Oral literature transcends from orality to scribality and then textuality due to technological innovation. This paper seeks to evaluate the value of the characteristics of orality as applied by Oliver Kgadime Matsepe ...Oral literature transcends from orality to scribality and then textuality due to technological innovation. This paper seeks to evaluate the value of the characteristics of orality as applied by Oliver Kgadime Matsepe in his novel Legitaphiri （Unsolved Problem） （2008）. This will be done by taking into account the significance of self and community in a developing and changing society. It is important to note that all cultures are born from orality. However, the changes that the self and community undergo have a strong impact on the communications models within the community. This is influenced by the self and community, as the writer expresses his/her views by means of language that is based on a particular community.展开更多
Creative nonfiction is coming of age, not simply as opposed to ficdon, but as respectable as good ficdon true to its name. Due attention should be drawn to this super-genre absorbing varied subject matter. This paper ...Creative nonfiction is coming of age, not simply as opposed to ficdon, but as respectable as good ficdon true to its name. Due attention should be drawn to this super-genre absorbing varied subject matter. This paper looks into creative nonfiction as a form of art with a let-its-hair-down attitude generally in line with the genre. Creative nonfiction is held to be a paradoxically generic term covering subcategories such as memoir, biography, autobiography, history, and journalism. Instead of being walled off from one another, these subcategories mix and match to build up a work of truth, or rather elusive truth, which might sound stranger than fiction. In addition to the imaginative mix and match to open up new possibilities for writing, felicity of style is another add-on to doing it well. Hence creative nonfiction is conceived as an adventure to wrap up a somewhat strange story in a serendipitous form as well as a felicitous language. Hopefully, this three- quarter profile of the genre will be able to offer a thin slice of the picture to the audience.展开更多
文摘Oral literature transcends from orality to scribality and then textuality due to technological innovation. This paper seeks to evaluate the value of the characteristics of orality as applied by Oliver Kgadime Matsepe in his novel Legitaphiri （Unsolved Problem） （2008）. This will be done by taking into account the significance of self and community in a developing and changing society. It is important to note that all cultures are born from orality. However, the changes that the self and community undergo have a strong impact on the communications models within the community. This is influenced by the self and community, as the writer expresses his/her views by means of language that is based on a particular community.
文摘Creative nonfiction is coming of age, not simply as opposed to ficdon, but as respectable as good ficdon true to its name. Due attention should be drawn to this super-genre absorbing varied subject matter. This paper looks into creative nonfiction as a form of art with a let-its-hair-down attitude generally in line with the genre. Creative nonfiction is held to be a paradoxically generic term covering subcategories such as memoir, biography, autobiography, history, and journalism. Instead of being walled off from one another, these subcategories mix and match to build up a work of truth, or rather elusive truth, which might sound stranger than fiction. In addition to the imaginative mix and match to open up new possibilities for writing, felicity of style is another add-on to doing it well. Hence creative nonfiction is conceived as an adventure to wrap up a somewhat strange story in a serendipitous form as well as a felicitous language. Hopefully, this three- quarter profile of the genre will be able to offer a thin slice of the picture to the audience.
