The lack of existing solutions makes it really hard to understand formal specification languages since the application domain for representations is useful for the purpose of carrying out certain software engineering ...The lack of existing solutions makes it really hard to understand formal specification languages since the application domain for representations is useful for the purpose of carrying out certain software engineering operations such as slicing and the computation of program metrics.A Z specification dependence graph is presented in this letter. It draws on the strengths of a range of earlier works and adapts them, if necessary, to the Z language.展开更多
In one of the first pages and crucial scenes of The Lying Days （1953）, we soon associate the narrating voice with that of a bright, inquisitive child of Scottish descent immersed in the harsh Witwatersrand scenario ...In one of the first pages and crucial scenes of The Lying Days （1953）, we soon associate the narrating voice with that of a bright, inquisitive child of Scottish descent immersed in the harsh Witwatersrand scenario of a mining estate outskirts in the 1930s, along a path crammed with Jews＇ concession stores and exotic-looking natives. The unruly little girl is Helen Shaw, the late Nadine Gordimer＇s fictional double in her still somewhat neglected first novel, a Bildungsroman where the South African writer coming from Springs admirably capitalized on the ＂camera-eye＂ perspectives and zooming-in on details which had already informed much of her masterly short fiction. The aim of the present paper is to shed light on Helen＇s difficult growth towards sociopolitical and ethical awakening--in a country finding itself more and more trapped in the apartheid grip--by pointing out the earliest, embryonic stages of such a progressive knocking down of epistemic barriers. The author will thus focus on ＂The Mine＂, the first and most concise of the three parts making up the novel, and show how Gordimer＇s acute prose, incisive style, and descriptive strategies prove to be a fitting tool for recording and weighing the experience of an indefatigable observer, a hungry mind in search of erased features, meaningful connections, revealing contexts and subjects展开更多
The notion of invisibility in Invisible Man is spoken out by the protagonist＇s growth as an orator. Rather than a recursive retrieving of his identity throughout the narrative, the invisible man reinvents his identit...The notion of invisibility in Invisible Man is spoken out by the protagonist＇s growth as an orator. Rather than a recursive retrieving of his identity throughout the narrative, the invisible man reinvents his identity in his pursuit of pure persuasion. Both being terms in the Burkean system of literature rhetoric, pure persuasion, and identification become one for the unconscious purpose and the other for the symbolic action respectively in the protagonist-speaker＇s growth from an ideal emulator to speaker-audience mediator. In his identification with the audience and his ardent pursuit of pure persuasion, he paradoxically finds himself distanced from both his identity-to-be and the identity of his audience, with great division in-between. Though temporary corporation is achieved and occasional identification is resolved in the last two speeches, the protagonist only finds himself in a rhetorical context which is much more varied and more manipulative than he imagined. Such a realization renders the invisible man invisible again from the public stadium, who decides to resort to the pen for a life-long identification with the broader battlefield of racial discontinuity展开更多
文摘The lack of existing solutions makes it really hard to understand formal specification languages since the application domain for representations is useful for the purpose of carrying out certain software engineering operations such as slicing and the computation of program metrics.A Z specification dependence graph is presented in this letter. It draws on the strengths of a range of earlier works and adapts them, if necessary, to the Z language.
文摘In one of the first pages and crucial scenes of The Lying Days （1953）, we soon associate the narrating voice with that of a bright, inquisitive child of Scottish descent immersed in the harsh Witwatersrand scenario of a mining estate outskirts in the 1930s, along a path crammed with Jews＇ concession stores and exotic-looking natives. The unruly little girl is Helen Shaw, the late Nadine Gordimer＇s fictional double in her still somewhat neglected first novel, a Bildungsroman where the South African writer coming from Springs admirably capitalized on the ＂camera-eye＂ perspectives and zooming-in on details which had already informed much of her masterly short fiction. The aim of the present paper is to shed light on Helen＇s difficult growth towards sociopolitical and ethical awakening--in a country finding itself more and more trapped in the apartheid grip--by pointing out the earliest, embryonic stages of such a progressive knocking down of epistemic barriers. The author will thus focus on ＂The Mine＂, the first and most concise of the three parts making up the novel, and show how Gordimer＇s acute prose, incisive style, and descriptive strategies prove to be a fitting tool for recording and weighing the experience of an indefatigable observer, a hungry mind in search of erased features, meaningful connections, revealing contexts and subjects
文摘The notion of invisibility in Invisible Man is spoken out by the protagonist＇s growth as an orator. Rather than a recursive retrieving of his identity throughout the narrative, the invisible man reinvents his identity in his pursuit of pure persuasion. Both being terms in the Burkean system of literature rhetoric, pure persuasion, and identification become one for the unconscious purpose and the other for the symbolic action respectively in the protagonist-speaker＇s growth from an ideal emulator to speaker-audience mediator. In his identification with the audience and his ardent pursuit of pure persuasion, he paradoxically finds himself distanced from both his identity-to-be and the identity of his audience, with great division in-between. Though temporary corporation is achieved and occasional identification is resolved in the last two speeches, the protagonist only finds himself in a rhetorical context which is much more varied and more manipulative than he imagined. Such a realization renders the invisible man invisible again from the public stadium, who decides to resort to the pen for a life-long identification with the broader battlefield of racial discontinuity
