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竹笛演奏艺术探微 被引量:1
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作者 张筱敏 《戏剧之家》 2021年第31期65-66,共2页
竹笛自始至终是我国传统乐器文化的重要代表,在整个民族传承和文化发扬中所起的作用,也是无可替代的,具有十分丰富的表现力。对此,本文也将以竹笛的演奏为切入点,从艺术的角度出发,分析竹笛演奏艺术美的相关内容,并探讨具体的美学价值,... 竹笛自始至终是我国传统乐器文化的重要代表,在整个民族传承和文化发扬中所起的作用,也是无可替代的,具有十分丰富的表现力。对此,本文也将以竹笛的演奏为切入点,从艺术的角度出发,分析竹笛演奏艺术美的相关内容,并探讨具体的美学价值,列举出演奏的方法和措施,希望能够给相关学习者带来一定的参考和帮助,提高竹笛演奏者的文艺修养和创新思维,展现出音乐的节奏和韵律。 展开更多
关键词 竹笛演奏 艺术美分析 方法探究
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Conceptual Art: The Untold Story of African Art
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作者 Osuanyi Quaicoo Essel Ebenezer Kwabena Acquah 《Journal of Literature and Art Studies》 2016年第10期1203-1220,共18页
Conceptual art is one of the twentieth century art movements that has gained popular attention in the contemporary artworld. It has received much scholarly prominence in the Western world, and perceived as an emergent... Conceptual art is one of the twentieth century art movements that has gained popular attention in the contemporary artworld. It has received much scholarly prominence in the Western world, and perceived as an emergent art of European origin. What has been given little or no scholarly attention is the African essence of root of conceptual art movement. This article addresses the historical epochs of conceptual art in Africa and delves into the critical question of whether or not conceptual art is an emergent art in Africa. With the help of the images of African artworks, this article attempts to fmd visual answers by examining the art-historical account of the art through visual analysis in simple narrative format in telling the African side of the story. It concludes that the adoration and idolization of Marcel Duchamp as the father of conceptual art is contestable since the art was many centuries old in Africa before the twentieth century artists began to practice it in the West. Duchamp's attempt at dematerialization of art, and showing distaste to the traditional aesthetics of Western art at the time through conceptual exploration had been in practice in African art and, therefore, not an invention. 展开更多
关键词 ART African art art movements conceptual art contemporary art
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A Study on the Artistic Dimension of Modem Chinese Popular Music
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作者 WANG Jing 《Journal of Literature and Art Studies》 2017年第10期1299-1306,共8页
Generally, criticism on popular music is of both political and artistic nature. This paper is intended to investigate modem Chinese popular music in the artistic dimension. On one hand, through analysis and differenti... Generally, criticism on popular music is of both political and artistic nature. This paper is intended to investigate modem Chinese popular music in the artistic dimension. On one hand, through analysis and differentiation in light of the two persistent (and biased) conceptions, it is necessary to acknowledge the inevitability of popular music as an art. On the other hand, this paper aims to analyze specifically the "voice" in popular music in hope of presenting its unique aesthetic characteristics. Above all, a more comprehensive view and more diverse approaches are needed in the study of popular music 展开更多
关键词 artistic quality aesthetic characteristics "voice"
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