雅可布逊诗学视野下的文本—语境关系论

雅可布逊的诗学理论曾受到20世后期崛起的语境范式论者的批评,尤其是其文本中心说更是受到以卡勒为首的学者的抨击。但细读雅氏诗学论著可以发现,语境范式论者只看到了雅氏关于诗歌文本独立于语境这一认识,而雅可布逊的诗学理念并不限于文本中心说。如果说雅可布逊的形式诗学侧重考察诗歌文本与语境相对独立的关系,那么其结构符号学则强调诗歌文本与语境相互依赖的关系。可见,雅可布逊诗学视野下的"文本—语境"关系是矛盾统一的。

拥抱变化——从“后文学”到“新人文”的实践途径

“后文学”指向“语境-文本”融合的生态场域,其浑沌状态无法被单维度认知视角所把握,创作/生产者、传播/营销者、接受/消费者都无法置身其外地将其对象化,观察/研究者只能拥抱变化,参与性地介入其中,成为“语境-文本”的组成部分,才可能进行认识和理解,并对其做出有限的判断。重塑“新人文”的起点,不是形而上的理论玄思,而应该蕴藏在实践与实践中的思考里。这既是文学的生产,也是批评的生产。

A Critical Analysis of CCTV News Crossover Discourse

The discourse we would like to go over and analyze is an episode of crossover. Crossover is a popular program of the international channel of CCTV （Chinese central television） news, which is broadcasted in English. In this paper, one of these topics, law of marriage is selected for our analysis, in which the interlocutors intend to discuss about the debate among people towards the new addition of marriage law. Corresponding to the development of every aspects of Chinese society, people＇s ideology, mindsets, and attitudes towards marriage are constantly changing; consequently, some traditional values are collapsed. Therefore, it is of great significance to have an insight into the ongoing changes of peoples＇ value towards marriage. The participants of this discourse cooperate very well to carry on their conversation in a very interesting way in a broadcast studio. This paper will primarily cover textual analysis, context analysis, and make a clear comparison from other genres of discourse to highlight its characteristics.