Buddhism and local cultural traditions have long protected wildlife species and their habitats in Tibetan-dominated areas of western Sichuan. In Daocheng County, the White Eared-pheasant (Crossoptilon crossoptilon) ha...Buddhism and local cultural traditions have long protected wildlife species and their habitats in Tibetan-dominated areas of western Sichuan. In Daocheng County, the White Eared-pheasant (Crossoptilon crossoptilon) has been afforded special protection by local people because it is conspicuous and white, a color with special symbolism for Buddhists. This and other cultural reasons have led to pheasants and forests benefiting in some areas. Pheasants were found during surveys between January 2003 and June 2004 in forests with varying degrees of local (non-formal) protection. However, there were significant signs that these traditional attitudes were changing in the face of three particular pressures brought to bear by better roads, improving access to and from the rest of China. The first was the development of a significant local demand for the Chinese caterpillar fungus (Cordyceps sinesis), which is much sought after throughout East Asia and mushrooms. Second, and more recent, is a dramatic increase in tourism from major Chinese cities, bringing non-Tibetan values into Daocheng County and changing the local attitudes to all animals. And then, there is a rise in income of the local population, resulting in a higher timber demand for building big houses, which impact all wildlife in the forest, but local attitudes to sacred forests have been retained so far in spite of this increased timber demand. Lessons should be learnt from the impact that unregulated tourism at Chonggu monastery, the most visited area in the county, has on the surrounding forests so that other sacred and non-sacred forests can best be protected for the long term. The alternative is that several Tibetan Plateau Galliformes, currently considered non-threatened because of their extensive distribution in a remote area, cannot be guaranteed such a healthy future.展开更多
Brasilia, born of the urban plan by Lficio Costa and of the unexpected concrete structural forms designed by Oscar Niemeyer, knew how to adapt to the new forms that came from the country＇s religious syncretism. This ...Brasilia, born of the urban plan by Lficio Costa and of the unexpected concrete structural forms designed by Oscar Niemeyer, knew how to adapt to the new forms that came from the country＇s religious syncretism. This article aims to compare, through religious symbolism, structural forms and architectural spaces, two sacred monuments： The cathedral of Brasilia （1958-1967） and the stupa of the Tibetan Buddhist Center, inaugurated in 2006. The millenary construction form of the stupa, one of the primordial sacred structures for all Buddhism traditions, the sacred symbol of enlightenment, must obey some construction rules according to its lineage＇s Buddhist tradition. In this way, the stupa is the opposite of a strong and fearless structural form embodied in the cathedral, with its 16 revolution hyperboloid concrete pillars and its subterranean entrance. Although built in concrete both are unusual forms of architecture with distinct spatial conception and sculptural form structures. While respecting religious differences, it is noticeable a real commitment between form and structure, volume and religious symbolism. At the conclusion, it is perceivable how distinct forms--the Cathedral and the Stupa--can respond in analog manners to the necessity of a gathering space where visitors go in search of expressing their faith. Along with them, Buddhism and Catholicism are rooted in Brazil＇s new capital.展开更多
Compassion is one of the core fundamental elements of Buddhism. The compassionate virtues are the precious qualities essential in the practice of Buddhism. On the other hand, guanxi plays a dominant role in any succes...Compassion is one of the core fundamental elements of Buddhism. The compassionate virtues are the precious qualities essential in the practice of Buddhism. On the other hand, guanxi plays a dominant role in any successful business venture in Chinese market. This paper develops the understanding of the two ancient bodies of knowledge of Buddhism and Confucianism. The attempt will be made in this paper to understand the deeper meaning of compassion in Buddhism in terms of compassionate virtues such as generosity, discipline, patience, diligence, humility, and wisdom. In guanxi, it will delve into different aspects of guanxi in terms of its background, meaning, significance, different types, intermediary, comparison with networking and ethics and success factors. This paper is based on the literature review on compassion--guanxi. The compassion literature focuses on books on Buddhism and commentaries by great Tibetan Buddhist sages. The guanxi literatures are predominately based on business research papers related to guanxi and business culture in China. The paper provides deeper meaning of compassion in Buddhism. The application of compassion to manage guanxi in China is the topic of this paper. This research is about optimizing the art of guanxi through the application of compassion which will help many non-Chinese business managers to effectively manage it. This paper is considered the first of its kind to study compassion in Buddhism and guanxi practice in China and seeks to provide the necessary framework to conduct the further research on applying compassion to build and manage better guanxi in China.展开更多
Tsangyang Gyatso＇s poems were widely circulated and still enjoy popularity. He was an influential living Buddha （Renpoche） in Tibetan Buddhism and a talented and legendary historical figure. Nowadays, more and more...Tsangyang Gyatso＇s poems were widely circulated and still enjoy popularity. He was an influential living Buddha （Renpoche） in Tibetan Buddhism and a talented and legendary historical figure. Nowadays, more and more scholars, poets and translators have devoted to the study of his works. Here we will focus on discussing the English translation of his poems and their value. We analyze texts of the Tsangyang Gyatso＇s Poems （Chinese-English） and seek to further study the translation principles such as ＂retaining truth, seeking goodness and preserving beauty＂. By doing this, we strive to improve the quality of translation, give consideration to the construction of the four elements such as poetic meaning, emotion, tone and intention, to enable the reader to achieve the senses and the acquisition of images, to provide more perfect translation in the ＂Tsangyang Gyatso Vogue＂, to promote the dissemination and sharing of Tibetan culture and to inject new vitality.展开更多
The evolutionary complexity of modem media systems represents an area of research that would benefit from further description and debate. In order to better understand the challenges and considerations associated with...The evolutionary complexity of modem media systems represents an area of research that would benefit from further description and debate. In order to better understand the challenges and considerations associated with the new, constantly changing media ecology, a more holistic worldview must be catapulted to the forefront of the collective discussion. To that effect, the following essay examines the open source software movement from the philosophical perspective of Tibetan Buddhism. Using the principles of interconnectedness, impermanence, and the illusory nature of self and reality, all fundamental elements of Buddhist philosophy, this discussion provides a renewed framework for exploring the ethical implications of open sourcing. A review of Buddhist teachings, coupled with literature from foundational media theorists such as Neil Postman and Marshall and Eric McLuhan, will set the stage for contemplating the ethics of the modem information ecology, epitomized by the collaborative spirit and community connections of open source software.展开更多
Among various arts and crafts in Tibet, painting appears to enjoy a uniquely crucial position in both the religious centres and the lives of ordinary Tibetan people. This paper examines the traditional techniques, met...Among various arts and crafts in Tibet, painting appears to enjoy a uniquely crucial position in both the religious centres and the lives of ordinary Tibetan people. This paper examines the traditional techniques, methods, and materials used in Tibetan （Tantric） Buddhist painting by observing its working process at first hand, and having attended a number of its exhibitions, art workshops, and other resources both at home and overseas. The survey of the technical aspect of Tibetan painting is primarily based upon the general usage of materials, as well as the method and the usual order of their application that relates to most kinds of mural paintings in Tibet, and which are less well-known in the West This paper aims to present a rich and somewhat complicated range of methods and materials of Tibetan （Tantric] Buddhist art tradition. To its end, the author hopes it also provides more indication of its possible influence of the traditional artistic wealth in Tibet on contemporary artists working in relation to this culture.展开更多
基金supported by the National Science Foundation of China (Grant No. 30800101)the Chicago Zoological Society, the World Pheasant Association and the Critical Ecosystem Partnership FundPeter Garson (Chair,WPA-IUCN Pheasant Specialist Group) provided constructive advice on the work and helped facilitate financial support
文摘Buddhism and local cultural traditions have long protected wildlife species and their habitats in Tibetan-dominated areas of western Sichuan. In Daocheng County, the White Eared-pheasant (Crossoptilon crossoptilon) has been afforded special protection by local people because it is conspicuous and white, a color with special symbolism for Buddhists. This and other cultural reasons have led to pheasants and forests benefiting in some areas. Pheasants were found during surveys between January 2003 and June 2004 in forests with varying degrees of local (non-formal) protection. However, there were significant signs that these traditional attitudes were changing in the face of three particular pressures brought to bear by better roads, improving access to and from the rest of China. The first was the development of a significant local demand for the Chinese caterpillar fungus (Cordyceps sinesis), which is much sought after throughout East Asia and mushrooms. Second, and more recent, is a dramatic increase in tourism from major Chinese cities, bringing non-Tibetan values into Daocheng County and changing the local attitudes to all animals. And then, there is a rise in income of the local population, resulting in a higher timber demand for building big houses, which impact all wildlife in the forest, but local attitudes to sacred forests have been retained so far in spite of this increased timber demand. Lessons should be learnt from the impact that unregulated tourism at Chonggu monastery, the most visited area in the county, has on the surrounding forests so that other sacred and non-sacred forests can best be protected for the long term. The alternative is that several Tibetan Plateau Galliformes, currently considered non-threatened because of their extensive distribution in a remote area, cannot be guaranteed such a healthy future.
文摘Brasilia, born of the urban plan by Lficio Costa and of the unexpected concrete structural forms designed by Oscar Niemeyer, knew how to adapt to the new forms that came from the country＇s religious syncretism. This article aims to compare, through religious symbolism, structural forms and architectural spaces, two sacred monuments： The cathedral of Brasilia （1958-1967） and the stupa of the Tibetan Buddhist Center, inaugurated in 2006. The millenary construction form of the stupa, one of the primordial sacred structures for all Buddhism traditions, the sacred symbol of enlightenment, must obey some construction rules according to its lineage＇s Buddhist tradition. In this way, the stupa is the opposite of a strong and fearless structural form embodied in the cathedral, with its 16 revolution hyperboloid concrete pillars and its subterranean entrance. Although built in concrete both are unusual forms of architecture with distinct spatial conception and sculptural form structures. While respecting religious differences, it is noticeable a real commitment between form and structure, volume and religious symbolism. At the conclusion, it is perceivable how distinct forms--the Cathedral and the Stupa--can respond in analog manners to the necessity of a gathering space where visitors go in search of expressing their faith. Along with them, Buddhism and Catholicism are rooted in Brazil＇s new capital.
文摘Compassion is one of the core fundamental elements of Buddhism. The compassionate virtues are the precious qualities essential in the practice of Buddhism. On the other hand, guanxi plays a dominant role in any successful business venture in Chinese market. This paper develops the understanding of the two ancient bodies of knowledge of Buddhism and Confucianism. The attempt will be made in this paper to understand the deeper meaning of compassion in Buddhism in terms of compassionate virtues such as generosity, discipline, patience, diligence, humility, and wisdom. In guanxi, it will delve into different aspects of guanxi in terms of its background, meaning, significance, different types, intermediary, comparison with networking and ethics and success factors. This paper is based on the literature review on compassion--guanxi. The compassion literature focuses on books on Buddhism and commentaries by great Tibetan Buddhist sages. The guanxi literatures are predominately based on business research papers related to guanxi and business culture in China. The paper provides deeper meaning of compassion in Buddhism. The application of compassion to manage guanxi in China is the topic of this paper. This research is about optimizing the art of guanxi through the application of compassion which will help many non-Chinese business managers to effectively manage it. This paper is considered the first of its kind to study compassion in Buddhism and guanxi practice in China and seeks to provide the necessary framework to conduct the further research on applying compassion to build and manage better guanxi in China.
文摘Tsangyang Gyatso＇s poems were widely circulated and still enjoy popularity. He was an influential living Buddha （Renpoche） in Tibetan Buddhism and a talented and legendary historical figure. Nowadays, more and more scholars, poets and translators have devoted to the study of his works. Here we will focus on discussing the English translation of his poems and their value. We analyze texts of the Tsangyang Gyatso＇s Poems （Chinese-English） and seek to further study the translation principles such as ＂retaining truth, seeking goodness and preserving beauty＂. By doing this, we strive to improve the quality of translation, give consideration to the construction of the four elements such as poetic meaning, emotion, tone and intention, to enable the reader to achieve the senses and the acquisition of images, to provide more perfect translation in the ＂Tsangyang Gyatso Vogue＂, to promote the dissemination and sharing of Tibetan culture and to inject new vitality.
文摘The evolutionary complexity of modem media systems represents an area of research that would benefit from further description and debate. In order to better understand the challenges and considerations associated with the new, constantly changing media ecology, a more holistic worldview must be catapulted to the forefront of the collective discussion. To that effect, the following essay examines the open source software movement from the philosophical perspective of Tibetan Buddhism. Using the principles of interconnectedness, impermanence, and the illusory nature of self and reality, all fundamental elements of Buddhist philosophy, this discussion provides a renewed framework for exploring the ethical implications of open sourcing. A review of Buddhist teachings, coupled with literature from foundational media theorists such as Neil Postman and Marshall and Eric McLuhan, will set the stage for contemplating the ethics of the modem information ecology, epitomized by the collaborative spirit and community connections of open source software.
文摘Among various arts and crafts in Tibet, painting appears to enjoy a uniquely crucial position in both the religious centres and the lives of ordinary Tibetan people. This paper examines the traditional techniques, methods, and materials used in Tibetan （Tantric） Buddhist painting by observing its working process at first hand, and having attended a number of its exhibitions, art workshops, and other resources both at home and overseas. The survey of the technical aspect of Tibetan painting is primarily based upon the general usage of materials, as well as the method and the usual order of their application that relates to most kinds of mural paintings in Tibet, and which are less well-known in the West This paper aims to present a rich and somewhat complicated range of methods and materials of Tibetan （Tantric] Buddhist art tradition. To its end, the author hopes it also provides more indication of its possible influence of the traditional artistic wealth in Tibet on contemporary artists working in relation to this culture.
