Many scientific and irrational factors exist in the cultural development of the country, in the current housing reconstruction project in the village, residential style, building materials, and architectural culture a...Many scientific and irrational factors exist in the cultural development of the country, in the current housing reconstruction project in the village, residential style, building materials, and architectural culture are not conducive to the Wa architectural culture, history, culture and home and other cultural heritage＇ s protection and development, there is lack of integrity, long-term, historical, cultural, ethnic, heritage qualities and so on. Increased emphasis is on the development of national culture, implementing the development of a good culture, protection, inheritance. Development of national culture is a broad and urgent and we need to address issues that require more in-depth study of scholars and experts, and play to their strengths to further increase the cultural industry development.展开更多
This paper, through the investigation and analysis of economic status, fashion art and consumption psychology in modem society, makes a research of formation background, style features and fashion reflection from mult...This paper, through the investigation and analysis of economic status, fashion art and consumption psychology in modem society, makes a research of formation background, style features and fashion reflection from multiple aspects. And from the perspective of artistic style and garment innovation design, it analyzes the artistic feature of new minimalism culture and style types of garment interlining art, forming systematic theoretical statement.展开更多
The construction of the palace carries with it the importance of a country＇s political power. It shows the highest degree of a country＇s culture and represents the significant of planning artistic style.The modes of...The construction of the palace carries with it the importance of a country＇s political power. It shows the highest degree of a country＇s culture and represents the significant of planning artistic style.The modes of landscape plan of both Geunjeongjeon of Seoul Gyeongbokgung,and Chongzheng Hall in Shenyang imperial palace is characterized with the unique national culture under its own construction background. This article is to find out the feature of the spatial construction and the deepen artistic by analyzing the Plan technique structure modelling design and eyesight design for sDatial of the two palaces.展开更多
Jingju actor and director Wu Hsing-kuo＇s （吴兴国） Lear Is Here （2001） is a 90-minute solo performance adapted from Shakespeare＇s King Lear and performed injingju style. In this performance, he alternately perfor...Jingju actor and director Wu Hsing-kuo＇s （吴兴国） Lear Is Here （2001） is a 90-minute solo performance adapted from Shakespeare＇s King Lear and performed injingju style. In this performance, he alternately performs 10 male and female characters including himself injingju role types ofsheng （male）, dan （female）,jing （painted face）, mo, and chou （clown） in search 0f dual identities. This paper will investigate Wu＇s performance in Lear Is Here from three directions： First, how Wu subtly combines Shakespearean dramatic tension and psychological complex, his versatilejingju performing styles, and Brechtian alienation effect in developing his unique artistic flair？ What are at stake of such an eclectic performance？ Second, in the rooting and re-routing of both Shakespearean plays andjingju acting style where Wu Hsing-kuo meets King Lear, how Wu articulates the meticulous details of both source culture and target culture while at once extracting them out of context to interweave and re-articulate them into an eclectic intercultural theater？ Third, investigating the cultural exchange, bicroleurs, audience reception, and production mode of the work, the author will try to do away with the ＂authenticity＂ or ＂representativeness＂ of either the East or the West, but explore the possibilities of the hybrid theater in search of alternative aesthetic and emerging performance genre展开更多
文摘Many scientific and irrational factors exist in the cultural development of the country, in the current housing reconstruction project in the village, residential style, building materials, and architectural culture are not conducive to the Wa architectural culture, history, culture and home and other cultural heritage＇ s protection and development, there is lack of integrity, long-term, historical, cultural, ethnic, heritage qualities and so on. Increased emphasis is on the development of national culture, implementing the development of a good culture, protection, inheritance. Development of national culture is a broad and urgent and we need to address issues that require more in-depth study of scholars and experts, and play to their strengths to further increase the cultural industry development.
文摘This paper, through the investigation and analysis of economic status, fashion art and consumption psychology in modem society, makes a research of formation background, style features and fashion reflection from multiple aspects. And from the perspective of artistic style and garment innovation design, it analyzes the artistic feature of new minimalism culture and style types of garment interlining art, forming systematic theoretical statement.
文摘The construction of the palace carries with it the importance of a country＇s political power. It shows the highest degree of a country＇s culture and represents the significant of planning artistic style.The modes of landscape plan of both Geunjeongjeon of Seoul Gyeongbokgung,and Chongzheng Hall in Shenyang imperial palace is characterized with the unique national culture under its own construction background. This article is to find out the feature of the spatial construction and the deepen artistic by analyzing the Plan technique structure modelling design and eyesight design for sDatial of the two palaces.
文摘Jingju actor and director Wu Hsing-kuo＇s （吴兴国） Lear Is Here （2001） is a 90-minute solo performance adapted from Shakespeare＇s King Lear and performed injingju style. In this performance, he alternately performs 10 male and female characters including himself injingju role types ofsheng （male）, dan （female）,jing （painted face）, mo, and chou （clown） in search 0f dual identities. This paper will investigate Wu＇s performance in Lear Is Here from three directions： First, how Wu subtly combines Shakespearean dramatic tension and psychological complex, his versatilejingju performing styles, and Brechtian alienation effect in developing his unique artistic flair？ What are at stake of such an eclectic performance？ Second, in the rooting and re-routing of both Shakespearean plays andjingju acting style where Wu Hsing-kuo meets King Lear, how Wu articulates the meticulous details of both source culture and target culture while at once extracting them out of context to interweave and re-articulate them into an eclectic intercultural theater？ Third, investigating the cultural exchange, bicroleurs, audience reception, and production mode of the work, the author will try to do away with the ＂authenticity＂ or ＂representativeness＂ of either the East or the West, but explore the possibilities of the hybrid theater in search of alternative aesthetic and emerging performance genre
