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西藏西部的古格王国及其“擦擦”泥塑艺术
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作者 李宇翔 《人类文化遗产保护》 2018年第1期84-90,共7页
藏传佛教文物以唯美的艺术造型、精良的制作工艺和深厚的文化底蕴而著称,获得了国际上诸多学术领域的广泛关注。为深入了解其艺术价值,考察西藏西部地区古格王国的政治文化背景,以时代顺序为主线,对具有明确发现地点、经科学发掘的'... 藏传佛教文物以唯美的艺术造型、精良的制作工艺和深厚的文化底蕴而著称,获得了国际上诸多学术领域的广泛关注。为深入了解其艺术价值,考察西藏西部地区古格王国的政治文化背景,以时代顺序为主线,对具有明确发现地点、经科学发掘的'擦擦'泥塑标准器进行文化和艺术元素探索,参考其它公私收藏的泥塑以艺术品,文字叙述和文化内涵分析,力图多方位解读古格王国'擦擦'的艺术特点。 展开更多
关键词 西 古格王国 藏西风格 “擦擦”
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The Discussion of Tibet's Paintings in Dunhuang During A.D. 786-907 And the Mural Painting on the North Side ofthe No.14 Cave of the Mogao Caves
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作者 ZHANG Ya-sha LI Nan 《Journal of Literature and Art Studies》 2018年第4期614-627,共14页
During A.D. 776 to 848, Dunhuang was occupied and ruled by Tubo political power, a special painting style, spread via the Tibetan silk road, appeared at same time, and which is related to the art style of India and Ne... During A.D. 776 to 848, Dunhuang was occupied and ruled by Tubo political power, a special painting style, spread via the Tibetan silk road, appeared at same time, and which is related to the art style of India and Nepal; It is worth noting that the Tibetan painting style during this period have no relative unified model actually, especially the mural and the silk painting preserved in Library Cave, the painting style of which had obvious difference between each other, and the reason behind this is very hard to explain. Until the late Tang Dynasty (A.D. 848-907), sheer Pala style of eastern India appeared in Dunhuang, however, whether those East India painting style still belong to Tubo remain for further discussion. The art style of East India appeared in Dunhuang during from the late Tang Dynasty to the early period of Northern Song Dynasty, probably propagated from the ways other than Tubo, and this art style was deemed as the one has nothing to do with Tibet's art in this study. 展开更多
关键词 Tibetan painting system silk painting the mural painting on the west of the 25th cave of the YulinCaves the mural painting on the north side of the No.14 cave of the Mogao Caves
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