This paper seeks to explore connections between some philosophical concepts and the movie Tattoo （Brazil, 2013）, directed by Hilton Lacerda. This movie approaches the Slash movies, a kind of Brazilian movies that us...This paper seeks to explore connections between some philosophical concepts and the movie Tattoo （Brazil, 2013）, directed by Hilton Lacerda. This movie approaches the Slash movies, a kind of Brazilian movies that use the humor and the mockery as ways of resistance to interrogate political, philosophical, and moral questions. The concepts of fabulation and the potency of the false will be thought in its connections with the Arts to think the force of this movie with its experimental characteristics （sound, image, performance...） in touching ethics, political, and social problems of the past and update them to think the Brazilian contemporary society. We also want to point out the possibilities of this movie operating a micro-political resistance, using the humor and irony as tools to cause effects in the reality. In Tattoo, the violence （and, the oppression itself） is fought by the tasting and experimentation of another culture providing other ways of life, enabling other effectuations and desires, even if the sanction was going to repress.展开更多
This paper1 reevaluates the portrayal of Mrs. Gant in William Faulkner＇s short story ＂Miss Zilphia Gant＂ （1932）. It argues that Faulkner represents her as ＂the mother as a monster＂ and looks at the features of ...This paper1 reevaluates the portrayal of Mrs. Gant in William Faulkner＇s short story ＂Miss Zilphia Gant＂ （1932）. It argues that Faulkner represents her as ＂the mother as a monster＂ and looks at the features of that representation. More specifically, the paper devotes attention to this abusive mother＇s curious masculinity, employing feminist readings from two angles. That is, on the one hand, the paper reexamines the nature of Mrs. Gant＇s unfemininity by considering the immense responsibility of child-rearing that mothers bear in modern societies. On the other hand, it attempts to locate the origin of her bodily manliness by considering the prism of images of women as evil and destabilizing that pervaded Western culture early in the twentieth century. Such approaches have revealed that making a monster of a mother requires a conspiracy taking advantage of both the inconsistencies inherent in the ideals of motherhood and the bizarre processes through which femininity itself is masculinized. In conclusion, this paper argues that Mrs. Gant＇s monstrosity is a reflection of a predicament which many women in modern times whether Faulkner＇s or our own share, that is, being expected to be a perfect mother while still being viciously castigated as sexually threatening.展开更多
This paper attempts to focus on Jorge Luis Borges’ short story The Gospel according To Mark. Borges, an Argentina short storywriter and translator, whose motherland is under long-term western colonization, identifi e...This paper attempts to focus on Jorge Luis Borges’ short story The Gospel according To Mark. Borges, an Argentina short storywriter and translator, whose motherland is under long-term western colonization, identifi es himself unconsciously with the western culture. Hisworks mostly touch upon the themes of religion and philosophy. Along with post-colonialism theory’s springing up, critics began to analyze hisworks from the post-colonial perspective. The author thinks that this short story with religious implication parallels to the cultural invasion in theperiod of colonization, from powerful culture to weaker one. The author, thus, aims to use Michael Foucault’s viewpoints concerning power andknowledge to probe into the western cultural hegemony and ideological invasion refl ected in this story. Besides, the loss and construction of theethnic identity of the colonized will be discussed in details.展开更多
文摘This paper seeks to explore connections between some philosophical concepts and the movie Tattoo （Brazil, 2013）, directed by Hilton Lacerda. This movie approaches the Slash movies, a kind of Brazilian movies that use the humor and the mockery as ways of resistance to interrogate political, philosophical, and moral questions. The concepts of fabulation and the potency of the false will be thought in its connections with the Arts to think the force of this movie with its experimental characteristics （sound, image, performance...） in touching ethics, political, and social problems of the past and update them to think the Brazilian contemporary society. We also want to point out the possibilities of this movie operating a micro-political resistance, using the humor and irony as tools to cause effects in the reality. In Tattoo, the violence （and, the oppression itself） is fought by the tasting and experimentation of another culture providing other ways of life, enabling other effectuations and desires, even if the sanction was going to repress.
文摘This paper1 reevaluates the portrayal of Mrs. Gant in William Faulkner＇s short story ＂Miss Zilphia Gant＂ （1932）. It argues that Faulkner represents her as ＂the mother as a monster＂ and looks at the features of that representation. More specifically, the paper devotes attention to this abusive mother＇s curious masculinity, employing feminist readings from two angles. That is, on the one hand, the paper reexamines the nature of Mrs. Gant＇s unfemininity by considering the immense responsibility of child-rearing that mothers bear in modern societies. On the other hand, it attempts to locate the origin of her bodily manliness by considering the prism of images of women as evil and destabilizing that pervaded Western culture early in the twentieth century. Such approaches have revealed that making a monster of a mother requires a conspiracy taking advantage of both the inconsistencies inherent in the ideals of motherhood and the bizarre processes through which femininity itself is masculinized. In conclusion, this paper argues that Mrs. Gant＇s monstrosity is a reflection of a predicament which many women in modern times whether Faulkner＇s or our own share, that is, being expected to be a perfect mother while still being viciously castigated as sexually threatening.
文摘This paper attempts to focus on Jorge Luis Borges’ short story The Gospel according To Mark. Borges, an Argentina short storywriter and translator, whose motherland is under long-term western colonization, identifi es himself unconsciously with the western culture. Hisworks mostly touch upon the themes of religion and philosophy. Along with post-colonialism theory’s springing up, critics began to analyze hisworks from the post-colonial perspective. The author thinks that this short story with religious implication parallels to the cultural invasion in theperiod of colonization, from powerful culture to weaker one. The author, thus, aims to use Michael Foucault’s viewpoints concerning power andknowledge to probe into the western cultural hegemony and ideological invasion refl ected in this story. Besides, the loss and construction of theethnic identity of the colonized will be discussed in details.
