Sergei Eisenstein was labelled as a theory master of ＂montage＂ for a long time, but also film theory pioneer that seems to be somewhat ＂outdated＂ in the eyes of the modem people. In fact, he was one of the most im...Sergei Eisenstein was labelled as a theory master of ＂montage＂ for a long time, but also film theory pioneer that seems to be somewhat ＂outdated＂ in the eyes of the modem people. In fact, he was one of the most important figures who created a few of theories and also were good at film creation in the film history of over years. He was not only an outstanding master-level film director, but also film theorist who created rich thoughts to the world. He often discussed the film theories with intercommnnity by taking his own works such as Bronenosets Potyomkin for an example, and simultaneously connected paintings （especially the Oriental painting）, music, literature and others with new arts in the writing of theories, so that the construction of his own film theories was accomplished. The focus of this paper is the later consideration of Sergei Eisenstein on the film works structure. Also, his theoretical system and contemporary significance are rethought by studying a series of thoughts such as ＂works structure＂ , ＂dynamic characteristics＂ , ＂logarithmic spiral＂ , ＂golden section＂ and ＂passionate structure＂ .展开更多
上左马龙·白兰度对着一个背面碎裂的镜子给自己脸上画上伤痕。上右知名摄影师詹姆斯·阿贝受聘在电影《赖婚》(Way Down East,1920年)的剧组拍照,这张照片极有可能出自他手。主演丽莲·吉许意识到高质量照片的价值,也乐于...上左马龙·白兰度对着一个背面碎裂的镜子给自己脸上画上伤痕。上右知名摄影师詹姆斯·阿贝受聘在电影《赖婚》(Way Down East,1920年)的剧组拍照,这张照片极有可能出自他手。主演丽莲·吉许意识到高质量照片的价值,也乐于配合。最令人印象深刻的是照片的质感之高:吉许身穿一件充满时代特色的漂亮婚纱裙,镜头捕捉到裙子上不同布料间的材质差异。展开更多
文摘Sergei Eisenstein was labelled as a theory master of ＂montage＂ for a long time, but also film theory pioneer that seems to be somewhat ＂outdated＂ in the eyes of the modem people. In fact, he was one of the most important figures who created a few of theories and also were good at film creation in the film history of over years. He was not only an outstanding master-level film director, but also film theorist who created rich thoughts to the world. He often discussed the film theories with intercommnnity by taking his own works such as Bronenosets Potyomkin for an example, and simultaneously connected paintings （especially the Oriental painting）, music, literature and others with new arts in the writing of theories, so that the construction of his own film theories was accomplished. The focus of this paper is the later consideration of Sergei Eisenstein on the film works structure. Also, his theoretical system and contemporary significance are rethought by studying a series of thoughts such as ＂works structure＂ , ＂dynamic characteristics＂ , ＂logarithmic spiral＂ , ＂golden section＂ and ＂passionate structure＂ .
文摘上左马龙·白兰度对着一个背面碎裂的镜子给自己脸上画上伤痕。上右知名摄影师詹姆斯·阿贝受聘在电影《赖婚》(Way Down East,1920年)的剧组拍照,这张照片极有可能出自他手。主演丽莲·吉许意识到高质量照片的价值,也乐于配合。最令人印象深刻的是照片的质感之高:吉许身穿一件充满时代特色的漂亮婚纱裙,镜头捕捉到裙子上不同布料间的材质差异。
