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Railway tunnel concrete lining damaged by formation of gypsum,thaumasite and sulfate crystallization products in southwest of China 被引量:7
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作者 马昆林 龙广成 谢友均 《Journal of Central South University》 SCIE EI CAS 2012年第8期2340-2347,共8页
The railway tunnel concrete lining exposed to sulfate-bearing groundwater beyond 40 years in southwest of China was investigated. Field investigation, sulfate ions content and corroded products analysis, macro/microsc... The railway tunnel concrete lining exposed to sulfate-bearing groundwater beyond 40 years in southwest of China was investigated. Field investigation, sulfate ions content and corroded products analysis, macro/microscopic test were carried out. Results show that under the tunnel concrete lining structure and its served environmental conditions, sulfate solutions permeate concrete lining and accumulate on windward-side of concrete lining, resulting in the increase of sulfate ions content on windward-side and the diffusion of sulfate ions from windward-side to waterward-side, which cause the concrete lining of windward-side damaged seriously but the waterward-side of concrete lining is still in perfect condition. It is confirmed that structural characteristic of tunnel and environmental conditions lead to physical attack with the leaching of concrete and sodium sulfate crystallization as well as chemical corrosion with formation of gypsum in high sulfate concentration and formation of thaumasite in proper temperature rather than formation of ettringite. These achievements can provide academic and technical supports for understanding the deterioration mechanism of concrete lining as well as constructing railway tunnel under sulfate attack. 展开更多
关键词 railway tunnel concrete lining sulfate attack deterioration mechanism
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豫南花鼓戏声腔源流考 被引量:4
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作者 陈新宇 《中国音乐学》 CSSCI 北大核心 2018年第4期46-51,共6页
豫南花鼓戏的主调中,"起-平-落式、慢板、双句式、七声宫调(上四度)"结构的[东柳子]和"起-平-落式、慢板、双句式、五声徵调(下四度)"结构的[西柳子]分别源于湖北省的东路花鼓戏和西路花鼓戏,应该由湖北麻城传入豫... 豫南花鼓戏的主调中,"起-平-落式、慢板、双句式、七声宫调(上四度)"结构的[东柳子]和"起-平-落式、慢板、双句式、五声徵调(下四度)"结构的[西柳子]分别源于湖北省的东路花鼓戏和西路花鼓戏,应该由湖北麻城传入豫南,至今应有两百年历史。两地花鼓戏的"双句式、宫调式"结构源于锡剧所代表的后期滩簧,而"单句式、羽调式"的甬剧为代表的初期滩簧应该是湖北东、西路花鼓戏及豫南花鼓戏"哦呵腔"时期的基本面貌。 展开更多
关键词 东柳子 西柳子 路子 西路子 花鼓滩簧
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