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从雅库特人的口弦看与东方民族的血缘关系
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作者 李天义 《民族艺林》 2014年第2期18-21,共4页
雅库特人也称萨哈人,属于突厥语系文化纽带圈的北方游牧民族。人类学家一直以为,雅库特人是中国北方游牧民族匈奴的后裔。但是,帮助我们能够证明雅库特人有中国原始牧民血脉的佐证甚少,除了他们的语言属于突厥语系之一外,就是雅库特人... 雅库特人也称萨哈人,属于突厥语系文化纽带圈的北方游牧民族。人类学家一直以为,雅库特人是中国北方游牧民族匈奴的后裔。但是,帮助我们能够证明雅库特人有中国原始牧民血脉的佐证甚少,除了他们的语言属于突厥语系之一外,就是雅库特人手中的口弦。口弦最早流行于中国,在华夏原住居民还处于母系社会时,口弦就伴随着他们从黄玄悠远的古代走来,从我国《诗经》的文字记载中的"巧舌如簧",不难看出,口弦出于中国。 展开更多
关键词 艺术 文化纽带 民族血脉
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孙德才其人其艺
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作者 刘兴明 《四川戏剧》 北大核心 2000年第1期40-42,共3页
关键词 川剧 变脸 表演艺术 孙德才 艺术口
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“女娲作簧”:四重证据视域下的一个古史传说及其礼乐意义 被引量:2
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作者 范子烨 《艺术学研究》 2020年第3期4-10,共7页
"女娲作簧"是母系氏族社会的一个重要文化事件,是上古时代礼乐文明的滥觞,由此产生的鼓簧艺术在石器时代得以延续;进入青铜时代,夏商周继承了这种艺术传统;而至春秋时代,孔子编纂《诗经》,其中的四首"鼓簧诗"更体... "女娲作簧"是母系氏族社会的一个重要文化事件,是上古时代礼乐文明的滥觞,由此产生的鼓簧艺术在石器时代得以延续;进入青铜时代,夏商周继承了这种艺术传统;而至春秋时代,孔子编纂《诗经》,其中的四首"鼓簧诗"更体现了口簧作为礼乐用器以及鼓簧艺术作为礼乐艺术形式的重要意义。在王国维二重证据法的基础上,结合口述史料与活性态口簧艺术遗存,即以四重证据表明"女娲作簧"的历史真实,是对其文化意义阐释的一种有效手段。 展开更多
关键词 女娲作簧 礼乐文明 二重证据法 述史料 活性态艺术
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关陇民歌春官说诗的当代流变 被引量:1
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作者 杨田 高乐 《文化遗产》 CSSCI 2021年第5期133-140,共8页
在“民俗主义”的启发下,探讨春官说诗“朝向当下”的文化表相,分析人群实践背后深层次的信仰传承、社会结构和文化意涵。揭示从传统民俗到当代民俗的变迁路径背后,历时积累的道教民间信仰力量是春官诗创作原动力的事实本相,进而巩固社... 在“民俗主义”的启发下,探讨春官说诗“朝向当下”的文化表相,分析人群实践背后深层次的信仰传承、社会结构和文化意涵。揭示从传统民俗到当代民俗的变迁路径背后,历时积累的道教民间信仰力量是春官诗创作原动力的事实本相,进而巩固社会现实,不断强化社会意义。春官说诗的当代文化价值和意义:春官表演实践展演是文化符号集合扩大的文本,人们根据这些具有当下社会意义的符号形成价值体系和行为模式。由此,新民俗不断重组变异、循环转化。 展开更多
关键词 春官说诗 艺术 民俗主义 民间信仰 新民俗
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李萍:口梆子艺术在新时期的领军人物
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作者 贡淑芬 《中国戏剧》 北大核心 2008年第4期12-14,共3页
元旦一过,就是数九隆冬的严寒季节。塞外山城张家口,大雪纷飞,滴水成冰。尽管寒冷,却有两件喜事让张家口人热血沸腾,奔走相告。一件事是在1月9日,经过充分论证、周密筹备,张家口市口梆子艺术剧院隆重成立;再一件事是在1月19日... 元旦一过,就是数九隆冬的严寒季节。塞外山城张家口,大雪纷飞,滴水成冰。尽管寒冷,却有两件喜事让张家口人热血沸腾,奔走相告。一件事是在1月9日,经过充分论证、周密筹备,张家口市口梆子艺术剧院隆重成立;再一件事是在1月19日,中国戏剧梅花奖获得者、优秀青年演员李萍的戏曲演唱会的成功举办。 展开更多
关键词 梆子艺术 李萍 人物 张家 梅花奖获得者 中国戏剧 青年演员
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Incidents and Accidents in Plein Air Painting: One Path Towards Post-impressionism
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作者 Lloyd Bennett 《Journal of Literature and Art Studies》 2017年第10期1290-1298,共9页
A method for placing oil paint in metal tubes occurred in the early 1840s, which facilitated artists taking their materials out of doors to paint nature directly. In France in the 1860s, we know of painters like Claud... A method for placing oil paint in metal tubes occurred in the early 1840s, which facilitated artists taking their materials out of doors to paint nature directly. In France in the 1860s, we know of painters like Claude Monet were working on beaches and port cities to capture the effect of scenes under natural light. By 1874 the Anonymous Society of Painters, Sculptors, Engravers, etc. (Impressionists) offered their first public exhibition to much criticism. A common complaint of the new work was that it lacked finish to be considered as a completed work for sale. It is the view of this paper that outdoor, or plein air painting, developed because of the circumstances this type of work developed in the artist naturally. I focus on two areas that outdoor painting forced the artist to consider: incidents and accidents. The incidents refer to the varied weather the painter had to deal with and the accidents identify the intuitive methods the plein air painters fell practice to when confronted by difficult passages or situations in nature. These experiences would shift the focus of the Impressionists from recording nature in a naturalistic way to self-expression, which would become a key idea in early modem painting. The finish the detractors of Impressionism called for would be replaced by an appreciation for the personal in painting as exacting images of landscape became predictable and lacked the vitality of the intuitive picture that could offer something new to art. 展开更多
关键词 plein air impressionists PAINTING GESTURES accidents
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Study on Hankou Digital Building Repair Technology
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作者 Xiaoqian Yang 《International Journal of Technology Management》 2017年第1期7-9,共3页
In this context, traditional building crafts craftsman in artistic conception is under the control, use the appropriate tools or equipment, according to the ages, follow the way from raw material acquisition, manufact... In this context, traditional building crafts craftsman in artistic conception is under the control, use the appropriate tools or equipment, according to the ages, follow the way from raw material acquisition, manufacture components to install molding, to complete a post-renovation process technology ; endangered intangible cultural heritage in urgent need of rescue and system protection. In this paper, the current status of our architectural heritage protection process, analyzes the signi? cance of the protection framework and ideas, discuss their research methods to analyze the feasibility of building process aimed at promoting heritage protection process, to resolve the current architectural Heritage Protection the “lost technology” and “craftsman team fault,” the urgent problem for protection policies provide reference formulation. On the building process is about building sophisticated cognitive system theory and principles and methods of generation, including the principle of building technology, building technology system structure, and evolution of construction technology paradigm, Chinese modern architecture and sophisticated analysis of the problem 4 to improve its strategy part of a chain, the development of theory and practice in the field of architecture will have far-reaching significance. There is a neglect of traditional building technology issues in the protection of architectural heritage, traditional construction technology plays an important role in the building heritage protection system. Our architectural heritage protection from the perspective of the role of traditional Chinese architecture technology and explore effective ways to protect and respect their heritage. 展开更多
关键词 raditional construction technology architectural heritage protected mode FRAMEWORK BUILDING
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那些收藏里的念想
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作者 子军 《老同志之友(上半月)》 2013年第5期41-41,共1页
我无意收藏,可无意中竟然也保存了一些有意义的东西。每当我回忆、品味、欣赏它们时,总有一种念想儿油然而生,挥之不去。
关键词 私人收藏 收藏品 艺术口 古董
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