民族心理是中西艺术交融的底蕴——解读郎世宁西法中国画的独特风格

当一种文化与异质文化交融时,变化都是从文化的表层(物质层次)开始,向深层(心理层次)发展的,而民族心理是最不易改变的,是中西艺术交融的底蕴,也是后人解读近代美术史上融合中西传统绘画第一人———郎世宁西法中国画独特风格的切入点。

Beauty of Western Abstract Painting and Chinese Cursive Calligraphy A Comparison

The Western Abstract Painting has a dynamic, constantly-changing, and non-entity beauty. It focuses on the visual process, artistic feelings, and beauty of form as its creative core. The Chinese Cursive Calligraphy （草书）, on the other hand, aims to create a vibrant beauty resulting from sweeping wrap-around and continuous changes. It also pays attention to the personality stretch, the lyrical and expressive, and the abstract beauty within images. In both arts, there is a rhythmic beauty running through the works, allowing the charm of lines to fully express the artist＇s creative thoughts and feelings, making them stand out impressively.

清代战图类宫廷铜版画艺术研究

清代宫廷铜版画战争图是研究18世纪中后期,中西美术交流不容忽视的珍贵资料。本文第一部分简要介绍了与清代宫廷铜版画战争图相关的历史背景。第二部分按战图创作者的身份,将战图分为纯西洋画风、西法中国画风格、混合画风三种类型,并对不同类型所形成的艺术风格进行了分析比较。第三部分依据历史资料,对中西铜版战图不同的制作技法做出了分析判断。