“大美无言”:繁昌窑青白瓷的历史地位、工艺特征及审美取向

繁昌窑作为南唐贡窑,是目前我国已知最早烧制青白瓷的窑址,已被列入全国重点文物保护单位。其创烧于晚唐时期,五代至宋代早期盛行,宋代中后期衰落,南宋初期停烧,虽烧制时间不长,却因首创且使用“二元配方”工艺制作出最早的青白瓷,在当时“南青北白”的瓷业格局中留下了璀璨印记。由于繁昌窑青白瓷断烧近千年,致使申报非物质文化遗产项目阻碍重重,繁昌窑青白瓷精湛的制瓷工艺、特色的审美文化与深厚的文化底蕴,在当代并没有得到相应的地位与重视。本文拟对繁昌窑青白瓷的历史地位进行阐述,并从器型、釉色、纹样三个方面剖析其工艺特征,进而揭示出繁昌窑造物的审美取向,旨在加深对繁昌窑的文化认知,促进在当代的传承与持续发展。

永儒布艺术创作中的器艺特征和审美情结

民族音乐是永儒布艺术创作的根基。潮尔、马头琴及蒙古族民歌,是永儒布交响乐的主要创作源泉。他的交响乐作品体现出丰厚的民族风格底蕴,具有史诗性和哲理性的审美本质。尊崇自然、敬畏生命和爱恋家园,既是永儒布交响乐作品的核心内容,也是其交响乐作品所体现的典型的审美情结。向民族文化传统寻根,创作立意与民族传统紧密相连,是永儒布交响乐创作中的基本遵循。

张海书法艺术馆藏北朝墓志校考及其书艺特征与价值

《张海书法艺术馆馆藏石刻选》刊张海书法艺术馆馆藏北魏、东魏、西魏、北齐墓志凡十二块,多为精品。碑志所载志主生平,或有史载、或无记录,都不同程度丰富了历史文献。志主皆为官宦或官宦夫人,其身份高者或为皇室子孙,或位列三公;低者则有长史、参军。部分志主史书有传,可与志文相对照,互为印证史实和补阙。各志书法风格不一,概有精劲秀整、刚健爽利、雄浑朴茂,空灵隽秀、婀娜婉约、方整宽舒、峻宕奇古、篆籀杂糅之诸美。其刊刻时间由北魏孝昌三年(五二七)至北齐天统三年(五六七),跨度达四十年,基本反映了北魏至北齐碑刻书法的发展演变时代书风书貌。诸志具有书法研习、史料补阙、文物传承等多方面价值,值得深入研究。

MACHINING-FEATURE BASED 3-AXIS AUTOMATIC NC PROGRAMMING FOR HIGH-SPEED MILLING

Machining-features of the workplace are described by using of the object-oriented （O-O） technology. Geometrical machining-features are recognized in the given cut region by using the maximum membership priciple about the fuzzy set. Depending on the IF-THEN rule and the fuzzy matching method, the rough information of the machining-process for high-speed milling （HSM） is extracted based on the database of machining-process for HSM. The optimization model of machining-process scheme is established to obtain shorter cut time, lower cost or higher surface quality. It is helpful to form successful cases for HSM. NC programming for HSM is realized according to optimized machining-process data from HSM cases selected by the optimization model and the extracted information of machining-process.

A Definition Formalism of Machining Features for DFM

Benefiting from advances in feature technology for design and manufacture can not be expected before a formal methodology is established. This paper makes attempt to establish a definition formalism of machining features in design for manufacturability from two aspects: formal definition and manufacturability analysis. Some definitions for machining feature based upon the selection and sequencing of material removal operations for component in accordance with the design geometry are presented and a framework of feature based design for manufacturability is outlined correspondingly. The proposed scheme contributes to several aspects of feature based CAD/CAM integration, especially to encourage potentially a more generic approach to the automation of design.

Research on Artifact Characteristics and Life Style of Products

As a part of the behavior function extension and the humanities characteristic, product is an entity performance that integrates the technique and culture. In the article, the inherent relation between technique and culture of products is analyzed to reveal the cultural mode of product development from the view of human society development in industry design. These will not only contribute to analyze the relation between notional technique characteristics and humanity, but also help to study the products developed under the inter-relation between life and environment.

Electro-spark epitaxial deposition of NiCoCrAlYTa alloy on directionally solidified nickel-based superalloy

An 8 mm-high NiCoCrAlYTa coating was epitaxially built-up on a directionally solidified (DS) Ni-based superalloy blade tip by electro-spark deposition.Epitaxial morphologies of the coating and its microstructural characteristics were investigated by means of SEM,XRD and TEM etc.It is observed that the fine column-like dendrites originated from the γ'-particles or γ'-clusters of the DS substrate and are un-continuously coarsened.The β-phase particles precipitate and grow eutectically with the γ-phase.The orientation of fine column dendrites depends on electro-spark deposition processing parameters and the microstructure can be characterized with superfine γ and β phases.

Preparation and microstructure characterization of poly-sialate-disiloxo type of geopolymeric cement

In order to investigate the influence of three key molar ratios （n（SiO2）/n（Al2O3）, n（K2O）/n（Al2O3） and n（H2O）/n（K2O））, a total of nine potassium poly-sialate-disiloxo （K-PSDS） geopolymeric cement matrices were designed according to orthogonal design principle. Subsequently, XRD, ESEM-EDXA and MAS-NMR techniques were employed to further characterize the microstructure of the most fully reacted geopolymeric cement matrix. The experimental results show that n（K2O）/n（Al2O3） has the most significant effect on compressive strength amongst the three ratios. The highest compressive strength （20.1 MPa） can be achieved when n（SiO2）/n（Al2O3）=6.5, n（K2O）/n（Al2O3）=0.8 and n（HEO）/n（K2O）=10.0. The FTIR spectra of nine PSDS geopolymeric cement matrices also indicate that geopolymeric cement matrix with the highest strength is the most fully reacted one and possesses the largest amount of geopolymeric cement products. The microscopic analysis reveals that PSDS geopolymeric cement matrix possesses structural characteristics similar to gel substances in having a wide range of Si endowments, but predominantly the framework molecular chains of Si partially replaced by 4-coordinated Al tetrahedral.

Process mineralogy and characteristic associations of iron and phosphorus-based minerals on oolitic hematite

The chemical compositions,mineralogical characteristics,as well as dissemination of iron-and phosphorus-based minerals were studied for the E’xi oolitic hematite from western Hubei Province in China by using chemical analysis,optical microscope,electron probe micro-analyzer(EPMA)and energy dispersive spectroscopy(EDS).It is found that this kind of oolitic hematite ore contains 47.71%TFe,10.96%SiO_2,as well as 0.874%P,with hematite as the dominant Fe-bearing minerals,and quartz,chamosite,illite and cellophane as main gangue minerals.The microscope examination showed that the ore has an oolitic structure,with some ooids principally formed by a series of concentric layers of hematite collophanite around nucleus that is hematite in the association with collophanite.Based on the EPMA and EDS analysis,it can be known that some ooids are primarily composed of hematite and collophanite.The separation can be achieved through fine grinding for those collophanite laminae with a higher P content.However,the dissemination of two minerals at the interface will result in the difficulty in effective separation.Besides,some ooids are made of chamosite with some nucleus formed of quartz,which is principally finely disseminated with hematite.In view of the close association and dissemination of iron-and phosphorus-based minerals in the ooids,it is found that the process of stage-grindings and stage-separations can be adopted to effectively increase the iron recovery and decrease the P content in the concentrate to some extent.

Role of Ag addition on microstructure,mechanical properties,corrosion behavior and biocompatibility of porous Ti-30 at%Ta shape memory alloys

In the present study,the thermal,mechanical,and biological properties of xAg/Ti-30Ta(x=0,0.41,0.82 and 2.48 at%)shape memory alloys(SMAs)were investigated.The study was conducted using optical and scanning electron microscopy(SEM),X-ray diffractometry(XRD),compression test,and shape memory testing.The xAg/Ti-Ta was made using a powder metallurgy technique and microwave-sintering process.The results revealed that the addition of Ag has a significant effect on the pore size and shape,whereas the smallest pore size of 11μm was found with the addition of 0.41 at%along with a relative density of 72%.The fracture stress and strain increased with the addition of Ag,reaching the minimum values around 0.41 at%Ag.Therefore,this composition showed the maximum stress and strain at fracture region.Moreover,0.82 Ag/Ti-Ta shows more excellent corrosion resistance and biocompatibility than other percentages,obtaining almost the same behaviour of the pure Ti and Ti-6Al-4V alloys,which can be recommended for their promising and potential response for biomaterial applications.

Analysis on the Characteristics of Singing Liao Songs with Male Voice in Pingguo of Guangxi

Liao songs are the cultural and artistic products brewed by the people of Zhuang ethnic minority for thousand years. In this paper, the style and characteristics of singing Zhuang ethnic minority＇s Liao songs with male＇s two-part voice in Guangxi are mainly introduced through an analysis of vocal music and the study on the performance forms, singing language characteristics, and vocal music and resonance is mainly included, and also the important significance of singing Zhuang ethnic minority＇s Liao songs with male＇s two-part voice is discussed. Also, it is compared with the modern Chinese folk singing styles.

Study on quality evaluation model in multi-station assembly processes

Based on features of dimension variation propagation in multi-station assembly processes,a new quality evaluation model of assembly processes is established. Firstly,the error source of multi-station assembly system is analyzed,the relationship of dimension variation propagation in multi-station assembly processes is studied and the state equation for variation propagation is constructed too. Then,the feature parameters which influence variation propagation and accumulation in multi-station assembly processes are found to evaluate quality characteristic of the assembly system. Through the derivation of equation on dimension variation propagation,station coefficient matrices which are combined and conversed to determine the max eigenvalue are educed. The max eigenvalue is multiplied by the weight coefficient to establish the quality evaluation model in multi-station assembly processes. Furthermore,assembly variation indexes are proposed to judge of the assembly technology process. Finally,through the practical example,the application of the model and assembly variation indexes are presented.

The Linguistic Means of Representing Women in the Doukhobor Russian Psalms

This paper analyzes the language employed in the representations of women in Doukhobor Russian ritual texts called ＂ncanMbf＇ （psalms） from the viewpoint of linguistic text analysis performed in the Russian tradition of folklore stylistics. While addressing the representations of Biblical female characters, such as the Holy Virgin Mary Magdalene, the Heavenly Bride, and the Whore of Babylon, along with the portrayals of Doukhobor and other women, the paper identifies stylistic features in their textual descriptions. The study establishes connections between Doukhobor texts and Russian folklore and liturgical tradition. The paper strives to identify the place of Doukhobor psalms as an integral part of the Russian literary and folklore heritage

A Study on the Artistic Dimension of Modem Chinese Popular Music

Generally, criticism on popular music is of both political and artistic nature. This paper is intended to investigate modem Chinese popular music in the artistic dimension. On one hand, through analysis and differentiation in light of the two persistent （and biased） conceptions, it is necessary to acknowledge the inevitability of popular music as an art. On the other hand, this paper aims to analyze specifically the ＂voice＂ in popular music in hope of presenting its unique aesthetic characteristics. Above all, a more comprehensive view and more diverse approaches are needed in the study of popular music

Animation art forms and aesthetic characteristics

In a very shocking symbol, animation art leads us to the continuing social and philosophical problems. With its unique hypothetical language as the human spirit and emotional material carrier, animation art passes various social messages to people. The value of animation art lies in the certain form of expression to convey characteristics of the content and spirit, which is the core issues that Chinese animation industry worthy of attention and research. Animation art as a cultural transmission symbols, bears culture spreading. The combination of cultural heritage and the new animation language means is an important way for animation art to direct towards the life of road. At the same time, let the excellent national culture and art forms combine with modem advanced technology and make innovation and creativity. Only in this way can China＇s animation talent with a new, unique appearance presented to the audience and occupy an important seat in the world animation art.

Zdenek Fibich＇s opera Hedy as a ＂Czech Tristan＂ Between Wagnerism and Verismo

Fibich＇s opera Hedy （premiered in 1896） was received as a succesfull work, although many reviewers did not know how to call the prevailing style （mixture ofwagnerianism, Grand opera, verismo exotico, the second Don Giovanni composed for Prague because of reminiscences on Mozart＇s dramma giocoso）. It is not uneasy to find clear musical hints on Puccini in Fibich＇s next opera Sarka （premiered 1897）, but it was already in Hedy where drastic and geographically clearly determined subject was mixed with Wagnerian gesture of love extasy, which is everywhere and endless. Obviously, Fibich, as a mature artist, was able to connect rules of both Czech declamation and contemporary veristic fashion. This study tries to identify main stylistic features which shaped Fibich＇s fifth opera, and analyses receptive expectations from the side of Czech audience and its influence on Fibich＇s opera composition.

Analysis of Buddhist sculpture art in Wei, Jin, southern and Northern Dynasties

The emergence and development of Buddhist sculpture has completely changed the original Chinese ancient sculpture, rich China sculpture theme, greatly promote the development of the Chinese sculpture, in the Wei and Jin Dynasties, Buddhist sculpture received considerable development, the art form is abundant, representative of the ＂ slim but clear appearance＂ and＂ images of noble figures ＂two kinds of modeling features. From the perspective of historical background and aesthetic orientation, this paper analyzes and studies the overall features of the art of carving art in this historical period, as well as its profound influence on the development of Chinese Buddhist statues.

《中国民间工艺》杂志之民艺研究述要

本文对1984年创刊,累计发行16期的《中国民间工艺》杂志进行了爬梳整理。该刊作为中国工艺美术学会民间工艺美术专业委员会的会刊,由张道一先生任主编,是民艺研究领域最早,也是当时最为重要的学术期刊。本文从民艺概念的提出、民艺与相关艺术的比较、民艺学科的构建及研究方法、民艺特征的探讨、民间文化是民艺的创造基础、民艺的生存状况及发展研究、民艺的品类研究及相关特征七个方面对杂志刊发文章中主要的民艺思想进行了归纳评述。这些研究奠定了中国现代民艺研究的基本框架,为我们留下了宝贵的学术财富。

Spiritual Capital as a Fundamental Element of Cultural Capital

Cultural capital is usually regarded as a mechanism of influence on personality. Coleman contributed to this study largely, although Bourdieu introduced the concept of a theoretical understanding of capital varieties. He was interested in the convergence of social, cultural, and economic capital. The authors propose to focus on the cultural capital of both the qualitative characteristics of the state of society. The problem is that in the presence of cultural capital as a funded system of values in the form of works of art and science, society degrades morally. Any cultural capital based on traditional religious values. This does not mean the broadcasting of religious themes in works of art, although it excludes, but rather a philosophical position of artists and researchers, through which the public receives the interpretation of events, their assessment of a certain value-regulatory system of coordinates. This element is the spiritual capital of the company and is a fundamental element of cultural capital. Qualitative state of society, its morality depends on the amount of spiritual capital, which he occupies in the field of cultural capital. A striking example of how the degradation and spiritual revival of capital in society can serve as the processes that took place during the last century.

Appreciation and Analysis of Traditional Chinese Painting＇s Freehand Brushwork Aesthetic Characteristics

Traditional Chinese painting possesses its own unique artistic style in the world＇ s art circle. Compared with the western painting, the freehand brushwork characteristics are very significant in traditional Chinese painting. In traditional Chinese painting, top priority is given to the expression of the creator＇s subjective interests, but not to the external colors and similar appearances. The masters in the world of traditional Chinese painting have always attached high importance to expressing the spirits with forms or appearance since the ancient times. In traditional Chinese painting, ＂similarity in form or appearance＂ and ＂similarity in spirit＂ are always dialectically unified with consciousness and unconsciousness, so that the art form with the ＂freehand brushwork＂ aesthetic characteristics is produced and significantly features Chinese spirit and oriental style. Also, the realm of art to express spirit with appearance is always pursued in traditional Chinese painting, and this is totally different from the ＂express appearance with appearance＂ in the western paintings. Moreover, expression is always stressed in traditional Chinese painting so as to express the feeling world of human using the ＂freehand brnshwork＂ aesthetics as the creation method. The ＂freehand brushwork＂ aesthetic characteristics of traditional Chinese painting are branded with a profound Zhuangzi philosophy.