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杜荀鹤诗中的“道”义审视——兼论杜荀鹤作品的习诗情感
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作者 谈家胜 纪永贵 《阜阳师范学院学报(社会科学版)》 2005年第4期47-49,共3页
在杜荀鹤的诗文里,“道”字频现,透过“道”可探析出诗人的思想倾向主要是固守理想的“公道”,信奉资身的“儒道”,追求文名的“诗道”。因而更多的诗作反映出诗人追逐功名,力求入仕谋身、荣家的个人心理和情惑。整体诗作意境狭窄,缺乏... 在杜荀鹤的诗文里,“道”字频现,透过“道”可探析出诗人的思想倾向主要是固守理想的“公道”,信奉资身的“儒道”,追求文名的“诗道”。因而更多的诗作反映出诗人追逐功名,力求入仕谋身、荣家的个人心理和情惑。整体诗作意境狭窄,缺乏阔大之句,高远之思,今人冠其“现实主义”诗人和作品“人民性”的评论有待进一步商榷。 展开更多
关键词 杜荀鹤 思想倾向 诗情感
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舞蹈审美创造阐述 被引量:3
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作者 徐进 《浙江纺织服装职业技术学院学报》 2005年第2期58-60,共3页
审美创造作为一切艺术的特征,也是舞蹈艺术的精髓所在。如何创造出真正能给人以艺术吸引力、感染力的舞蹈作品,如何把握舞蹈艺术中的审美创造思维?笔者认为,可以从动作流的传情达意,“形神化”的意外之象,“诗情感”的气韵涌随三方面的... 审美创造作为一切艺术的特征,也是舞蹈艺术的精髓所在。如何创造出真正能给人以艺术吸引力、感染力的舞蹈作品,如何把握舞蹈艺术中的审美创造思维?笔者认为,可以从动作流的传情达意,“形神化”的意外之象,“诗情感”的气韵涌随三方面的来把握。 展开更多
关键词 舞蹈 审美创造 动作流 形神化 诗情感
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论丁芒归来后的新诗艺术
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作者 方长安 龙泉明 《华中科技大学学报(社会科学版)》 CSSCI 1996年第3期44-49,共6页
丁芒是新时期一位诗风独特的“归来诗人”。“火”、“绿”和“时间”是其“归来”新诗的三大核心意象,构成其诗歌的情感空间,它的内核是对生命存在的体悟与思索。他的诗歌独特的情感基调、抒情方式和语言个性决定了其艺术风格,即激... 丁芒是新时期一位诗风独特的“归来诗人”。“火”、“绿”和“时间”是其“归来”新诗的三大核心意象,构成其诗歌的情感空间,它的内核是对生命存在的体悟与思索。他的诗歌独特的情感基调、抒情方式和语言个性决定了其艺术风格,即激昂与深沉、直露与含蓄的统一。其艺术成因是中西诗艺的相互渗透与融合。 展开更多
关键词 丁芒归来后的新诗情感 空间艺术风格 诗艺成因
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On "Poetic Spontaneity" and Aesthetics
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作者 WEI Shu 《Journal of Literature and Art Studies》 2014年第3期180-188,共9页
This paper tries to explore Wordsworth's poetics through a discussion of his important poetic conception of"poetic spontaneity" or "All good poetry is the spontaneous overflow of powerful feelings". Wordsworth's... This paper tries to explore Wordsworth's poetics through a discussion of his important poetic conception of"poetic spontaneity" or "All good poetry is the spontaneous overflow of powerful feelings". Wordsworth's poetic point "All good poetry is the spontaneous overflow of powerful feelings" is stated in his important work The Preface to Lyrical Ballads (1801), and this theoretical point is actually validated by many good poems of his own. This paper demonstrates the significance of the theoretical point by a close examination of The Preface and its textual meanings. And then it presents an understanding of the theory through a detailed analysis of his masterpiece Tintern Abbey (1798) and I Wandered lonely as a cloud (1804). It also demonstrates the importance and influence of his "poetic spontaneity" by comparing it with the Neo-classicalism in the 18th century and the Modernism in the 20th century. 展开更多
关键词 William Wordsworth POETICS SPONTANEITY AESTHETICS
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Imagination and Emotion in William Blake's Poems
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作者 XU Jian-gang HUANG Rong WANG Dong-qing 《Journal of Literature and Art Studies》 2016年第1期17-22,共6页
Writer's imagination does not only provide inspiration for literary creation, but also contribute literature works with more dazzling brilliance. As a representative of the British Romantic Poetry--William Blake, who... Writer's imagination does not only provide inspiration for literary creation, but also contribute literature works with more dazzling brilliance. As a representative of the British Romantic Poetry--William Blake, whose poems are full of imagination, always concedes his emotion and thoughts in a variety of imageries, exposing the reality of his times within his poetry writing. However. William Blake's imagination is no castles in the air, but based on the religious mythology, historical background, and the poet's life experience and dream pursuit. Only with in-depth understanding of the imagination in William Blake's poems can those hidden emotions and thoughts be grasped and appreciated. 展开更多
关键词 IMAGINATION EMOTION William Blake
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