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还原设计本色——“绿色”视野中的设计困惑与超越 被引量:1
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作者 周鼎 何辉 《包装学报》 2010年第3期78-84,共7页
当代设计常喜欢冠以"绿色"之名,流行观念中这种绿色设计的困惑在于其设计本色多"彩"而"相"殊,或"白"而轻"技"、"赤"而重"用"、"黄"而嗜"肉"... 当代设计常喜欢冠以"绿色"之名,流行观念中这种绿色设计的困惑在于其设计本色多"彩"而"相"殊,或"白"而轻"技"、"赤"而重"用"、"黄"而嗜"肉"、"黑"而失"义"或"绿"而悯"天"。当前绿色设计的超越只有奠基于"道-天-地-人"共域之上才能真正走出天、人两分的窠臼,筑就彼此共生、共荣的世界,这对国家低碳经济战略的实施也不无启发和借鉴。 展开更多
关键词 设计本色 多“彩”殊“相” 绿色设计 道-地-天-人 共域
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Digital Jacquard Fabric Design in Colorful Mode 被引量:3
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作者 周赳 《Journal of Donghua University(English Edition)》 EI CAS 2004年第4期98-101,共4页
Digital image design is one of advanced technique in textile design. The investigation into digital Jacquard textile design in the colorful mode is one form of research in digital Jacquard fabric design, which aimed a... Digital image design is one of advanced technique in textile design. The investigation into digital Jacquard textile design in the colorful mode is one form of research in digital Jacquard fabric design, which aimed at expanding past and present jacquard design and production methods towards innovative ends. In this paper, the design principles and design methods for unconventional digital Jacquard fabric design in colorful mode have been analyzed based on the new technologies and computer applied color theory. The results of this study will enhance further research in the area of digital textile. 展开更多
关键词 digital textile Jacquard fabric colorful mode TRUE-COLOR shadow weaves.
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