Jan Haicksz Steen （1626-1679）, a Dutch actor, poet and painter, engaged the viewer with various innuendos and double entendres in his paintings about Woman at Her Toilet. Decoding the conceits introduces the viewer ...Jan Haicksz Steen （1626-1679）, a Dutch actor, poet and painter, engaged the viewer with various innuendos and double entendres in his paintings about Woman at Her Toilet. Decoding the conceits introduces the viewer to Dutch artistic astuteness and popular culture. Steen drew the observer into his picture plane through a series of emblematic vignettes. Although he raised questions about cultural mores, morality, and religiosity, none are judgmental. On the contrary, it is the viewer who might or might not articulate a moral judgment according to personal experiences. For Steen, the imagery, filled with complex conceits, is an artistic visual representation to delight the eyes, tantalize the senses, and maybe even spark the intellect.展开更多
This paper explores the visual construction and representation of female sex offenders. It utilises the case study of Vanessa George, a nursery worker who was involved in the exchange of indecent imagery of children v...This paper explores the visual construction and representation of female sex offenders. It utilises the case study of Vanessa George, a nursery worker who was involved in the exchange of indecent imagery of children via an online paedophile ring. The first part of the paper considers the emergence of the sub-discipline, visual criminology and examines what is known about the visual representation of female offenders. The second part presents the findings of an empirical investigation, which involved engaging in a critical, reflexive visual analysis of a selection photographs and the police mugshot of Vanessa George. The paper considers the ways in which George＇s physical appearance and her suggested ability to deceive were used to visually represent her as ＂other＂, thus reinforcing the existing simplistic motifs of female sex offending.展开更多
文摘Jan Haicksz Steen （1626-1679）, a Dutch actor, poet and painter, engaged the viewer with various innuendos and double entendres in his paintings about Woman at Her Toilet. Decoding the conceits introduces the viewer to Dutch artistic astuteness and popular culture. Steen drew the observer into his picture plane through a series of emblematic vignettes. Although he raised questions about cultural mores, morality, and religiosity, none are judgmental. On the contrary, it is the viewer who might or might not articulate a moral judgment according to personal experiences. For Steen, the imagery, filled with complex conceits, is an artistic visual representation to delight the eyes, tantalize the senses, and maybe even spark the intellect.
文摘This paper explores the visual construction and representation of female sex offenders. It utilises the case study of Vanessa George, a nursery worker who was involved in the exchange of indecent imagery of children via an online paedophile ring. The first part of the paper considers the emergence of the sub-discipline, visual criminology and examines what is known about the visual representation of female offenders. The second part presents the findings of an empirical investigation, which involved engaging in a critical, reflexive visual analysis of a selection photographs and the police mugshot of Vanessa George. The paper considers the ways in which George＇s physical appearance and her suggested ability to deceive were used to visually represent her as ＂other＂, thus reinforcing the existing simplistic motifs of female sex offending.
