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新时期中国前卫美术的回顾与反思
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作者 裴临风 《贵州大学学报(艺术版)》 2002年第2期49-53,共5页
回顾新时期的中国前卫美术创作 ,在其 2 0余年的发展过程中 ,历经了 80年代的激进、先锋和理想主义到 90年代世俗化、庸俗化的全面蜕变。调侃社会、消解经典、解构崇高、颠覆艺术 ,是乎成为当下中国前卫美术的主流态势。一些前卫美术家... 回顾新时期的中国前卫美术创作 ,在其 2 0余年的发展过程中 ,历经了 80年代的激进、先锋和理想主义到 90年代世俗化、庸俗化的全面蜕变。调侃社会、消解经典、解构崇高、颠覆艺术 ,是乎成为当下中国前卫美术的主流态势。一些前卫美术家不惜套用西方的语言图式 ,在获得“国际”认可的同时 ,却丧失了民族自尊乃至民族精神。至今仍处在西方霸权文化遮蔽下的中国前卫美术 ,如何面对自己的历史、社会、时代与文化语境 ,创造出具有原创性的中国话语形式 ,去改变前卫美术后殖民的尴尬现状。对此 ,每一个具有强烈民族自尊心、责任感和使命感的艺术家以及美术理论工作者 。 展开更多
关键词 理想主义 庸俗化 西方后殖民 中国话语 原创性
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Inarticulateness, Power and Ethnic identity On Jorge Luis Borges' The Gospel According to Mark
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作者 Du Bingyue 《International Journal of Technology Management》 2016年第8期10-11,共2页
This paper attempts to focus on Jorge Luis Borges’ short story The Gospel according To Mark. Borges, an Argentina short storywriter and translator, whose motherland is under long-term western colonization, identifi e... This paper attempts to focus on Jorge Luis Borges’ short story The Gospel according To Mark. Borges, an Argentina short storywriter and translator, whose motherland is under long-term western colonization, identifi es himself unconsciously with the western culture. Hisworks mostly touch upon the themes of religion and philosophy. Along with post-colonialism theory’s springing up, critics began to analyze hisworks from the post-colonial perspective. The author thinks that this short story with religious implication parallels to the cultural invasion in theperiod of colonization, from powerful culture to weaker one. The author, thus, aims to use Michael Foucault’s viewpoints concerning power andknowledge to probe into the western cultural hegemony and ideological invasion refl ected in this story. Besides, the loss and construction of theethnic identity of the colonized will be discussed in details. 展开更多
关键词 Jorge Luis Borges power and knowledge inarticulateness Ethnic identity cultural hegemony.
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Male Fashion Magazines and Western Capitalism: Expansion in the Post-Colonial State
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作者 Cao Jin Zhao Xiao-shuang 《Fudan Journal of the Humanities and Social Sciences》 2013年第1期108-127,共20页
Adopting an approach of ethnography, this article uses the Chinese fashion magazine Esquire( under the American Esquires copyright) as a case study of indigenous media in the context of the globalization of the mark... Adopting an approach of ethnography, this article uses the Chinese fashion magazine Esquire( under the American Esquires copyright) as a case study of indigenous media in the context of the globalization of the market economy, and approaches it with critical theories of political economy of communication, in order to offer insight into the commodification process of the Chinese male and expose its implicit dependent economy model. Thus the author attempts to demonstrate how male fashion media in China are trying to re-construct Chinese males' masculinity in a post-socialist state and trying to re-map the spheres of class and commodity, as being manipulated by the international copyright system, in the context of postcolonialism, intending to change traditional gender order and to sustain Western Capitalism's planetary expansion. 展开更多
关键词 male fashion magazine hegemonic masculinities gender western capital expanding post--colonial state
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