浅析动画电影中的视觉构图与色彩形态

电影或动画片中的画面与画面之间闪动产生运动感,产生动力,形成张力。动画电影作品中的张力与视觉有着密切联系,动态构图与透视具有多样性、复杂性、条理性的统一变化,形成画面张力与趋势关系,视觉形体相互影响,产生心理上的力,构成视觉构图语言,通过视觉流程传达。

建筑平面设计中视觉审美元素运用

建筑的平面设计包括建筑的总平面以及建筑的单体平面设计,在规划与设计的过程中通常会将建筑的视觉审美元素融入其中。视觉审美元素的表达方式有很多种,例如常用的方式是通过视觉构图的表达或几何化的表达来进一步提升建筑平面的视觉效果。将建筑平面与自然景观环境相互结合起来,形成视觉化的图像效果。某建筑平面中视觉化延伸表现效果图。在平面设计过程中,视觉化审美元素运用的综合体现之一在于路径的规划与整合。

电影4∶3画幅下视觉组织的深层意象探析--以《七武士》为例

视觉构图作为电影语言的基本元素,不同画幅可形成差别性视觉组织,由此既为镜头运转的现实结果,也构成导演需要的表达意向。宽高比4∶3画幅是电影史最早期的画幅标准,笔者在《七武士》视觉组织分析中发现,4∶3画幅可有效利用画幅的纵深、大小与线条,在人物刻画与深层意象表达上有独特优势。对当前英雄主义电影中人物刻画方面,所表达的单一与乏陈可具借鉴。

论视觉流程设计在平面广告中的应用

随着各式各样的传播媒介的出现,以及纷繁复杂的信息的增多,消费者的关注度开始逐渐被分散。这时若要更好地吸引消费者的短暂注意力,更有效地传达广告的信息,就需要平面广告在创意及表现创意的形式上有所突破。现将文章主要内容概述如下:简述平面广告的视觉流程设计的研究意义;从视觉流程设计的概念入手分析平面广告中视觉流程设计的运用;通过对视觉引导线、视觉焦点的研究,提出平面广告视觉流程的创意,即视觉曲折线构图法。

碎梦:重温他与她的旧事——评影片《霸王别姬》的创作特色

梦与现实交织,情与艺术混淆,《霸王别姬》这部影片是中国导演陈凯歌的典范作品,拍摄于1993年,获得了第四十六届戛纳国际电影节金棕榈奖.此片以一个男孩从小被母亲剁掉手指只为可以唱戏为开端,讲述了唱戏追梦的不易与辛苦,主人公程蝶衣由于对艺术的痴迷与热爱,对自己的身份产生怀疑,甚至对自己是男是女产生了混淆,另外每当程蝶衣有困难时,程蝶衣的师兄段小楼总会挺身而出,两人感情颇佳.此片在视觉构图、音乐声效、人物形象刻画三方面进行了完美的艺术处理,展现了主人公破碎的梦想、悲凉的结局、凄美的感情、惨淡的人生,用一件件小事连接,使我们再度重温他与她的旧事.

基于结构信息和像素失真的客观图像质量评价

为了度量多种失真类型的图像质量,根据人类视觉系统(HVS)对图像空域结构信息高度敏感和任一类型的失真都会产生像素失真理论,提出一种基于结构信息和像素失真的无参考的质量评价方法。该方法利用色彩信息提取能够表征图像结构信息的视觉内容结构图,并加权像素失真来度量图像质量,同时对部分失真类型进行修正。该方法不涉及任何参数设置也无需训练过程。实验结果表明,该方法能够较好地评价白噪声、JPEG压缩、高斯模糊、JPEG2000压缩和FastFading等失真图像的质量,并与主观评价方法有较好的一致性。

基于改进四叉树的ORB特征均匀分布算法

针对ORB特征在图像上分布不均匀的问题,提出一种基于改进四叉树的特征均匀分布算法。通过计算图像灰度均值与方差选取FAST角点的初始提取阈值,采用改进的四叉树对特征点进行筛选,对不同金字塔层设置不同的四叉树深度以提高计算效率,减少特征冗余,采用均匀度函数对特征的均匀度进行量化。实验结果表明,改进算法提高了ORB特征的均匀度,特征提取时间相比传统算法减少10%以上,有效提高了特征提取的均匀度和效率。

Research on the Cultural Inheritance and Vision Interactive and the Applications on Contemporary Art Design

In this paper, we conduct research on the cultural inheritance and vision interactive and the applications on the contemporary art design. In the interaction design, establishment of metaphor interactive model is relates the key of user image model and designer image model is, through finding in two models product altogether has the characteristics, and reveals with the design language the characteristics, communicates with the user, thus enables the user to understand and grasp product the structure, function, usage-style and other information of rapidly. The inheritance rise of culture to some altitude, with the life or death strong and weak dependence department of the nationality and French structuralism anthropology believes that the behavior and standard of humanity are, the origins and development processes of various cultures by the deep structure of culture is decided has its similarity. Under this basis, this paper proposes the new combination model for later integration that will promote the development of the contemporary art design.

Ekphrasis in Houellebecq＇s The Map and the Territory as Mise-en-Abyme and as Metafiction

In Michel Houellebecq＇s novel The Map and the Territory （2010）, the references to visual art, painting, and photography take a central place in the narrative. In addition to the verbal representation of artworks, there is an entire system of commentary, interpretation, and criticism of art. The references to visual art appear explicitly as ekphrases which splice the narrative time and again. The unique nature of ekphrasis in The Map and the Territory lies in its representation of art devoid of an origin in the real wodd; for the paintings in The Map and the Territory do not exist in reality but are pure literary paintings, in the full meaning of the word, as the artworks mentioned in the story have an existence restricted to Houellebecq＇s novel. The article analyses the ekphrases in The Map and the Territory and argues that they are a virtual visuality mediated by words, employing solely the technique of ekphrasis as an enhancer of meanings in a text and thereby foregrounding its artifice. It further argues that the ekphrases are open to a field of interpretive possibilities by contemporary society, as every ekphrasis features within it subversion and a contemplation on contemporary reality