重创后的复苏——西班牙、葡萄牙电影十年回顾(2010—2019)

国家债务危机引发西葡两国电影产业发展的多年震荡,凸显了稳定、良好的政治经济环境对文化产业的重要影响。重创之下,西葡两国纷纷将目光转向海外。西班牙借助类型片优势打开国际市场,促进本土电影产业不断升级,助推电影多样化发展。葡萄牙积极寻求国际合作,重点扶持优秀电影人走出去,探索出一条"电影小国"的生存之道。

From the 19th-Century Novel to the Portuguese Contemporary Film Adaptation

The literary adaptations of canonical novels for film provide a unique repository of both identity contents and socio-cultural observations which can be revisited through the filmic representations. These recreations symbolize not only a privileged visual interpretation of a nation, but they also allow us to examine how a given society reflects itself through the fiction. In this sense, the objective of this paper is to reflect upon the Portuguese updated filmic adaptation of The Crime of Father Amaro （1880） by the canonical author Eta de Queiroz. On one hand, the author intends to rethink about the Portuguese identity portrayed by the film and, at the same time, the author manages to observe how the Portuguese society is revealed. On the other hand, the paper aims to analyze the particular process of the adaptation of The Crime of Father Amaro following a qualitative methodology

方泰尼亚三部曲:佩德罗·科斯塔的政治诗学

方泰尼亚三部曲代表了葡萄牙导演佩德罗·科斯塔电影美学的最高艺术成就。科斯塔在电影语言上遵循巴迪欧的"减法"理论,提倡一种极简主义,在极简主义的背后隐藏着深厚的意味,形成了科斯塔独特的电影风格,同时又体现出了里斯本地区的穷人政治,这共同构建了佩德罗·科斯塔的政治诗学。