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汉魏六朝时期“都卢寻橦”“橦末伎”及其表演机制
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作者 岳洋峰 《北京舞蹈学院学报》 CSSCI 北大核心 2021年第6期38-44,共7页
"都卢"起于国名,后逐渐成为"都卢寻橦"的省称。"都卢寻橦"与"橦末伎"是辩证统一的关系,两者均具有宫廷"秘戏"的性质,并以伎人于橦末"演作诸势"而出彩。因其称名的不同,需... "都卢"起于国名,后逐渐成为"都卢寻橦"的省称。"都卢寻橦"与"橦末伎"是辩证统一的关系,两者均具有宫廷"秘戏"的性质,并以伎人于橦末"演作诸势"而出彩。因其称名的不同,需要结合具体的史料记载进行辨析。汉魏六朝时期,"都卢寻橦"与"橦末伎"用于大飨之礼,并于皇家宫观平乐观中进行演出,其目的为娱乐四夷之宾。对"都卢寻橦"与"橦末伎"表演机制的研究,为我们认识汉魏六朝时期"橦末"文化提供了重要参考。 展开更多
关键词 汉魏六朝 “都卢寻橦” “橦末伎” 表演机制
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现代话剧表演艺术创新探究 被引量:2
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作者 陈阳 《戏剧之家》 2016年第14期29-29,共1页
话剧艺术是综合表演类的艺术形式,不仅要传递音乐意象,还要结合演员的肢体动作和神态表情进行艺术展现。在舞台形象艺术展现的过程中,不仅要结合话剧剧本的艺术逻辑进行艺术形象的全方位展现,还要结合话剧舞台的设计进行艺术表演场景的... 话剧艺术是综合表演类的艺术形式,不仅要传递音乐意象,还要结合演员的肢体动作和神态表情进行艺术展现。在舞台形象艺术展现的过程中,不仅要结合话剧剧本的艺术逻辑进行艺术形象的全方位展现,还要结合话剧舞台的设计进行艺术表演场景的打造;不仅需要演员结合话剧剧本的艺术形象准确抒发人物的情感,还需要结合艺术场景的魅力进行表演形式的艺术创新;依据剧本的角色艺术展现,除了对于艺术形象魅力的集中展现之外,还需要对艺术行为机制进行优化创新,最大化地展现话剧艺术的舞台魅力。 展开更多
关键词 现代话剧艺术 舞台展现形式 表演机制创新 艺术形象打造
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热贡地区加毛村密宗院羌姆舞蹈实地考察研究
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作者 李秀加 《中国舞蹈学》 2023年第1期64-82,344,共20页
羌姆产生于八世纪,是西藏寺院的宗教舞蹈,在固定的宗教节日中表演,同时也是藏族人民生活劳动的结晶。本文通过访谈法、实地调查法、文献分析法对热贡地区加毛村密宗院的羌姆舞蹈进行考察,并将舞蹈的表演机制、内容及地方表演禁忌整理成... 羌姆产生于八世纪,是西藏寺院的宗教舞蹈,在固定的宗教节日中表演,同时也是藏族人民生活劳动的结晶。本文通过访谈法、实地调查法、文献分析法对热贡地区加毛村密宗院的羌姆舞蹈进行考察,并将舞蹈的表演机制、内容及地方表演禁忌整理成文。主要目的在于为羌姆舞蹈的传承与发展提供一份高质量的参考资料,充实“羌姆舞蹈”的理论知识。 展开更多
关键词 加毛村羌姆舞蹈 羌姆舞蹈 表演机制 表演内容
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Research on Catalytic Cracking Performance Improvement of Waste FCC Catalyst by Magnesium Modification 被引量:3
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作者 Yuan Chengyuan Tan Zhengguo +2 位作者 Pan Zhishuang Zhang Haitao Gao Xionghou 《China Petroleum Processing & Petrochemical Technology》 SCIE CAS 2018年第2期48-55,共8页
In this study,the deactivation mechanism caused by high accessibility of strong acid sites for the waste FCC catalyst was proposed and verified for the first time.Based on the proposed deactivation mechanism,magnesium... In this study,the deactivation mechanism caused by high accessibility of strong acid sites for the waste FCC catalyst was proposed and verified for the first time.Based on the proposed deactivation mechanism,magnesium modification through magnesium chloride impregnation was employed for the regeneration of waste FCC catalyst.The regenerated waste FCC catalyst was characterized,with its heavy oil catalytic cracking performance tested.The characterization results indicated that,in comparison with the unmodified waste FCC catalyst,the acid sites strength of the regenerated waste FCC catalyst was weakened,with no prominent alterations of the total acid sites quantity and textural properties.The heavy oil catalytic cracking results suggested that the catalytic cracking performance of the regenerated waste FCC catalyst was greatly improved due to the suitable surface acidity of the sample.In contrast with the unmodified waste FCC catalyst,the gasoline yield over the regenerated waste FCC catalyst significantly increased by 3.04 percentage points,meanwhile the yield of dry gas,LPG,coke and bottoms obviously decreased by 0.36,0.81,1.28 and 0.87 percentage points,respectively,making the regenerated waste FCC catalyst serve as a partial substitute for the fresh FCC catalyst.Finally,the acid property change mechanism was discussed. 展开更多
关键词 waste FCC catalyst REGENERATION magnesium modifcation catalytic cracking ACIDITY
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Effect of Cu on microstructure,mechanical properties,and texture evolution of ZK60 alloy fabricated by hot extrusion−shearing process 被引量:6
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作者 Shuai DAI Feng WANG +2 位作者 Zhi WANG Zheng LIU Ping-li MAO 《Transactions of Nonferrous Metals Society of China》 SCIE EI CAS CSCD 2020年第6期1511-1523,共13页
As-cast Mg-6Zn-xCu-0.6Zr(x=0,0.5,1.0,wt.%)alloys were fabricated by permanent mold casting;then,the alloys were subjected to homogenization heat treatment and extrusion-shearing(ES)process.The microstructure and mecha... As-cast Mg-6Zn-xCu-0.6Zr(x=0,0.5,1.0,wt.%)alloys were fabricated by permanent mold casting;then,the alloys were subjected to homogenization heat treatment and extrusion-shearing(ES)process.The microstructure and mechanical properties of the alloys were evaluated by OM,SEM/EDS,XRD,TEM,EBSD and tensile tests.The results show that the hard MgZnCu phase in Cu-added alloy can strengthen particle-stimulated nucleation(PSN)effect and hinder the migration of dynamic recrystallization(DRX)grain boundary at an elevated temperature during ES.The ZK60+0.5Cu alloy shows an optimal tensile strength–ductility combination(UTS of 396 MPa,YS of 313 MPa,andδ=20.3%)owing to strong grain boundary strengthening and improvement of Schmid factor for{0001}■basal slip.The aggregation of microvoids around the MgZnCu phase mainly accounts for the lower tensile elongation of ZK60+1.0Cu alloy compared with ZK60 alloy. 展开更多
关键词 Mg-Zn-Cu-Zr alloy extrusion-shearing process microstructure characterization mechanical properties texture evolution strengthening mechanism
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Utopian Theatre and Subjectivity Reconstruction Rethinking on the Artistic Spirit of Minjian Theatre
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作者 YANG Zi 《Journal of Literature and Art Studies》 2017年第11期1391-1400,共10页
Minjian has become an important concept in recent scholarly research. It is widely used by scholars to indicate specific social and cultural spaces existing beyond the control of state power, therefore, minjian social... Minjian has become an important concept in recent scholarly research. It is widely used by scholars to indicate specific social and cultural spaces existing beyond the control of state power, therefore, minjian social-cultural spaces are more often than not marginal and peripheral. In the field of performing arts, minjian theatre refers to performances produced by private theatre companies as opposed to state-run groups. These private companies or grass-root groups, without the interference of the government, produce artistic expressions that reflect current social reality to a certain extent. For a long time, the study of minjian theatre has been framed as forms of resistance against the ideology propagated by state-run theatres. Based on this paradigm, this paper, through the case analysis of Shanghai minjian theatre companies, attempts to illuminate the production mechanism and developmental process of minjian theatres. In so dong, this paper will explore the aesthetic and social-political values of minjian theatres. 展开更多
关键词 Minjian Theatre Theatrical Practice Utopian Theatre
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舞台表演创作中肢体语言的表意功能 被引量:4
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作者 王小知 《四川戏剧》 北大核心 2015年第1期115-117,共3页
舞台表演创作中肢体语言的表达是以身体作为载体,在特定的环境——舞台之上重现人生悲欢离合的表演艺术,演员应当具备善于解读他人肢体信息同时懂得借助肢体语言表达自己情绪情感的能力——肢体表演功力。本文将肢体语言表达功能带入对... 舞台表演创作中肢体语言的表达是以身体作为载体,在特定的环境——舞台之上重现人生悲欢离合的表演艺术,演员应当具备善于解读他人肢体信息同时懂得借助肢体语言表达自己情绪情感的能力——肢体表演功力。本文将肢体语言表达功能带入对表演实践意义的讨论中,具体根据人体的生理结构将涉及肢体表演的讨论分解为:躯干表演讨论、头部表演讨论(包括面部及面部器官)、四肢表演讨论(包括手臂、手及腿脚)与语调表情的表演讨论。同时,对相关的肢体表演的作用机制及相关训练方法简要讨论。 展开更多
关键词 舞台表演 肢体语言表意功能 表演机制 表演训练
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甘肃天水夹板舞初探
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作者 程云燕 邓小娟 《音乐大观》 2011年第10期85-86,共2页
夹板亦称"云阳板",唐代时称"拍板"。夹板舞俗称"打夹板",是祭神古乐的延续,是天水"朝山会"民俗文化活动中流传久远的最具特色的民俗舞蹈。其表演队伍集仪仗队、夹板队、和鼓乐队为一体,有一套... 夹板亦称"云阳板",唐代时称"拍板"。夹板舞俗称"打夹板",是祭神古乐的延续,是天水"朝山会"民俗文化活动中流传久远的最具特色的民俗舞蹈。其表演队伍集仪仗队、夹板队、和鼓乐队为一体,有一套固定的表演程式,表演风格粗犷、浑厚。 展开更多
关键词 夹板舞 表演机制 现状与发展
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甘肃陇西夹板舞探析
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作者 程云燕 《音乐大观》 2014年第1期178-178,共1页
作为我国传统舞蹈之一,夹板舞起源于古代陇西地区的"拍板",是陇西别具特色的民间祭祀舞蹈。该舞蹈的创作是以六合枪等武术套路中的精华部分为基础,是当地民间舞蹈文化的传承与体现。
关键词 夹板舞 表演机制 现状
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