民国书籍设计中的西方艺术风格研究

五四时期,西方艺术风格与设计思想传入中国,在书籍装帧界,以鲁迅为首的先进人士开始了对书籍设计的变革。中西合璧、文化交融,西方艺术风格极大地推动了民国书籍设计的发展进步。本文分析西方艺术风格传入与传播的社会背景,对相关案例进行研究,探讨西方艺术风格在书籍设计中的具体应用与启示。

The Discussion of Tibet＇s Paintings in Dunhuang During A.D. 786-907 And the Mural Painting on the North Side ofthe No.14 Cave of the Mogao Caves

During A.D. 776 to 848, Dunhuang was occupied and ruled by Tubo political power, a special painting style, spread via the Tibetan silk road, appeared at same time, and which is related to the art style of India and Nepal; It is worth noting that the Tibetan painting style during this period have no relative unified model actually, especially the mural and the silk painting preserved in Library Cave, the painting style of which had obvious difference between each other, and the reason behind this is very hard to explain. Until the late Tang Dynasty （A.D. 848-907）, sheer Pala style of eastern India appeared in Dunhuang, however, whether those East India painting style still belong to Tubo remain for further discussion. The art style of East India appeared in Dunhuang during from the late Tang Dynasty to the early period of Northern Song Dynasty, probably propagated from the ways other than Tubo, and this art style was deemed as the one has nothing to do with Tibet＇s art in this study.

Appreciation and Analysis of Traditional Chinese Painting＇s Freehand Brushwork Aesthetic Characteristics

Traditional Chinese painting possesses its own unique artistic style in the world＇ s art circle. Compared with the western painting, the freehand brushwork characteristics are very significant in traditional Chinese painting. In traditional Chinese painting, top priority is given to the expression of the creator＇s subjective interests, but not to the external colors and similar appearances. The masters in the world of traditional Chinese painting have always attached high importance to expressing the spirits with forms or appearance since the ancient times. In traditional Chinese painting, ＂similarity in form or appearance＂ and ＂similarity in spirit＂ are always dialectically unified with consciousness and unconsciousness, so that the art form with the ＂freehand brushwork＂ aesthetic characteristics is produced and significantly features Chinese spirit and oriental style. Also, the realm of art to express spirit with appearance is always pursued in traditional Chinese painting, and this is totally different from the ＂express appearance with appearance＂ in the western paintings. Moreover, expression is always stressed in traditional Chinese painting so as to express the feeling world of human using the ＂freehand brnshwork＂ aesthetics as the creation method. The ＂freehand brushwork＂ aesthetic characteristics of traditional Chinese painting are branded with a profound Zhuangzi philosophy.

中国的现代化进程对书籍设计的影响

在现代社会中,书籍的装帧设计和出版都发展的比较成熟、完善了。书籍的封面、封底、书脊、内文版式、装订等设计也都形成了系统,然而这种完善与系统是与中国社会的变革和西方艺术风格的影响分不开的。在中国现代化进程中,西方的科技与文化对中国的影响是巨大的。从书籍装帧设计方面来说,中国经历了一系列的演变。无论从阅读习惯还是书籍的外形以及书籍的内容版式上来说,中国的书籍装帧设计都和以前有了较大的不同,其发展也越来越国际化了。

中西合璧 简约构架 自然广泛——读解花艺流行风

近来,为备战10月份在津举办的中国插花花艺大赛,先是天津举办第三届插花大赛,继而德国花艺大师葛雷欧在京作"浪漫年代"大型花艺表演.近日,天津农垦集团、天津插花花艺培训基地又联合承办了"浪漫之夏"花艺沙龙.这一系列的花艺活动,一方面让人们实现了与花艺的零距离接触,起到了引导市场的作用;另一方面通过观摩、学习,了解到当今世界花艺的流行趋势--形式上相互融合、结构上简约架构、选材上自然广泛的发展新动态,缩短了我国与国际花艺的距离.

老树新枝——雕塑教育现代进程中的软雕塑实验

审视当代中国艺坛，那些充斥于坊间的机械模仿西方艺术风格，从中猎取灵感，在粗糙的形式背后，宣泄的是粗浅的异化情感，这又能说清楚它是反映中国的现实生活，还是翻版西方的垃圾？在今天艺术领域里发生的一些事情确乎缺失了某种意义，甚至违反了艺术的本意。