明朝闽中诗群名家点将录——兼说明朝闽地诗歌文化世家

在明代诗歌发展史上,闽中诗群始终是它的一个重要组成部分。其中林鸿、高木秉、郑善夫、谢肇氵制、曹学亻全尤称名家。林鸿首倡闽中宗唐诗风,高木秉则为明初首屈一指的唐诗专家。明中叶郑善夫推崇杜诗,执闽中诗坛牛耳。晚明谢肇氵制、曹学亻全则标举中晚唐“妙悟”诗风。闽中诗群始终以宗唐为旨归。闽中建安杨荣、晋江赵王常、闽县郑关等家族为家学渊源源远流长的诗歌文化世家,也为闽诗繁盛出力甚巨。

The Road Not Taken by Robert Frost or Empathic Cognition and the Role of Symbols in Comprehension of Poetry

The role of empathic cognition is very ＂great for philosophers and philosophy in general and for ordinary people. Empathic cognition gives people a chance ＂to let＂ the emotions of the Other ＂go＂ into their minds. Empathic cognition is based on so-called co-suffering and in-sensation of the feelings of the Other or Others. Clots of energy or certain energy units are formed in consciousness of each person, they are called ＂subjective representants＂. It is possible to understand the Other or Others and to decipher the main idea of the poem （if the task to work on translation is given） and to express it in the native language if to find out not only the meanings of the words but the symbols the author has used in his poem. The reader ＂goes into＂ the world of the author trying to be near the author and trying to grasp what the author felt working on the poem. There is something what gives us a possibility to enter into the world of a creative personality. This ＂something＂ is empathic cognition.

畿辅背景下清代天津诗歌的空间特色及文化成因——以《津门诗钞》为中心的讨论

清代天津诗歌的发展在整个近世畿辅文化中独具特色,表现出典型的空间特征。这主要表现在,诗歌创作以世家为骨干的同时,大量外来文人进行诗歌雅集和结社活动。天津诗人中,外来者占很大的比例,地域融合的情况甚为明显,甚至天津的三大世家其祖上亦可追溯至其他地区。同时,天津诗歌核心区与经济核心区大致重叠,港口贸易与诗人聚集、居住形成了同构关系,与畿辅其他地区文化分布状况迥然不同。这同清代天津府便利的交通、繁荣的经济、日趋重要的政治作用有密切关系,是由天津所具有的开放的海洋(或港口)型文化特征所决定的。