莫斯里暴力问卷在我国少年罪犯的应用

目的:探索莫斯里暴力问卷(MVQ)中文版在我国少年罪犯的应用情况。方法:MVO应用于60名少年罪犯(暴力组40名和非暴力组20名),以自评方式测评,比较暴力组与非暴力组因子分差异。结果:两组Machismo因子分差异有统计学意义(P=0.041),Acceptance因子分差异无统计学意义(P=0.607)。MVQ1周前后2次测评结果差异无统计学意义。条目间Cronbach`sα系数为0.876。结论:MVQ在我国少年犯人群中具有较好的信度和效度,有一定的应用价值。

莫斯里小说《蓝衣魔鬼》中男性主体身份的分裂与同化

美国黑人小说作家沃尔特·莫斯里的犯罪小说《蓝衣魔鬼》围绕着后殖民主义时期黑人男性的故事展开。从社会性别身份建构和文化表演理论的视角观察,黑人男性在其身份建构过程中经历了异化,但为了谋求社会的认可有意识地主动同化。受种族歧视的规限,其主体呈现出分裂性特征。这样的分析,有助于我们从种族主义、特定社会文化对身份建构的规限作用,以及黑人群体的自我身份定位等方面理解战后黑人男性如何应对自身经历的身份危机。

从族裔散居角度看华特·莫斯里《黑人贝蒂》中的文化融合

纵观历史,身份危机的出现导致各非裔美国作家致力于探寻非裔美国人真正出路。华特·莫斯里则以其自身特殊的散居经历为依据,反对因本族群固步自封而忽视其他族群的文化精髓的做法,强调各族裔之间的融合才是解决之道。华特·莫斯里在其作品《黑人贝蒂》中对人物价值观的塑造阐释了其所体现的散居的族裔群体之间文化融合的美好前景。

商标淡化的证明标准——美国“维多利亚的秘密”诉莫斯里案评述

在美国商标淡化诉讼中,一直存在“淡化可能性”与“实际淡化”的证明标准之争。2003年,联邦最高法院通过审理莫斯里案而首次介入。表面看来,最高法院已将标准统一为“实际淡化”,实则依然模棱两可,而根据反淡化和禁令救济的基本法理,证明标准又只能是“淡化可能性”。可见,问题远未解决,争论仍将延续。鉴于商标淡化理论的影响早已超出美国国界,研究这一问题对我国亦不无借鉴意义。

躁狂患者血清睾酮水平与暴力行为倾向及认同的相关性

目的:探讨躁狂患者血清睾酮水平与暴力行为倾向和认同的相关性。方法:对100例病情稳定的符合躁狂发作、双相躁狂发作或分裂情感障碍诊断标准的躁狂患者进行一般人口学及临床资料收集,应用莫斯里暴力问卷(MVQ)进行自评,采集静脉血检测血清睾酮水平;比较性别间及既往有无暴力行为史的患者一般及临床资料;分析血清睾酮水平与MVQ评分的关系。结果:入组者中,男48例,女52例;男性患者年龄明显低于女性,血清睾酮水平明显高于女性(P均<0.01)。有暴力史患者64例,无暴力史36例;有暴力史患者中男性比率明显增多(P<0.01);相关分析发现,女性患者血清睾酮水平与MVQ总分、男子汉气概因子分及认同接受暴力因子分呈正相关(P均<0.05)。结论:躁狂患者中,男性出现暴力行为比率高;女性血清睾酮水平影响其暴力倾向和暴力认同。

The Embodiment of Hope： An Engaged Buddhist Perspective

This study explores the phenomenon of human hoping and its role as one addressed times of deep suffering. Vaclav Havel＇s writing on ＂deep hope＂ and Maurice Merleau-Ponty＇s classic work on embodiment were seen as points of intersection with Engaged Buddhist teachings. In-depth interviews with two Engaged Buddhists supported the premise of this paper： Deep or embodied hope is quite different from ordinary wishing or ＂hoping＂ and plays a positive role as one moved through their suffering process.

Affirming Art： Heidegger and the Sense of a Beginning

This essay offers a philosophical perspective that, in breaking with both the open and surreptitious dialectical method still so prominent in academic discourse, follows Heidegger in trying to conceive of a radically non-dialectical manner of approaching affirmation, negation, and neutrality. As with Heidegger, this is attempted through a turn towards art and the ＂emancipated contingency＂ that characterizes much creative production. In contrast to action and production within the knowledge economy, the creation of the artwork concerns a knowing of unknowingness （described by Maurice Blanchot as the neutral） that demands a rethink of action in relation to truth and errancy. Indeed, the very working of the work of art is conceived here as a truth that is precisely ＂set to work＂ （Heidegger） by errancy. Through a consideration of the essential difference between choice and decision and the different ＂beginning＂ of art that this suggests, the essay concludes with some reflections of the theme of art＇s fascination and the and the affirmation of the unknown.

Writing as Painting： Creative Scholarly Writing From H616ne Cixous＇ Post-structuralism and Maurice Merleau-Ponty＇s Body Phenomenology

This paper deals with scholarly writing and a testing and experimental review of its related conventions. The author applies to her review of the subject a theoretical stimulus that returns to the starting point of H616ne Cixous＇ （2008） post-structuralism and Maurice Merleau-Ponty＇s （2012） phenomenology of the body. The author becomes open to meditation on the topic as a bodily soothsayer redeeming permission for creative scholarly writing using the intuitively associative method and style of writing which she has developed. The author suggests that a theoretical starting point located in post-structuralism and the phenomenology of the body offers the possibility to equate creative scholarly writing with painting. The aim of this paper is to start from post-structuralism and the phenomenology of the body and to conceive a new method of understanding and adapting creative scholarly writing, while the author allows herself to perceive and write in her intuitively associative style.

从参联会主席到特战队司令——美国“倒萨”的7大战将

根据美军的作战指挥体制，一旦美国对伊开战，布什总统的作战命令将由美军参谋长联席会议(下称“参联会”)主席迈尔斯直接下达给美军中央总部司令弗兰克斯将军，然后，弗兰克斯手下的五个军兵种司令指挥各自的军队对伊作战。他们7人将决定“倒萨”战争的走向，被人们戏称为“布什‘倒萨’的七大杀手”。