期刊文献+
共找到4篇文章
< 1 >
每页显示 20 50 100
中国新诗“发展论”概评 被引量:3
1
作者 龙泉明 邹建军 《文艺研究》 CSSCI 北大核心 2003年第2期55-63,共9页
中国新诗的发展道路问题 ,是中国现代诗学史上一个重要的诗学命题。中国现代诗学家对此作了多方面探索 ,分别提出了“进化”说、“还原”说、“时代精神”说、“西化”说、“古典”说、“中西融合”说等 ,它基本上反映了中国现代诗人和... 中国新诗的发展道路问题 ,是中国现代诗学史上一个重要的诗学命题。中国现代诗学家对此作了多方面探索 ,分别提出了“进化”说、“还原”说、“时代精神”说、“西化”说、“古典”说、“中西融合”说等 ,它基本上反映了中国现代诗人和诗学家对中国新诗发展问题的种种焦虑与思索 ,它对中国新诗的成长产生了相当积极的影响 ,同时也留下了宝贵的经验教训。 展开更多
关键词 中国新诗 “发展论” 进化 还原 时代精神 西化说 古典 中西融合
下载PDF
Philosophy and Fiction Tattoo of the Counter-culture Crossing the Brazilian Dictatorship
2
作者 Marcus Pereira Novaes Luciano Victor Barros Maluly 《Journalism and Mass Communication》 2014年第9期565-571,共7页
This paper seeks to explore connections between some philosophical concepts and the movie Tattoo (Brazil, 2013), directed by Hilton Lacerda. This movie approaches the Slash movies, a kind of Brazilian movies that us... This paper seeks to explore connections between some philosophical concepts and the movie Tattoo (Brazil, 2013), directed by Hilton Lacerda. This movie approaches the Slash movies, a kind of Brazilian movies that use the humor and the mockery as ways of resistance to interrogate political, philosophical, and moral questions. The concepts of fabulation and the potency of the false will be thought in its connections with the Arts to think the force of this movie with its experimental characteristics (sound, image, performance...) in touching ethics, political, and social problems of the past and update them to think the Brazilian contemporary society. We also want to point out the possibilities of this movie operating a micro-political resistance, using the humor and irony as tools to cause effects in the reality. In Tattoo, the violence (and, the oppression itself) is fought by the tasting and experimentation of another culture providing other ways of life, enabling other effectuations and desires, even if the sanction was going to repress. 展开更多
关键词 philosophy of difference CINEMA fabulation IRONY resistance
下载PDF
What Makes a Mother a Monster? Mrs. Gant's Grotesque Masculinity and the Cult of Womanhood
3
作者 Naoko Ohri 《Sociology Study》 2014年第6期554-562,共9页
This paper1 reevaluates the portrayal of Mrs. Gant in William Faulkner's short story "Miss Zilphia Gant" (1932). It argues that Faulkner represents her as "the mother as a monster" and looks at the features of ... This paper1 reevaluates the portrayal of Mrs. Gant in William Faulkner's short story "Miss Zilphia Gant" (1932). It argues that Faulkner represents her as "the mother as a monster" and looks at the features of that representation. More specifically, the paper devotes attention to this abusive mother's curious masculinity, employing feminist readings from two angles. That is, on the one hand, the paper reexamines the nature of Mrs. Gant's unfemininity by considering the immense responsibility of child-rearing that mothers bear in modern societies. On the other hand, it attempts to locate the origin of her bodily manliness by considering the prism of images of women as evil and destabilizing that pervaded Western culture early in the twentieth century. Such approaches have revealed that making a monster of a mother requires a conspiracy taking advantage of both the inconsistencies inherent in the ideals of motherhood and the bizarre processes through which femininity itself is masculinized. In conclusion, this paper argues that Mrs. Gant's monstrosity is a reflection of a predicament which many women in modern times whether Faulkner's or our own share, that is, being expected to be a perfect mother while still being viciously castigated as sexually threatening. 展开更多
关键词 William Faulkner "Miss Zilphia Gant" MOTHERHOOD female sexuality mother-daughter relationship
下载PDF
Inarticulateness, Power and Ethnic identity On Jorge Luis Borges' The Gospel According to Mark
4
作者 Du Bingyue 《International Journal of Technology Management》 2016年第8期10-11,共2页
This paper attempts to focus on Jorge Luis Borges’ short story The Gospel according To Mark. Borges, an Argentina short storywriter and translator, whose motherland is under long-term western colonization, identifi e... This paper attempts to focus on Jorge Luis Borges’ short story The Gospel according To Mark. Borges, an Argentina short storywriter and translator, whose motherland is under long-term western colonization, identifi es himself unconsciously with the western culture. Hisworks mostly touch upon the themes of religion and philosophy. Along with post-colonialism theory’s springing up, critics began to analyze hisworks from the post-colonial perspective. The author thinks that this short story with religious implication parallels to the cultural invasion in theperiod of colonization, from powerful culture to weaker one. The author, thus, aims to use Michael Foucault’s viewpoints concerning power andknowledge to probe into the western cultural hegemony and ideological invasion refl ected in this story. Besides, the loss and construction of theethnic identity of the colonized will be discussed in details. 展开更多
关键词 Jorge Luis Borges power and knowledge inarticulateness Ethnic identity cultural hegemony.
下载PDF
上一页 1 下一页 到第
使用帮助 返回顶部