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新媒体时代健康传播的艺术化视觉呈现方式--以疫情期间报道的3种代表呈现方式为例 被引量:2
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作者 张沛然 《艺术科技》 2021年第5期66-67,共2页
突发的新冠肺炎疫情使健康传播显得越来越重要。当前,健康信息借助短视频、微信公众号、微博Vlog、科普漫画等形式得到了有效传播,但也存在一些负面效应。以艺术化视觉呈现方式促进健康传播,既有利于疫情防控,又有利于健康传播的高质量... 突发的新冠肺炎疫情使健康传播显得越来越重要。当前,健康信息借助短视频、微信公众号、微博Vlog、科普漫画等形式得到了有效传播,但也存在一些负面效应。以艺术化视觉呈现方式促进健康传播,既有利于疫情防控,又有利于健康传播的高质量发展。 展开更多
关键词 健康传播 艺术化视觉呈现 科普漫画
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论动画造型设计对于二维动画中的作用 被引量:2
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作者 王筱墨 《艺术科技》 2015年第2期75-75,共1页
动画造型设计指对动画片中所有角色形象、服装服饰、常用道具等进行的创作及设计,它应充分表现出每个角色的特征并符合动画制作的技术要求,最终使学习者能够将这种视觉语言应用于设计思维和创作中。从专业创作角度剖析二维动画片中造型... 动画造型设计指对动画片中所有角色形象、服装服饰、常用道具等进行的创作及设计,它应充分表现出每个角色的特征并符合动画制作的技术要求,最终使学习者能够将这种视觉语言应用于设计思维和创作中。从专业创作角度剖析二维动画片中造型设计创造性思维与表达,造型设计的创造性思维审美性和引领性,以此体现造型设计的创作思维在动画短片中的重要意义。 展开更多
关键词 动画造型设计 创造性 视觉艺术化
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A Post-Colonial Study of American Animated Films
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作者 Ma Han 《International Journal of Technology Management》 2014年第10期34-36,共3页
As a visual art, film has already been one of the main forms to exhibit culture in modem society. This paper tries to explore American animated films, one of the most successful and tipical styles of American films, f... As a visual art, film has already been one of the main forms to exhibit culture in modem society. This paper tries to explore American animated films, one of the most successful and tipical styles of American films, from the view of post-colonialism so as to receal American animated films make every effort to set up the image of the Other and to propagate American culture and value. It is American cultural hegemony. 展开更多
关键词 POST-COLONIALISM American animated films ESSENCE the other
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Study on the Digital Art Design and Practice of the Visual Elemems of Minority in Ningxia
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作者 Shanshan WANG 《International English Education Research》 2015年第11期39-41,共3页
Digital art design refers to the art and design activities that are implemented based on computers and related digital equipments. Today, the digital art has been extensively applied in all sorts of social areas and r... Digital art design refers to the art and design activities that are implemented based on computers and related digital equipments. Today, the digital art has been extensively applied in all sorts of social areas and relevant industries such as animation, design, film and television production, games, advertising, multimedia design, and network. The artistic creations such as Helan Mountain Rock Painting, Xixia cultural patterns and ethnic patterns, in which Ningxia visual elements were taken as design themes, are diversified in forms and rich in contents, and also have been extensively applied. However, because of the application of the digital technology with powerful functions, the digital art has the ability to provide a wide creation space for national culture. Meanwhile, some special effects of the digital technology can also be applied in the creation of minority art. 展开更多
关键词 MINORITY Visual Elements DIGITIZATION
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Proust Between Print Culture and Visual Art: Eve Kosofsky Sedgwick's "Works in Fiber, Paper and Proust"
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作者 Adam Watt 《Fudan Journal of the Humanities and Social Sciences》 2015年第2期179-191,共13页
Marcel Proust is an author of global significance and renown. Trans- lations into Chinese and Korean of A la recherche du temps perdu are ongoing. The Gallica online library of France's Bibliothbque nationale makes t... Marcel Proust is an author of global significance and renown. Trans- lations into Chinese and Korean of A la recherche du temps perdu are ongoing. The Gallica online library of France's Bibliothbque nationale makes the notebooks from which Proust's novel emerged between 1908 and 1922 digitally accessible any- where in the world. It is well known that Proust has been adapted to graphic novel format, individual volumes of his novel have been adapted for cinema, inspired ballet and musical theatre and his characters' lives have fuelled works of fiction by contemporary creative writers. This paper considers a very recent instance of Proust's reception and adaptation: "Works in Fiber, Paper and Proust" created by the critic and theorist Eve Kosofsky Sedgwick (1950-2009) and first exhibited at Harvard University in 2005. These remarkable objects--including what Sedgwick calls an "accordion-book" and a "loom-book"--give a woven, layered physicality to Proust's words and remobilise them in ways that force us to reconfigure our understanding of the text-reader relation. Sedgwick's visual, textile artworks are the products of creative, adaptive practices undertaken as a sort of therapy that was instrumental in her coming to terms with the terminal cancer diagnosis she received in 1996. My paper explores Sedgwick's adaptive practice and interrogates the in- sights their challenging hybridity offers us into the ongoing transmission of Proust's work. 展开更多
关键词 PROUST Eve Sedgwick A la recherche du temps perdu "Works inFiber Paper and Proust" ADAPTATION
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