＂ for a long time, but also film theory pioneer that seems to be somewhat ＂outdated＂ in the eyes of the modem people. In fact, he was one of the most important figures who created a few of theories and also were good at film creation in the film history of over years. He was not only an outstanding master-level film director, but also film theorist who created rich thoughts to the world. He often discussed the film theories with intercommnnity by taking his own works such as Bronenosets Potyomkin for an example, and simultaneously connected paintings （especially the Oriental painting）, music, literature and others with new arts in the writing of theories, so that the construction of his own film theories was accomplished. The focus of this paper is the later consideration of Sergei Eisenstein on the film works structure. Also, his theoretical system and contemporary significance are rethought by studying a series of thoughts such as ＂works structure＂ , ＂dynamic characteristics＂ , ＂logarithmic spiral＂ , ＂golden section＂ and ＂passionate structure＂ .

London in Love

In this paper, I read several literary texts, in order to demonstrate the relation between the viewing subject and the gazed object, in terms of love, illusion, and and aesthetic ecstasy. Walter Benjamin＇s untitled poem illuminates love and blessing through artistic images, as in Giorgio de Chirico＇s painting, The Song of Love （1914）. Love in London is somehow a dream-like image--a surreal illusion of love, which stays in the viewer＇s mind as a poem of colours, representing etemity. Virginia Woolf＇s Night andDay says it better, when Mary walks into the British Museum and gazes at the Elgin Marbles, thinking how much she is in love with Ralph. John Keats＇ ＂On Seeing the Elgin Marbles＂ also depicts the way in which a gaze of love could be an eternal moment of aesthetic ecstasy .