A Brief View of Practice Ontology Aesthetics in the Context of Contemporary China

In recent years, Practice Ontology Aesthetics takes shape in academic discussion and argument. The introduction of Practice Ontology Aesthetics occurred in the course of introspection of Practice Aesthetics in modem China, in which the existence dimension in Marxist concept of practice was of great significance to breaking the theoretical limitation of present Practice Aesthetics. Therefore, in terms of the distinctive context of Chinese contemporary aesthetics, the introduction of Practice Ontology Aesthetics from the theoretical perspective of Marxist existentialism offers a possible way to break the current aesthetics and represents a multiple academic pursuit of Marxist, Chinese and modem aesthetics.

论现代翻译中的意境传感艺术

当代翻译中的东西方文化互补,虽有多种模式,但"以我为主,西学作补"是我们遵循的一个主导性原则。因此,"意境的欣赏与重构"无疑是文学翻译的核心问题,本文从翻译意境的前提,关键和准则方面进行探索和论述。