中国古代哲学中的数本原观念

在中国古代,以数为派生现象或计算符号的观念较为常见,但另一方面,以数为世界本原的哲学观念也一直或隐或显地存在于思想史中。以冯友兰以来的“数”哲学研究为线索,通过数的独立性和先在性这两条标准,可以在《周易》诠释史中辨认出数本原观念发展与演变的整体脉络。其中,《易传》将筮法数字融入宇宙论的尝试、郑玄易学对“数”的生成功能的诠释,以及汉唐经学注疏对“生数成数之鬼神”的构建,为后世以“数”为中心概念的图书易学奠定了基础,在“数”哲学的发展历程中具有重要作用。

句子产生中的数一致关系：理论、模型和展望

句子产生中的数一致关系有复杂的心理机制,反映讲话者一系列语义选择和决定。标记与语素化模型认为,数一致关系的实现要经过信息数量的评估、标记和语素化;特征渗透模型认为,复数主语把复数特征渗透到最高点,然后由最高点复制到目标成分。当局部名词把数的特征传递到整个名词短语时,"吸引"便产生了;激活框架理论认为,非中心名词的数特征造成的噪音引发数的不一致。

新形势下高校学生管理模式构建探讨

探索适应新形势下的学生管理模式,是高校学生管理工作的一个重要课题.建立行之有效的学生管理模式,才能培养出高素质的专门人才,符合社会发展的需要.

Research on the Accurate Computer Music Composition Mode under the Background of Big Data

In this paper, we conduct research on the accurate computer music composition mode under the basic background of big data. From the perspective of music theory, in terms of micro notes jump within a certain range, will not cause discomfort, notes there are upward at the same time, the downward makes the whole piece will not boring. From the macroscopic, the nature of the chord with internal connection between motivation and motivation as support, at the same time, the whole range can maintain in a certain range, making sound effects is can let a person feel cheerful. Computer science first occupied is music in the music sound production and the propagation of position as it is mainly used for digital audio clips and automated synthesis. But there is a certain distance away from the traditional concept of composition. Therefore, our research proposes the innovative perspective to deal with the issues for achieving the better performance.