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移动短视频:视觉文化表征、意识形态图式与未来发展图景 被引量:27
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作者 林峰 《海南大学学报(人文社会科学版)》 CSSCI 2019年第6期144-149,共6页
移动短视频具有鲜明的视觉文化的气质与特征,它已然成为现代社会大众的日常生活方式、基本认识图式和固有行为方式,蕴含着图像时代大众进行图像叙事、沉浸场景体验和建构新型社交的外在视觉表征,并且在资本与技术共谋下展现了一副大众... 移动短视频具有鲜明的视觉文化的气质与特征,它已然成为现代社会大众的日常生活方式、基本认识图式和固有行为方式,蕴含着图像时代大众进行图像叙事、沉浸场景体验和建构新型社交的外在视觉表征,并且在资本与技术共谋下展现了一副大众实现权力置换、沦为数字劳工并陷入身份焦虑的意识形态图式。在社会主义核心价值观引领下,消弭与主流文化之间的文化冲突、合力构建互构共生的文化格局、重塑定位与角色是短视频亚文化发展的未来图景。 展开更多
关键词 移动短视频 视觉文化表征 意识形态图式 未来发展图景
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Jan Haicksz Steen's Woman at Her Toilet: "Provocative Innuendos"
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作者 Liana De Girolami Cheney 《Journal of Literature and Art Studies》 2017年第10期1279-1289,共11页
Jan Haicksz Steen (1626-1679), a Dutch actor, poet and painter, engaged the viewer with various innuendos and double entendres in his paintings about Woman at Her Toilet. Decoding the conceits introduces the viewer ... Jan Haicksz Steen (1626-1679), a Dutch actor, poet and painter, engaged the viewer with various innuendos and double entendres in his paintings about Woman at Her Toilet. Decoding the conceits introduces the viewer to Dutch artistic astuteness and popular culture. Steen drew the observer into his picture plane through a series of emblematic vignettes. Although he raised questions about cultural mores, morality, and religiosity, none are judgmental. On the contrary, it is the viewer who might or might not articulate a moral judgment according to personal experiences. For Steen, the imagery, filled with complex conceits, is an artistic visual representation to delight the eyes, tantalize the senses, and maybe even spark the intellect. 展开更多
关键词 Dutch bedrooms innuendos emblematic meaning cultural mores music and vanity symbolism
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