As an art, Chinese knot is aged and refreshing. Those kinds of knots have come down from time immemorial. It exemplified the wisdom of the working people. The knots have the beauty of plainness and nature. Applying it...As an art, Chinese knot is aged and refreshing. Those kinds of knots have come down from time immemorial. It exemplified the wisdom of the working people. The knots have the beauty of plainness and nature. Applying it in modem decoration would give the Modem decorative art personality and all kinds of form are available. The two parts would interact and help each other forward. Through the research, this paper analyzed the styles and features of Chinese knot. As well as the development and application of Chinese knot in Modem decorative art. In order to make the theoretical bases, for the sake of inheriting and continuing fine folk arts.展开更多
In the face of various problems in the current art education, the targeted reform is very important. This reform can be embarked from the folk art handed down from the folk. In the classrooms, we should let the studen...In the face of various problems in the current art education, the targeted reform is very important. This reform can be embarked from the folk art handed down from the folk. In the classrooms, we should let the students contact the traditional arts and crafts, so that they know more about arts. In the history of China＇s bright and colorful folk arts, there flash numerous art forms, including the facial makeup art and culture, the shadow play art and culture, the paper-cut art and culture, and the kite drawing art and culture, and so on. These are the unique arts only of our nation with five thousand years of the development, and we need to well integrate them into the current art education, so as to form the unique system of the art education. This can not only play the role of inheriting the traditional Chinese cultures, but also can well arouse the children＇s interest in arts and their art creativity.展开更多
This paper focuses on a non-linear relationship between the course of one individual＇s life and its creative reshaping in the literary work of art as experienced in Julian Barnes＇s novel The Noise of Time. Contempla...This paper focuses on a non-linear relationship between the course of one individual＇s life and its creative reshaping in the literary work of art as experienced in Julian Barnes＇s novel The Noise of Time. Contemplating a creative process of writing, the author seems to insist on a symbiosis between art and life. Writing about Shostakovich, he goes on challenging aWs ability to deliver a clear message about life： how to put what one has experienced into words？ A creative dialogue thus established between a non-speaking, extra-linguistic, and unique self and its verbal representation in literature is built upon a relational nature of the said and the not-said. Eloquent silence is employed to transpose one＇s life experience into the realm of verbal represenation. Focusing on the limits of verbal representation, Barnes＇ character in The Noise of Time similarly strives to grasp a meaning of the relationship among language, ＂silence＂, and liberation from the self. Refiguring silence as one of the most valuable narrative devices, the text challenges the illusory nature of historical time, of historical places, and of selfhood展开更多
This paper analyzes the language employed in the representations of women in Doukhobor Russian ritual texts called ＂ncanMbf＇ （psalms） from the viewpoint of linguistic text analysis performed in the Russian traditi...This paper analyzes the language employed in the representations of women in Doukhobor Russian ritual texts called ＂ncanMbf＇ （psalms） from the viewpoint of linguistic text analysis performed in the Russian tradition of folklore stylistics. While addressing the representations of Biblical female characters, such as the Holy Virgin Mary Magdalene, the Heavenly Bride, and the Whore of Babylon, along with the portrayals of Doukhobor and other women, the paper identifies stylistic features in their textual descriptions. The study establishes connections between Doukhobor texts and Russian folklore and liturgical tradition. The paper strives to identify the place of Doukhobor psalms as an integral part of the Russian literary and folklore heritage展开更多
The objective of this paper is to demonstrate that the processual aspect of literary works of art deserves much more attention than it normally receives by readers, critics, and theorists. The most important reason fo...The objective of this paper is to demonstrate that the processual aspect of literary works of art deserves much more attention than it normally receives by readers, critics, and theorists. The most important reason for this is seen in the fact that texts since the advent of print culture have been disseminated and passed on in written form and that in the medium of writing the processual character of language is only insufficiently taken care of by a cultural convention of arranging and approaching the presented signs in an particular sequence. Whereas in an oral culture the dynamic processuality of a speech or recitation was directly experienced by the listeners, the spatial arrangement of signs in writing enables and even entices readers and critics to read this or that part of a written text in a sequence of their own making. What remains out of focus is that in doing so they miss the particular semantic profile and aesthetic character of the work as created by the author--a procedure particularly hurtful in the case of literary works of art. There is hope, however, that this will somewhat change by our moving towards a performance culture展开更多
文摘As an art, Chinese knot is aged and refreshing. Those kinds of knots have come down from time immemorial. It exemplified the wisdom of the working people. The knots have the beauty of plainness and nature. Applying it in modem decoration would give the Modem decorative art personality and all kinds of form are available. The two parts would interact and help each other forward. Through the research, this paper analyzed the styles and features of Chinese knot. As well as the development and application of Chinese knot in Modem decorative art. In order to make the theoretical bases, for the sake of inheriting and continuing fine folk arts.
文摘In the face of various problems in the current art education, the targeted reform is very important. This reform can be embarked from the folk art handed down from the folk. In the classrooms, we should let the students contact the traditional arts and crafts, so that they know more about arts. In the history of China＇s bright and colorful folk arts, there flash numerous art forms, including the facial makeup art and culture, the shadow play art and culture, the paper-cut art and culture, and the kite drawing art and culture, and so on. These are the unique arts only of our nation with five thousand years of the development, and we need to well integrate them into the current art education, so as to form the unique system of the art education. This can not only play the role of inheriting the traditional Chinese cultures, but also can well arouse the children＇s interest in arts and their art creativity.
文摘This paper focuses on a non-linear relationship between the course of one individual＇s life and its creative reshaping in the literary work of art as experienced in Julian Barnes＇s novel The Noise of Time. Contemplating a creative process of writing, the author seems to insist on a symbiosis between art and life. Writing about Shostakovich, he goes on challenging aWs ability to deliver a clear message about life： how to put what one has experienced into words？ A creative dialogue thus established between a non-speaking, extra-linguistic, and unique self and its verbal representation in literature is built upon a relational nature of the said and the not-said. Eloquent silence is employed to transpose one＇s life experience into the realm of verbal represenation. Focusing on the limits of verbal representation, Barnes＇ character in The Noise of Time similarly strives to grasp a meaning of the relationship among language, ＂silence＂, and liberation from the self. Refiguring silence as one of the most valuable narrative devices, the text challenges the illusory nature of historical time, of historical places, and of selfhood
文摘This paper analyzes the language employed in the representations of women in Doukhobor Russian ritual texts called ＂ncanMbf＇ （psalms） from the viewpoint of linguistic text analysis performed in the Russian tradition of folklore stylistics. While addressing the representations of Biblical female characters, such as the Holy Virgin Mary Magdalene, the Heavenly Bride, and the Whore of Babylon, along with the portrayals of Doukhobor and other women, the paper identifies stylistic features in their textual descriptions. The study establishes connections between Doukhobor texts and Russian folklore and liturgical tradition. The paper strives to identify the place of Doukhobor psalms as an integral part of the Russian literary and folklore heritage
文摘The objective of this paper is to demonstrate that the processual aspect of literary works of art deserves much more attention than it normally receives by readers, critics, and theorists. The most important reason for this is seen in the fact that texts since the advent of print culture have been disseminated and passed on in written form and that in the medium of writing the processual character of language is only insufficiently taken care of by a cultural convention of arranging and approaching the presented signs in an particular sequence. Whereas in an oral culture the dynamic processuality of a speech or recitation was directly experienced by the listeners, the spatial arrangement of signs in writing enables and even entices readers and critics to read this or that part of a written text in a sequence of their own making. What remains out of focus is that in doing so they miss the particular semantic profile and aesthetic character of the work as created by the author--a procedure particularly hurtful in the case of literary works of art. There is hope, however, that this will somewhat change by our moving towards a performance culture
