“诗言意”的情感美学蕴涵

在中国传统诗歌中有一类作品,诗人的情感飘逸悠远,深微幽奥,透过简短的诗句,我们很难精确把握作者曲折的情思,笔者将之称为"意"情。"意"情是对一般性诗意情感的升华,表现出一种理想的审美境界;"意"情富含哲理韵味,以解释世界的真相为诗美追求;"意"情具有多义性和不确定性,表现为多重欣赏的含义域空间。而在诗美表达上,"意"情追求一种"心无系累"的精神超脱之境,"意"情是非常富有民族特色的一个诗学观念。

“诗言志”的嬗变史解读

“诗言志”以语言符号的神秘,揉和了长远时间里那些或隐或显的历史的、哲学的、宗教的等文化因素,在巫觋特定的仪式中生成了这样一种独特的文化存在。本文对于“诗言志”的解读,重在考察其在开放的历史时空中对流动着的具有不确定性的文化情境与其互动生成之关系,以揭示其发展与嬗变。

On the Generation of Nominalization and its Ecological Significance in Poetic Language

In consideration of the confused debates about the value of nominalization, this paper tries to explore the original generation of nominalization and analyze its use in poetry. This paper attempts to explore the generation of nominalization from a comprehensive point of view, to distinguish between ＂primary nominalization＂ and ＂ideological nominalization＂, to trace the root of primary nominalization, and to analyze the use of primary nominalization in poetry. Based on these analyses, this paper points out that primary nominalization in poetry is more consonant with the Green grammar, with the undivided, holistic ecological worldview and has ecological significance. However, the ideological nominalization in some other nonliterary formal style is an obstacle to the solution to environment problem, and so we should understand the function of nominalization with its contexts and pay more attention to poetic language.